Arts & Entertainment

Peter Hook

Peter Hook and The Light, playing Joy Division’s Unknown Pleasures (and more), were warmly received on Sunday night by a full house at the spacious Club Soda. The crowd was an eclectic set—men outnumbered women five to one—and an age demographic skewed strongly toward two poles: fashionably-dressed 20-somethings and original Joy Division fans who were those 20-somethings in the late ‘70s and early ‘80s.

Peter Hook soaked in and stoked up the crowd with arm-waves and poses in between his vocals and choice morsels of excellent bass work on his red-and-cream Eccleshall Viking. Hook’s son Jack Bates, sharing and swapping out bass parts for Hook on a red Yamaha, proved himself to be adequately prepared to follow in his father’s footsteps. Nat Watson on guitar, Paul Kehoe on drums, and Andy Pool on synth each held their own and shone without outshining.

Both “Transmission” and “Digital” whipped the crowd into a furor of raised hands and appreciative shouts. Hook played the stage like a pro, showing off his string technique especially close to the faces of those lucky enough to be down right of stage.

“Love Will Tear Us Apart,” Joy Division’s best-known track, saw the audience at its most enthusiastic. Fans seated in the wings rose to dance, and girls were lifted up on shoulders for a full-throated audience sing-a-long as the floor turned into a dance pit roiling with bodies and marijuana-scented smoke.

Peter Hook seemed pleasantly surprised by the crowd’s reception toward the end of the show, humbly offering a few refrains of “merci” before he came back for one encore, and then a second. He wrapped up with two New Order songs, leaving the audience crying out, clearly still hoping for more, until the very last amp was clicked off.

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