With the increasing popularity of tattoos, they have gained recognition as one of today’s more overt expressions of personality. Tattoos are no longer largely perceived as symbols of dissent and delinquency; a contemporary view of them now leans closer towards a holistic understanding of these designs as visual art. Breaking away from stereotypes of skulls and barbed wire, more varied tattoos[Read More…]
Arts & Entertainment
Keep up to date on local art, new albums, and everything entertainment-related.
Earl Sweatshirt: Doris
The last time Earl Sweatshirt was in the spotlight—for his much-hyped mixtape Earl—he dropped everything and disappeared to Samoa. Soon, rumours, mainly fueled by colleague and collaborator Tyler the Creator’s more-than-half-serious “Free Earl” campaign, circulated that he was forced into a boarding school by his mother. Now he is again a product and a victim of hype; on his latest album, Doris, he airs his grievances and talent in equal measure.
Could be good
MUSIC Esmerine + Matana Roberts + Kingdom Shore Canadian acts Esmerine, a percussive chamber music band with a brand new album, Damarak; and Kingdom Shore, who make punk and hardcore with classical instruments, join New York City sound experimentalist Matana Roberts at Sala Rossa. Wednesday, Sept. 4, 8:30 p.m., Sala[Read More…]
Drinking like there’s no tomorrow
If there is one lesson to be learned from all three features written by Edgar Wright and Simon Pegg in the last decade, it is that looks are always deceiving. In Shaun of the Dead (2004), the titular Shaun treks to the corner store to buy Cornettos— the U.K. equivalent of Drumsticks, and a recurring motif in each of the films— oblivious to the fact that a zombie apocalypse is occurring around him. Similarly, Hot Fuzz (2007) played upon the superficial innocence of a sleepy English village. The creative duo revisits these themes of lurking malevolence in The World’s End, this time waxing Sci-Fi while simultaneously exploring one man’s yearning to return to his golden youth. The result does not disappoint.
Still Life: Mourning Trance
Often, archetypal indie pop concerns itself with loss, generally that of some idealized relationship or another. However, Still Life’s new album shifts its creative focus to a different type of loss: mourning the deaths of extended family members of the band. This theme attests to the collective history of the musicians, who have been playing together since childhood. Every track reflects on these experiences, but it feels more like a tribute to living on rather than a cry against the unfairness of the world.
McGill’s English department brings Shakespeare to life
With endless exams and essays currently stretching out before us, nothing feels farther away than summer. Fortunately, the McGill English Department’s production of Shakespeare’s A Midsummer Night’s Dream provides a glimpse of the warmer months to come. The show sparkles with youthful enthusiasm, and features a cast comprised of the[Read More…]
Neither a lender nor a borrower be: Financing McGill theatre
McGill dramatists are, by necessity and by definition, a passionate group. Unpaid as student artists, unrecognized in a frequently desolate and fine arts-free environment, passion is often all they have. Despite these conditions, they have thrived. Productions that fly under the radar still sell out. Shows rivaling those on professional[Read More…]
Interview with Armin van Buuren
What’s it like to be the world’s number one DJ? One could look for the answer in Dutch trance producer Armin van Buuren’s latest single “This Is What It Feels Like,” which was released on his fifth studio album, Intense, on Apr. 3. The song features Vancouver singer Trevor Guthrie[Read More…]
Banging one’s head against the wall: a documentary
While Bill Stone’s directorial debut Triumph of the Wall is a testament to the hard work and passion of its subjects, the documentary ultimately does not translate into a cohesive and thought-provoking film. Stone’s first foray into the world of documentary filmmaking is more of a scatterbrained connection of poetic[Read More…]
Wavves: Afraid of Heights
From their name, to their aesthetic, to their music and lyrics, San Diego-based Wavves exemplifies surf rock. But where can one go, after naming their third album King of the Beach (2010)? Their fourth release Afraid of Heights answers that question with a series of tracks that infuse their typical[Read More…]
