On Nov. 12, McGill’s Peter Guo-hua Fu School of Architecture hosted the 2024 edition of the annual David J. Azrieli Lecture in Architecture. This year’s lecturer was Laurie Olin, a distinguished architect who began his career over 50 years ago, and is now a partner at OLIN—a Philadelphia and Los Angeles-based architecture firm. Olin presented a whirlwind tour of his life story, chronicling a career that has witnessed upheavals, slow changes, and fundamental shifts in the field of architecture. 

Olin, who is now 86, originally studied Civil Engineering at the University of Alaska during the 1950s before completing a Bachelor’s of Architecture from the University of Washington in 1961. During the 1960s, he made his home in the Seattle area, spending long periods of time in a cabin on the scenic Bainbridge Island. While there, he became involved in a struggle with the local government to preserve Pike Place Market, a public market hosting independent vendors that today is one of Seattle’s primary tourist attractions. The process impressed upon Olin the importance of vibrant, public places for the local community to gather—an emphasis that remained throughout Olin’s career—but it also took a toll on his mental health. 

“I didn’t want to have another breakdown, but I wanted to get out of town,” Olin said in his lecture. 

And he did get out of town. His travels took him to England, where he fell in love with the sprawling gardens attached to many country houses, and Rome, where he was fascinated by a city that had more historical layers than the United States could ever dream of.

It was around this time that Olin found his niche: Buildings were alright, but he found he was most passionate about the outdoor public spaces that surrounded them. This field turned out to be called “landscape architecture,” an area that was just beginning to enter into formal architecture study in the 1960s and 70s. 

Landscape architecture includes the design of parks, plazas, and urban spaces like intersections and walkways. Olin noticed early on that introducing beautiful design into these spaces had the power to transform them from abandoned afterthoughts into bustling community centres. Olin called this “the confidence game of having a beautiful landscape,” referencing the way design could influence people’s attitudes about a space. 

Olin’s commitment to making appealing, useful public spaces has taken him around the United States, from Seattle’s Gas Works Park—a creative repurposing of old industrial machinery for a children’s playground—to the redesign of Bryant Park, which surrounds the New York Public Library in Manhattan. More recently, he was involved in the iconic Apple Park project, which is best known for Apple’s famous circular mega-office building, but Olin was quick to note that the site is surrounded by over a hundred acres of carefully-planned meadows, running paths, and fruit trees. 

Over the course of his long career, Olin has seen landscape architecture grow from a fledgling discipline into a recognized part of architecture practice. He has also witnessed sea changes in the whole field, describing in his talk the first project where his firm used computer-generated plans and CAD modeling. He also discussed the increase in the presence of woman architects over the last 50 years. 

“Of course, there were women [in the 1970s], but nobody knew about them,” Olin said. 

He also described the increasing emphasis on social justice, awareness, and responsibility in landscape architecture over the years. His more recent projects, including his firm’s plans for improving the infrastructure around the Los Angeles River, have prioritized concerns like easy access to green space for low-income areas and reconnecting communities that have been separated by the construction of highways. 

Throughout all of these changes, Olin has centred beauty and careful design in community spaces, always believing in the transformative power of architecture. 

“He asked me ‘Why on Earth would people go there?’” Olin said, describing skepticism about one of his projects to revamp an urban intersection. “I told him, ‘Well I don’t know, but make something beautiful, and people will show up.’”