Following the critical and commercial acclaim of 2017’s Flower Boy, Tyler, the Creator—the now reformed enfant-terrible of the softboi hip-hop world—opened a world of artistic possibilities for himself. Given his disregard for public opinion, it isn’t entirely surprising that his next artistic endeavour would be a new rendition of “You’re a Mean One, Mr. Grinch” for the recent remake of the children’s classic, How the Grinch Stole Christmas and an accompanying EP inspired by the green man himself.
Arts & Entertainment
Keep up to date on local art, new albums, and everything entertainment-related.
‘Island of the Hungry Ghosts’ exposes the inhumanity of immigration detention centres
When filmmaker Gabrielle Brady went to Christmas Island, a tiny speck of land in the middle of the Indian Ocean, she was expecting to just relax by the beach. Beyond observing the mass migration of forty million red crabs which scuttle from the depths of the jungle toward the coastline[Read More…]
‘The Tashme Project’ combines personal discovery and public atrocity
The internment of Japanese Canadians during the Second World War was a shameful moment in history and one high school curricula often sideline. The Tashme Project: The Living Archives, which showed at the Centaur Nov. 15-24, brought the history of internment to the forefront. Created and performed by Julie Tamiko[Read More…]
Where does ‘Roma’ belong?
With new streaming platforms appearing left and right, the battle for viewers’ attention has become increasingly diffuse. And with more and more content to sift through on a daily basis right from the comfort of one’s couch, the movie theatre’s centrality in the cultural zeitgeist has taken a major hit. It has become a major source of debate: As movies assimilate further into the household, studios will cater their projects to that kind of viewing experience.
RIDM offers stunning portraits of humanity
The 2018 Rencontres Internationale du Documentaire de Montreal (RIDM) took viewers on an unconventional cinematic journey. In ReMell Ross’ Hale County This Morning, This Evening the director takes a job as a teacher and basketball coach in small-town Alabama, while Distant Constellation sees Mizrahi visiting residents in a Turkish retirement home. Such themes may not be typical subject matter for the big screen, perhaps; but anything goes at RIDM, the documentary film festival which brings stories from every nook and cranny of the globe to theatres around Montreal.
‘Wearing our Identity’ explores the cultural significance of indigenous clothing
The McCord Museum’s newest addition to their permanent collection, Wearing our Identity. The First Peoples Collection, explores the historical, cultural, and spiritual significance of Indigenous clothing. The exhibition showcases garments and artifacts associated with clothing production, such as needles and bone scrapers, to demonstrate how clothing shapes identity, and the role of fashion as a tool for self expression within Indigenous and First Nations cultures across Canada. The exhibition also documents the effects of colonialism and the relationship between westerners and Indigenous people, as captured within their clothing.
In conversation with Gregory Alan Isakov
Given the rustic tone of his music, it seems appropriate that Gregory Alan Isakov recorded his fourth full length record, Evening Machines, in his barn-turned-studio in Colorado. The album, released Oct. 5, blends a familiar palette of indie-folk tropes with elements of haunting electronic production.
Hot take: Greta Van Fleet’s debut album is a rock n’ roll throwback
The world of music journalism is full of takes: Good takes, bad takes, medium takes, and even hot takes. Here, in the Arts & Entertainment section of the The McGill Tribune, we try to supply the hottest takes around. Recently, Pitchfork lambasted Greta Van Fleet’s newest album. In the article, Jeremy[Read More…]
Queering video games
My first encounter with a gay relationship was as a kid playing The Sims 2, when I selected the ‘flirt’ action for two male avatars. Taking caution to make sure that no one was watching my computer screen, I didn’t know what two boys ‘flirting’ even looked like. I thought[Read More…]
‘Suspiria’ dances to a vicious conclusion
Suspiria, Luca Guadagnino’s remake, or ‘cover version,’ as he calls it, of Dario Argento’s 1977 horror classic, is a hard pivot from both its source material and Guadagnino’s previous film, Call Me By Your Name. Whereas those films isolated their characters to watch the play of emotions in specific environs—CMBYN[Read More…]
