Following the critical and commercial acclaim of 2017’s Flower Boy, Tyler, the Creator—the now reformed enfant-terrible of the softboi hip-hop world—opened a world of artistic possibilities for himself. Given his disregard for public opinion, it isn’t entirely surprising that his next artistic endeavour would be a new rendition of “You’re a Mean One, Mr. Grinch” for the recent remake of the children’s classic, How the Grinch Stole Christmas and an accompanying EP inspired by the green man himself.
Album Reviews
Hot take: Greta Van Fleet’s debut album is a rock n’ roll throwback
The world of music journalism is full of takes: Good takes, bad takes, medium takes, and even hot takes. Here, in the Arts & Entertainment section of the The McGill Tribune, we try to supply the hottest takes around. Recently, Pitchfork lambasted Greta Van Fleet’s newest album. In the article, Jeremy[Read More…]
Lakes of Canada blends eclectic influences in ‘We Will Outlive the Sun’
While up-and-coming indie rock bands often attempt to mimic genre-defining groups such as Arcade Fire or LCD Soundsystem, Lakes of Canada has proven itself capable of carving its own path in the music world. Their new concept album, We Will Outlive the Sun, adds innovative flavour to the industry. The[Read More…]
Album Review: Kurt Vile ‘Bottle It In’
Halfway through Bottle It In, Kurt Vile’s newest album, he covers country veteran Charlie Rich’s “Rollin With The Flow.”
Cher’s ‘Dancing Queen’ divides fans
As if her lacklustre performance in this summer’s Mamma Mia 2! Here We Go Again, wasn’t enough, Cher has released an album of ABBA covers. The A&E team is here to deliver the verdict: Does Dancing Queen redeem the Goddess of Pop? Does the diva do justice to her ‘70s-disco Swedish[Read More…]
High as Hope reveals a grown-up Florence
Eccentric, electric, and extraordinary, Florence Welch and her devoted Machine defied conventions with their June 29 release of High as Hope. The band’s fourth album reveals a seasoned, contemplative Welch who explains her past traumas in music for the first time. Florence + The Machine’s first three albums, Lungs, Ceremonials,[Read More…]
The Now Now marks the end of an era
The Now Now dropped on June 29, a little over a year after the 2017 release of Humanz—a genre-defying, guest star-studded smorgasbord of an album. The Now Now features only three musical cameos, choosing instead to privilege Damon Albarn’s voice, revealing an interiority previously unexplored on Gorillaz albums. In “Fire Flies,”[Read More…]
Snail Mail’s glowing tribute to adolescence
Teenagers often spend their formative years in a state of emotional limbo; no longer children, but not quite adults. From this place, wonderfully moving art has been produced. At the age of 19, Baltimore native Lindsey Jordan has managed to emerge as a potential threat to songwriters everywhere as Snail[Read More…]
Album Review: Unknown Mortal Orchestra’s ‘Sex & Food’
When Unknown Mortal Orchestra first appeared with a standalone online single in 2010, the identity of its creator was unknown, and an air of mystery surrounded the song. It featured an uncanny, lo-fi voice singing strange words over a psychedelic guitar riff, and a weird title, “Ffunny Ffriends.” Since then,[Read More…]
Reanimating the corpse of trap music
There was a time, not too long ago, when it seemed that Lil Yachty was the future. He looked and sounded like a radically new type of rapper, happiest when crooning over samples of cartoon theme songs, his bars lighthearted and youthful. He entered the mainstream with his 2016 mixtape[Read More…]
