Music

Flux Pavillion: Blow the Roof

Today, some listeners are voicing concerns that dubstep is a dying genre—a fad that existed solely as an exciting, contrarian alternative to the growing popularity of catchy electronic pop. Likewise, they argue that with new mainstream acceptance, the genre is floundering—the limelight brings the destruction of a genre that can[Read More…]

Hollerado: White Paint

The 2009 release of Hollerado’s breakthrough debut, Record in a Bag, uprooted the band from small-town beginnings and propelled them into the indie limelight. The band’s sophomore effort, White Paint, is the culmination of the ensuing four years—more than a thousand live shows and several tonnes of confetti later. The[Read More…]

PVT: Homosapien

 The title of Australian trio PVT’s fourth effort Homosapien sheds light on the band’s perspective on sound. With its scientific tinge, the title alludes to the electronic infrastructure of the album. The band’s progression from instrumental electronic rock to a more electro synth-pop sound began with their last album, Church[Read More…]

Tegan and Sara: Heartthrob

After spending a decade in the music industry, and crafting six albums that have cemented the band as a powerful indie-rock duo, Canadian twins Tegan and Sara decided to take the plunge into the world of pop by recruiting producer Greg Kurstin (Ke$ha; Katy Perry). Replacing guitars with synth-pads, simple[Read More…]

Naked Days: Sleeping in Herndon

Naked Days, an eclectic band hailing from Leesburg, Virginia, brings us a unique arrangement of acoustic alternative sound. Reminiscent of the likes of The Silversun Pickups, Edward Sharpe and The Magnetic Zeroes, and Montreal’s own Thus:Owls, this indie foursome fuses a muffled, low-definition sound with sweet lyrical supplement in their[Read More…]

The Joy Formidable: Wolf’s Law

The century-old Wolf’s Law says that our bones can adapt themselves to carry increasingly heavier loads over time; the more stress we place on our bones, the more resistant they become to these external pressures. There seems to be no better testament to this theory than Welsh band The Joy[Read More…]

Read the latest issue

Read the latest issue