Swanlight is the fourth release from singer-songwriter Antony Hegarty, and one that sees him moving in a new, subtler artistic direction. After making waves in the music industry with his second album in 2005, Hegarty and his band have become a critically acclaimed staple in the indie scene. It’s easy to see why: Hegarty’s vocals are full-bodied and emotive, filled with passionate intensity but also a fragile sensitivity that few singers are able to match.

The baroque pop arrangements of Johnson’s first few records, however, are less present on Swanlight. Preference is given to sparse instrumentals, plucked strings, and stumbling keys, allowing Hegarty’s vocals to dominate more than ever. The title track is laden with reverb and distortion effects, “Ghost” abounds with delicate piano arpeggios, and “Thank You for Your Love” kicks in with a sultry brass chorus. All the while Hegarty’s voice is a constant, moody and evocative. Although this album feels less melancholic—love seems to be often on his mind—Hegarty also sings regretfully about his family on “The Great White Ocean” and sad beginnings on “Everything Is New.”

The lingering impression of Swanlight is the necessity of Antony’s lyrics. He sings like every song simply has to be sung, and this is what stays with the listener.