There must be something in the water in Iceland. The nation has given birth to many popular acts, such as Björk and Sigur Rós, known for treading into strange, experimental realms with their music. Apparat Organ Quartet certainly fits this mould, with their inventive electro-rock and their particular style, which relies on using reclaimed or thrown-out instruments. Their sophomore album, Pólýfónía ,is a compelling, genre-twisting mélange that doesn’t cease to entertain.

“Babbage” begins with keyboard licks before transitioning into a relaxed, lyricless rock beat. It sets the tone for the rest of the album, and most other pieces follow in its style. The first single, “Cargo Frakt,” is more anthemic, with distorted lyrics and a grittier feel. The lyrics of “Konami” weave together with less focus on the instruments to create one of the album’s more accessible tracks. “Pentatronik” pulsates and contrasts; it starts frenetic, slows down to a crawl, and finally picks up its pace and lets loose. The lyricism of “123 Forever” is ethereal, yet somehow spot-on; it intermingles with the rock-style electronica flawlessly. This is the type of song that captivates, with enough complex components to warrant many listens. Finally, drawing Pólýfónía to a chaotic close is “Songur Geimunglingsins,” layered deep with angst.

Apparat Organ Quartet have created something rare with Pólýfónía. While strange and puzzling, it’s done in an innovative way. The novelty of their sound is indicative of the band’s adventurous nature. Unlike their instruments, none of their sound is recycled.