M83’s Anthony Gonzalez has openly admitted his obsession with 1980’s synth-pop. If he were a new wave fanboy, Hurry Up, We’re Dreaming would be his loving tribute. And although it’s labeled as a two-disc set, the album clocks in at a relatively short 73 minutes and plays nicely in one sitting. It begins with an introduction reminiscent of the opener from Van Halen’s “1984,” in which electronic keyboard is established as the fundamental musical element to be used extensively throughout the album.

Gonzalez has a flawless understanding of ‘80s vocal quirks.  The intro track’s gradual buildup, combined with guest ginger Zola Jesus’ angst, show hints of U2 and there are brief glimpses of David Gilmour’s echoed vocals on the acoustic “Wait.” On “Claudia Lewis,” he evokes Peter Gabriel’s strained high notes to absolute perfection.

The album’s celestial atmosphere holds strong throughout the bulk of the material, but it probably could have been just as satisfying if it spared its brief instrumental tracks. Having these occasional interruptions reinforces the cosmic vibe of the record, but it would have functioned just as seamlessly and sounded even more focused if it were trimmed to a single disc.

Hurry Up, We’re Dreaming is a dazzling interpretation of old styles. If M83’s influence normally rests among 18-24 year olds, imagine how clearly this type of album will resonate to those outside the university demographic.