Halloween (2018), the reboot of John Carpenter’s 1978 horror classic of the same name, combines expert filmmaking and fiery performances. With a sly play on genre tropes and a refreshing dose of social commentary, Halloween is a welcome addition to the horror canon. It offers genuine scares while critiquing a modern desensitization to mass violence and challenging the stereotypes of female horror protagonists.
Arts & Entertainment
Keep up to date on local art, new albums, and everything entertainment-related.
Artist Profile: Is it People releases first EP ‘Living Inside’
On Oct. 5, Is it People, the indie rock duo comprised of vocalist-guitarist-bassist Antoine Gallois, BCom ’18, and drummer Romain Peynichou, U3 Arts, released their first EP, Living Inside. Although it only features four tracks, Living Inside has been an ongoing project for the two musicians since October 2017, when they began casually playing together on the weekends.
Album Review: Kurt Vile ‘Bottle It In’
Halfway through Bottle It In, Kurt Vile’s newest album, he covers country veteran Charlie Rich’s “Rollin With The Flow.”
‘Festival du Nouveau Cinema’ showcases films from around the world
The 47th edition of Festival du Nouveau Cinéma (FNC) ran Oct. 3-14, gracing Montreal’s silver screens with an eclectic program of films ranging from festival-circuit fare to micro-budget Quebecois features. The McGill Tribune team was there in full force.
Mitski devastates at Club Soda
On Oct. 21 Mitski—or, as the marquee would have it, Mitsik—performed for a sold-out crowd at Club Soda. As anyone with a name too long or foreign to pronounce can attest, the switch of the ‘i’ and ‘k’ stings more than most typos. You can tour with Lorde and have[Read More…]
‘Once’ is the ideal 21st century musical
The transition between theatre and film can be arduous, and at worst, painful (sorry, Rent). Once, based on John Carney’s acclaimed 2007 film of the same name, successfully manages the transition in reverse. The story tracks five days in the lives of two Dublin residents, one, a struggling vacuum-fixer who[Read More…]
A different kind of music festival
A stock photo of a sleek white basin was projected on the wall behind the punk band. A song had just finished, and the guitar was still reverberating. “Let’s hear it for basins,” said Conor Antenucci, the bassist and singer of The Costanzas. “They hold so much goddamn water!” This[Read More…]
Survival and solidarity: Roxane Gay reflects on a decade of activism
Cultural critic and best-selling author Dr. Roxane Gay delivered the 64th annual Beatty Memorial Lecture on Oct. 11 to a rapt audience in Pollack Hall. The sold-out lecture drew attendees of various backgrounds, from students to alumni and faculty, all eager to hear Gay’s thoughts on the #MeToo movement, contemporary[Read More…]
The Sweetest Swing in Baseball sparks dialogue about the healthcare system
The Sweetest Swing in Baseball, directed by Emily Sheeran (U3 Arts), currently playing at Morrice Hall until Oct. 20, centres around the failures of the mental health system. Written by Rebecca Gilman, Tuesday Night Cafe Theatre (TNC)’s production presents an unfiltered account of a suicidal painter’s struggle with manoeuvring both the art world and the healthcare system.
‘Don’t Read the Comments’ breaks the silence surrounding the complexities of consent and assault
Today’s climate – at McGill and worldwide – has drawn widespread attention to the prevalence of sexual violence. These discussions lead to people questioning what exactly constitutes sexual assault. Produced by the Office for Sexual Violence Response, Support and Education (OSVRSE) as part of their Consent Campaign, Don’t Read the Comments delves into these grey areas of consent, forcing its audience to engage with issues of such violence
