Often, archetypal indie pop concerns itself with loss, generally that of some idealized relationship or another. However, Still Life’s new album shifts its creative focus to a different type of loss: mourning the deaths of extended family members of the band. This theme attests to the collective history of the musicians, who have been playing together since childhood. Every track reflects on these experiences, but it feels more like a tribute to living on rather than a cry against the unfairness of the world.
Music
Wavves: Afraid of Heights
From their name, to their aesthetic, to their music and lyrics, San Diego-based Wavves exemplifies surf rock. But where can one go, after naming their third album King of the Beach (2010)? Their fourth release Afraid of Heights answers that question with a series of tracks that infuse their typical[Read More…]
Akron/Family: Sub Verses
Ranging from creepy, melancholic songs, to energizing anthems and droning ballads, the experimental rock band Akron/Family’s seventh album Sub Verses intrigues the listener with layers of repetitive sound, rewarding them with each additional listen. The album starts off alarmingly loud and captivating, surrounding the listener with many sounds that together,[Read More…]
Groenland: The Chase
A title like The Chase begs the question: chasing what? The album is purposefully coy in providing an answer, but one can rule out ‘talent’ as a possibility—Groenland already has that in abundance. The Montreal six-piece’s release is staggeringly accomplished for a first effort. The Chase occupies a nebulous arena[Read More…]
Peace: In Love
It’s baffling that there hasn’t been a band named Peace already, but four Brits have taken the moniker and are running with it. Their debut album, In Love, is chock-full of summery guitars and catchy hooks. Song titles such as “Higher Than The Sun,” “Float Forever,” and “California Daze” are[Read More…]
Ingrid Gatin: 1000 Lives
Few modern artists use the accordion in their songs, and even fewer can use it with the grace and flair of Ingrid Gatin. Her second full-length release, 1000 Lives, is dramatic and old school, relying heavily on piano, and the aforementioned accordion. Winnipegger Gatin has a dynamic, strong voice, and[Read More…]
The Besnard Lakes: Until In Excess, Imperceptible UFO
Coming off the heels of their second appearance on the Polaris Prize shortlist, The Besnard Lakes are back with Until In Excess, Imperceptible UFO, another collection of orchestral slow burners. Husband and wife bandleaders Jace Lasek and Olga Goreas and their bevy of collaborators have created eight dreamy, textured songs[Read More…]
Bonobo: The North Borders
Bonobo is back, and he has evolved. The North Borders, the British producer’s first album of original material since 2010’s Black Sands, boasts a heavily modern UK garage sound with inflections of fellow garage artist Burial. Simon Green, also known as Bonobo, is the most popular guy on the Ninja[Read More…]
Phosphorescent: Muchacho
Phosphorescent’s Matthew Houck has hit a career high with the release of his sixth full-length album, Muchacho, which creates the perfect blend of electronica and Americana. The album opens with bubbling electro synth and harmonized vocals in “Sun, Arise!,” which, along with its sister song “Sun’s Arising,” bookend the album.[Read More…]
Suuns: Images du Futur
Suuns’ lead singer Ben Shemie refers to the environment in which his Montreal band recorded Images du Futur—the Quebec student protests of last year—as, according to the press release, “a climate of excitement, hope, and frustration.” But if the album is a political statement, it would be best described as[Read More…]