It’s been five long years since London-born singer-songwriter Jamie T released his second record Kings & Queens (2009) to critical acclaim, solidifying his place in the English indie rock scene. Known for his witty and clever lyrics, Jamie T has provided classic, well-written songs portraying a “normal person’s” critique of[Read More…]
Music
McGill professor brings the noise at Montreal’s l’Off Jazz Festival
For years, trumpeter, composer, professional bandleader, and McGill jazz professor Joe Sullivan has been instructing McGill students and connecting them with the greater Montreal music community. When he performs at the Segal Centre this weekend with the rest of the Joe Sullivan Big Band—plus special guests Lorne Lofsky and Kirk[Read More…]
Album Review: Aphex Twin – Syro
In early September, Richard James, aka Aphex Twin, teased his eager fan base with the release of his new album’s first track, “minipops 67 [120.2].” The song’s resonant kick-drum harmony reminded me of Moderat’s crowd-pleasing 2009 single, “Rusty Nails,” which lead me to believe that Syro was going to be[Read More…]
Pop Rhetoric: Mysterious craze—Why the U2 hate has gone too far
Is there a more hated band in the world right now than U2?
Album Review: Odesza – In Return
Having made names for themselves in their local electronic music scene, Seattle-based Catacombkid (aka Harrison Mills) and BeachesBeaches (aka Clayton Knight) brought their individual talents together to create ODESZA in 2012. Since then, the partnership has flourished, as demonstrated by the duo’s dynamic sophomore album, In Return. The record is[Read More…]
Deep Cuts: Forgotten gems from one-hit wonders
Lawyers, Guns, and Money Artist: Warren Zevon Album: Excitable Boy Released: January 18, 1978 Though you probably don’t know who Warren Zevon was, you’ve probably heard “Werewolves of London” before—though it’s likely more often associated with Halloween or being one of the samples on Kid Rock’s “All Summer Long” than[Read More…]
Owen Pallett reveals expertise in vocals, violin
As far as entrances go, Owen Pallett’s first appearance on stage during his concert at the Corona Theatre last week was a humble one.
Album Review: Lights – Little Machines
Five years ago, the electronic music field looked vastly different than what it is today. Since then, La Roux proved a surprising newcomer with her hit single “Bulletproof,” Skrillex was the first electronic artist nominated for major Grammy awards, and Disclosure led the modern-day electronic charge into mainstream culture. The relatively[Read More…]
Album Review: Perfume Genius – Too Bright
Conveying emotion is difficult. Conveying emotion well—and allowing people to connect to it—is even harder. However, for American songwriter Mike Hadreas, otherwise known as Perfume Genius, emotional darkness and confessions are where he thrives. His first two albums tackle incredibly personal struggles: Sexuality, molestation, and relationships, which results in some[Read More…]
Album Review: Alt-J – This is All Yours
Following the commercial success and melodic genius of Alt-J’s first album, An Awesome Wave, the anticipation for follow-up This is All Yours was high. It’s always easy to nitpick the latest work from a band that has unexpectedly risen to the top of the popular music scene, but when it[Read More…]
