When Sacramento-based hip hop collective Death Grips released their debut studio album The Money Store in 2012, the culture of music consumption began to shift. The aggressive, experimental ethos of Death Grips’ LP was powerful enough to inspire change in tastes among fans and creators alike, but internet music enthusiast[Read More…]
Album Reviews
Kacey Musgraves’ ‘star-crossed’ is a refreshing take on the breakup album
On Sept. 10, Grammy award-winning singer-songwriter Kacey Musgraves released her fifth studio album, star-crossed. Focussed on her divorce from Ruston Kelley—whose love story was detailed in her previous Grammy-winning album, Golden Hour (2018)—the album is a stunning project that navigates the non-linear healing process of grief. While Musgraves’ previous work[Read More…]
What we liked this summer
A return to schoolwork entails an adjustment to our levels of consumption. In the spirit of endings, new beginnings and transitions, the Tribune weighs in on their favourite pieces of content from this summer. There’s plenty of time left until midterms for a few binges. Book: The Authenticity Project Suzanna[Read More…]
Homeshake’s new album ‘Under the Weather’ is a musical rendering of distress and isolation
Homeshake, also known as Peter Sagar, is a Montreal-born and Toronto-based artist known for his mellow sound and poignant lyricism. Under the Weather, his fifth studio album, is a 12-track confession of depression and isolation. Although Sagar wrote the morose album in 2019 after mental health struggles secluded him from[Read More…]
Evolution and 9 Horses’ ‘Omegah’
The genre-bending music of New York City’s chamber jazz trio 9 Horses proves that just three instruments are capable of creating anything from prog rock to folk music, with sounds both melodic and jarring. At least, it does for composer and mandolin player Joseph Brent, violinist Sara Caswell, and bassist[Read More…]
Ofer Pelz’s ‘Trinité’ experiments with audible embodiments of visual perception
Composers have experimented with the art of musical composition for centuries, but rarely have they gone so far as to remove something so integral to music as melody itself. Ofer Pelz is a Montreal-based composer, pianist, and improviser who uses traditional classical music instrumentation to create unique, experimental sounds that[Read More…]
Isaiah Rashad’s ‘The House is Burning’ incompletely embodies its fiery namesake
More than half a decade has passed since Isaiah Rashad released his dense, jazzy sophomore album, The Sun’s Tirade. While hip-hop music trends come and pass quickly, the release of Rashad’s new album The House is Burning on July 30 proved that he remains in the unique conscious, melodic, lo-fi-style[Read More…]
38 Spesh holds back the potential of Benny the Butcher and 38 Spesh’s ‘Trust The Sopranos’
Riding a train powered by the gritty, imaginative imagery of street crime and new-age lyricism, Griselda Records member Benny the Butcher’s 2020 and 2021 albums have been consistently potent. 38 Spesh, one of Benny’s lesser-known yet widely accredited contemporaries, collaborates with Benny on Trust The Sopranos, an 11-track LP. To[Read More…]
‘OK Human’ is sort of human, but definitely less than okay
Due to the indefinite nature of the pandemic, the subgenre of the “pandemic album” has become an increasingly large fixture. Although some, such as Taylor Swift’s folklore and Charli XCX’s how i’m feeling now, were massive critical and financial successes, Weezer’s latest album, OK Human, is not poised to join those[Read More…]
‘Positions’ never reaches its climax
Over the lightly plucked strings of Positions’s opening track, “shut up,” Ariana Grande sings, “All them demons help me see shit differently / So don’t be sad for me.” The self-assured lyrics swiftly address the emotional core of her two previous LPs, Sweetener and thank u, next, with a nonchalance meant[Read More…]
