Sharon Van Etten has never shied away from vulnerability. Her music is often associated with a certain melancholy and is characterized by honest lyrics on love, inevitable heartbreak, and the self-reflection that follows. However, on her newest record Remind Me Tomorrow, Van Etten shifts away from her usual brooding depictions[Read More…]
Arts & Entertainment
Keep up to date on local art, new albums, and everything entertainment-related.
What we watched this winter break
Arriving home for winter break in the typical post-exam fugue tends to make the inevitable holiday burnout all the more severe. Everyone knows that those few weeks between semesters are best spent binge-watching movies in sweatpants and resisting the urge to hit refresh on MyCourses—at least that’s how we in[Read More…]
The comedy of “Vice” lies in its absurd truth
In a moment when Trump’s presidency is often perceived as a low point in American democracy, Adam McKay’s Vice shows how Trump is simply following in the footsteps of older, more tactful Republicans predecessors. Christian Bale depicts Dick Cheney with undisguised bias as a man of pure evil, even thanking Satan[Read More…]
Oh, What a Show: Kacey Musgraves radiates at Mtelus
“Born in a hurry, always late, haven’t been early since ’88,” is one of the best and most endearing opening lines for an album. It is infinitely more compelling when sung by a shimmering silhouette emerging from a shroud of fog. From those opening words to the last glimmering chords[Read More…]
‘10 Years of Gaga’ gets its rah-rah on
On Jan. 12, the Diving Bell Social Club and drag queen collective BabyDrag celebrated a decade of Lady Gaga’s career in 10 Years of Gaga, a show featuring a host of queens as talented and visually provocative as Gaga herself. Each performer took to the stage lip-syncing along to Gaga’s[Read More…]
The best and worst of 2018
Best Albums: 1. Be the Cowboy, Mitski Sad indie kids have traded their beanies for cowboy hats, wallowing in perhaps the most beautiful auditory manifestation of sadness to ever have graced the radio waves. Hive Mind, The Internet 2. Hive Mind, The Internet This summer, the Internet brought the[Read More…]
‘Hyper Real’ thoughtfully reflects race relations
Hyper Real, which showed at Concordia University’s student art gallery, VAV (Visual Arts Visuels,) until Nov. 30, showcased the work of nine black artists, juxtaposing themes like masculinity and femininity and isolation and connection, in a series of video art works, graphic prints and eerily arranged baby-doll sculptures. The exhibition functioned as a mirror, reflecting the identities and personal narratives of the artists, but also provided viewers with a space to examine their own perceptions of black identity and race relations. While the works varied in form, each deconstructed stereotypical beliefs in an exhibition that was at once introspective and expressive.
Yvette Nolan’s ‘The Birds’ places indigeneity in the spotlight
Yvette Nolan’s adaptation of Aristophanes’s classic Greek comedy The Birds, which ran Nov. 21-23 and 28-30 at Moyse Hall Theatre, focuses on the history of colonization, and the future of truth and reconciliation for indigenous peoples in Canada. Produced as a part of the English department’s Drama & Theatre Program, The[Read More…]
Aladdin remake returns to disappointing tropes
In the wake of widespread excitement for a live-action version of Lion King, Disney has been teasing the release of Guy Ritchie’s remake of Aladdin throughout the fall. Set to be released in May 2019, the film will bring to life the world of Agrabah, a faraway land of childhood dreams. As a child, the animated version of Aladdin (1992) was my first glimpse at cartoon characters that looked something like me and my family. At the time, I was overwhelmed to see a movie that depicted an Arab story, not yet aware of the movie’s many historical and cultural inaccuracies.
Grimes said “We Appreciate Power,” so now we appreciate power
The rise of artificial Intelligence (A.I.) has been decried by the likes of many — after all, there are few things more terrifying than that. Not exactly so: According to Grimes’ newest track, “We Appreciate Power,” this dystopia could actually be pretty cool. The Canadian pop princess declared the A.I. invasion to be good, therefore, it is gospel.
