The Tribune

Emily Doyle / Players’ Theatre Dark comedy is a perplexing concept. Though initially a contradiction in terms, most people understand the subtlety involved in such a label. The work may make upsetting issues “lighter”; perhaps, conversely, it may convey typical subjects of comedy in acidic, disturbing ways. In both of[Read More…]

eraziel.com The Artist is cinema for cinephiles. Set at the dawn of the Golden Age of Hollywood, it’s at once a post-mortem and celebration of the silent genre. Director Michel Hazanavicius crafts a rich, beautiful world using minimalist cinematic strokes by today’s standards, and in his effort takes the viewer[Read More…]

filmofilia.com On the all-time stoner comedy list, A Very Harold and Kumar 3D Christmas doesn’t sniff any of the classics—Up In Smoke and Half Baked are safe—nor does it approach the charm of its White Castle predecessor; however, no one’s going to argue that this movie isn’t a good time.[Read More…]

You recognize success in mixing genres when connoisseurs on either side think the music is beyond their field. My friend, a venerable bluegrass expert, recommended Goat Rodeo Sessions to me, saying he failed to understand the classical nuances. After I listened to this album, I wanted to give it back,[Read More…]

Drake is living proof that not every rapper has to resort to insipid, vapid rhymes about dollar bills and girls in order to still talk about dollar bills and girls. Returning strong with his second studio album Take Care, Drake continues to rely on his articulate, straightforward lyrics and his[Read More…]

straight.com The first thing to note about Immortals is that it’s not 300, at least not entirely. Directed by the remarkable Tarsem Singh and produced by 300 frontmen Mark Canton and Gianni Nunnari, Immortals brings an eclectic blend of stunning visual and creative elements together fairly successfully. Set in the realm[Read More…]

Yves Renaud Opéra de Montréal calls Antonin Dvořák’s Rusalka “the story of The Little Mermaid, enhanced by Dvořák’s captivating

magpictures.com The apocalypse has never looked so beautiful. Melancholia, the latest from maverick Danish auteur Lars von Trier, is magnificent. With a script that joins human introspection with nihilistic celebration, von Trier creates two hours of rich, thought-provoking and breathtaking cinema. Its long journey from Cannes to Canada now complete, Melancholia is assuredly one of[Read More…]

Lou Reed is a strange fellow, so nobody should be surprised that Lulu would be a characteristically bizarre release. But who knew that a joint effort between Metallica and the former Velvet Underground legend could be so poorly executed? The album opens with the line, “I would cut my legs[Read More…]

Todd M. Duym Vancouver indie-rock band Mother Mother released their third album Eureka earlier this year, and have just concluded a European tour and summer festival circuit. The band consists of brother and sister duo Ryan (guitar and vocals) and Molly Guldemond (vocals and keyboard), plus Jasmin Parkin (keyboard and[Read More…]