The Tribune

tUnE-yArDs is a project orchestrated by Merrill Garbus, who respects musical conventions about as much as she respects typographic rules. The band played (in this writer’s opinion) the best show of POP Montreal on Friday night in the hottest and most humid venue of the whole festival. Despite the discomfort,[Read More…]

POP Montreal got off to a loud start Wednesday night with a sold-out set from Vacouver rockers Japandroids. With a new album to be released at the beginning of next year, the band took the opportunity to preview some new songs, promising to “get them out of the way first” [Read More…]

Arcade Fire proudly put on a remarkable show for the thousands of people that crowded the Quartier des spectacles on Thursday night. The band’s passion for their beloved hometown shone through in their performance, and it was clear how happy they were to pay tribute to the people and city[Read More…]

Peter Hook and The Light, playing Joy Division’s Unknown Pleasures (and more), were warmly received on Sunday night by a full house at the spacious Club Soda. The crowd was an eclectic set—men outnumbered women five to one—and an age demographic skewed strongly toward two poles: fashionably-dressed 20-somethings and original[Read More…]

In hindsight it seems silly to have expected any of the shows at the late night L’Église POP venue to be anywhere other than the basement of L’Église Saint-Édouard, but it was still disappointing to see Toronto punks Fucked Up relegated to the space, if only for how awesome it[Read More…]

Though stuffed into only 150 pages, Julian Barnes’ new novel, The Sense of an Ending, is a very big book. This thin volume trades in themes one might only expect to find in a real doorstopper of a book, a fat Bildungsroman, a sweeping history of a life. Barnes’ book[Read More…]

Laura Marling’s stage banter at Theatre Corona on Saturday night was as endearing and honest as her music, drawing the audience right into her performance. Self-aware at first and claiming to be terrible at witty banter, she warmed to the audience and eventually confessed to a long-standing obsession with Canada[Read More…]

If you’re going to make a documentary about a band, you generally need at least two things: music, and interviews with the band in question. Color Me Obsessed features neither. Instead, director Gorman Bechard tells the story of famed ‘80s punk band the Replacements via interviews from those close to[Read More…]

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Sam Reynolds