When the Beatles sang about “the dirty story of a dirty man,” who longs to be a “Paperback Writer,” they accurately depicted the stereotypes that still surround popular genre fiction. You know the type; you might even know it intimately. Trashy romance novels, fantastical sci-fi, horror stories, detective mysteries, even the more highly acclaimed chick lit and dick lit genres fit into this category.

Writing is like sex. There’s that playing around with ideas before hand, the ejaculation of ideas on paper, and in one sweeping moment of inspiration the climax (of the story) comes, bringing everything to an end soon after. So why is it so much better to “do it” in Montreal? What is it about this city that makes it a great place for writers? After all, The Quebec Writers’ Federation dubbed Montreal the World Book Capital in 2005.

Do you use your extra spending money to buy books you may never get around to reading? Can you envision yourself 40 years from now spending three fourths of the day in your lavish mahogany library? Do you stroll along bookstore shelves just to “browse” and end up buying three unnecessary items? If you answered yes to any of these questions, then you have a clinical obsession with books.

Force your foot in the door, says Alex Grossi, and while she could be talking about any job, she is referring to television screenwriting. A lucrative and highly interesting position, screenwriting for TV has taken off in the past decade as the number of channels looking for the next “hit show” has expanded exponentially.

It’s likely that the average McGill student reads more words per day off of a computer screen than from in his or her books. Material for essays, labs and other class work are readily available on a number of databases – the most useful of which are even paid for by McGill.