Arts & Entertainment

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POP hopping: festival recap

Look Vibrant opened at 8:00 p.m. at Casa del Popolo last Friday, kicking off a show that included later sets by AroarA (which includes Broken Social Scene member Andrew Whiteman) and Montreal psychedelic rock outfit Filthy Haanz. The members of Look Vibrant certainly appreciated the gig, and lead singer Justin Lazarus frequently thanked the modest crowd for attending despite the relatively early set time. The lo-fi noise pop they played sounded great live, with a cleaner feel than their fuzzy cassette release Plateau. One drawback was Lazarus’ self-conscious, falsetto-whine vocals, which lag behind his songwriting. However, the band’s enthusiasm, well-rehearsed guitar shredding, and effective use of an intimate venue atoned for his tone.

Arctic Monkeys – AM

Alex Turner and the boys have returned—with a decidedly poppier sound. AM takes a bit of warming up to; it’s hard to reconcile this band with the one that produced 2006’s punk-infused Whatever People Say I Am, That’s What I’m Not, or 2009’s hard rocking Humbug. Alas, part of what has defined the Monkeys over the years is their ever-changing sound, and AM is just another step in that evolution.

Could be good

Californian act The Growlers make an appearance in Montreal this week with a tour that follows their January 2013 release Hung at Heart. The psychedelic quintet has a history of theatrically flamboyant shows, making use of crossdressing costumes and other trippy visuals.

Kings of Leon – Mechanical Bull

One would be hard-pressed to find a mainstream rock band that has evolved their sound as drastically, and with as much cohesion, as Kings of Leon. From the early country-blues of Youth and Young Manhood and Aha Shake Heartbreak, to far more melodic, alternative sounds of Come Around Sundown, the Kings of Leon have managed to keep a style in all their music as familiar as it is distinct.

Basia Bulat – Tall Tall Shadow

Whenever I listen to a new album, I try and envisage what type of movie the album would be the perfect soundtrack to. Tall Tall Shadow by Torontonian Basia Bulat would accompany an idiosyncratic rom-com—like (500) Days of Summer—or a quirky romantic dramedy—like last year’s Take This Waltz.

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