Due to the significant outrage sparked by our previous “Oscar Snubs” list, and the end of Oscar season forecasting a barren eight months for movie thinkpieces, The McGill Tribune is proud to present our latest innovation in the Oscar-related content you crave. Welcome to The McGill Tribune’s Oscar Snubs Snubs. The[Read More…]
Film and TV
‘Annihilation’ feels like a video game but hits like Kubrick
Unlike for other escapist genres, it’s been a long time since “taking itself seriously” could be considered enough to validate a science fiction film. While the 2000s saw Peter Jackson (Lord of the Rings) and Christopher Nolan (The Dark Knight) transforming traditionally “low genres” into Oscar-winning milestones, filmmakers have used[Read More…]
The Academy still hates women
There was a moving moment during the 90th Academy Awards where Ashley Judd, Salma Hayek, and Annabella Sciorra stood onstage to deliver a message. Their connection? All have accused Harvey Weinstein of sexual misconduct. In a year of watershed moments for transparency and accountability, the #MeToo and #TIMESUP movements have[Read More…]
Fokus Film Festival showcases its 12th year of student filmmaking
For the past 12 years, the Fokus Film Festival has served as a showcase for student filmmaking in the Montreal community. On Feb. 23, Student TV at McGill (TVM) presented the annual film festival at Cinema du Parc before a panel of professors and film connoisseurs alike. Despite technical difficulties,[Read More…]
Cinema Politica shines light on the margins
Cinema Politica is a nonprofit network that collects and screens independent documentary films. Its weekly screenings embody the network’s slogan, “screening truth to power,” with films that show solidarity with oppressed voices who often go unheard in mainstream media. The McGill Tribune looks at two of their most recent films, examining stories[Read More…]
The most egregious snubs of the 2018 Oscars
The Academy Awards are awful. This is not up for dispute. They’re trying to get better—this year’s nominees present a definitively more inclusive list than in years past—but at its heart, the event is a self-congratulatory, out of touch, typically-discriminatory money grab that almost always awards the wrong thing. Nevertheless,[Read More…]
“Kanehsatake: 270 Years of Resistance” explores a conflict still unresolved
During the summer of 1990, a centuries-long land dispute between Mohawk members of the Kanehsatà:ke community and the Canadian government developed into an armed confrontation that would last for almost three months. The conflict broke out because of a proposed golf course expansion in Oka, a small town roughly 60[Read More…]
Sam Rockwell shines in Three Billboards Outside Ebbing, Missouri
Writer-director Martin McDonagh’s (In Bruges, Seven Psychopaths) world is inhabited by broken souls; well-intentioned but flawed people who hurt the ones they love because they have not found any other way to cope. Pain passes between individuals in an endless cycle of violence, and we watch as it grows, infects,[Read More…]
On Armie Hammer’s shoes in Call Me By Your Name
Shoes don’t often scream your name from across a crowded room. Unlike the peacockish hat, the ostentatious bifocal, or the presumptuous earring, the humble shoe does not boisterously salute you at eye-level. Often concealed, or at least partially so, by a brashly uncuffed pant leg, shoes maintain a measured distance[Read More…]
The Disaster Artist—or ‘How to Bring Tommy Wiseau to the Oscars’
In 2003, a man created a film that came to be known as the best worst movie of all time: The Room, written and directed by Tommy Wiseau, who also stars. Despite its lackluster premiere and absence of a theatrical release, it has garnered a cult following complete with midnight[Read More…]
