There is a tragically narrow vision of what contemporary East Asian music should sound like. Often lumped into vague, generalized categories such as ‘J-Pop’ or ‘K-Pop,’ Western critics have a tendency to consider the ethnic groupings of Asian musical production first and foremost, often obscuring the lyrical and technical aspects[Read More…]
Music
Anderson .Paak’s masterful balancing act
It feels like just yesterday that Anderson .Paak released his long-anticipated Oxnard, a decidedly summery album for the middle of November. The album received mostly positive reviews, although some critics bemoaned its eclectic and aimless nature. Still, .Paak has always had a gift for straddling the line between hip hop[Read More…]
Solange’s ‘When I Get Home’ is an avant-garde celebration of black excellence
Three years after the striking A Seat at the Table (2016), Solange released her fourth album, When I Get Home, on March 1. Accompanied by a short eponymous film, the album is an homage to the artist’s Houston roots, her birthplace, and the city’s black pioneers. A notable departure from her last studio[Read More…]
Weezer stumbles into pop music with ‘Weezer (The Black Album)’
Before even pressing ‘play,’ Weezer’s Weezer (The Black Album) tempts listeners to write the album off immediately. With The Black Album, released on March 3, the band tried to emulate meme culture, adding a spork into the packaging of pre-ordered copies, and even making a cameo in the game Fortnite. These gimmicks[Read More…]
Vampire Weekend’s misplaced nostalgia trip
Though latte art has long been a staple for the caffeine-addicted and financially-irresponsible youth, it’s becoming a little passé—perhaps pancake art will be the next trend in breakfast-themed artistry. Or at least that’s what Vampire Weekend frontman Ezra Koenig thinks. In the music video for “Harmony Hall,” the band’s latest[Read More…]
‘Tip of the Sphere’ is a little bit magical
Singer-songwriter Cass McCombs has always been a compelling storyteller and Tip of the Sphere, his latest work, might just be his magnum opus. The album, released on Feb. 8, is a whirlwind of fantastical world-building, deft lyricism, and cathartic melodies. The songs are a subtle departure from the spare, folksy[Read More…]
The hollow girl bossery of ‘thank u, next’
My interest in Ariana Grande was piqued by 2018’s Sweetener, a critically-acclaimed jazz-infused love letter to then-beau, comedian Pete Davidson. thank u, next is the antidote to Sweetener, a cryptic dissection of the infamous broken engagement that has been met with similar praise. And yet, it is at this juncture that I[Read More…]
Igloofest is still cold in its 13th iteration
Most people spend January and February huddled up indoors trying to avoid any contact with the frigid, brutal elements. Not Montrealers, though—for three weekends every year, hordes of ravers dressed in 90s ski-jackets and spacesuits brave the winter, fill up Quai Jacques-Cartier, and dance the night away. This year was[Read More…]
Fired up with Fireball Kid
Just over halfway through Fireball Kid’s “Be Friends” (with Magi Merlin, Ura Star, and Big Friends) a distorted guitar solo rips through the production. Sparkly pop textures, autotuned falsetto verses, and Magi Merlin’s lush, commanding hook suddenly fall off, and, for a second, it sounds like someone tripped over a[Read More…]
Oh, What a Show: Kacey Musgraves radiates at Mtelus
“Born in a hurry, always late, haven’t been early since ’88,” is one of the best and most endearing opening lines for an album. It is infinitely more compelling when sung by a shimmering silhouette emerging from a shroud of fog. From those opening words to the last glimmering chords[Read More…]
