True Crime is labyrinthine. The show, which played at the Centaur from Jan. 8-27, recounts indie-singer-turned-true-crime-writer Torquil Campbell’s real-life investigation into his con man doppelgänger, Christian Karl Gerhartsreiter. In 90 short minutes, Campbell whirls through his crimes, a series of kidnappings and murders, portraying Gerhartsreiter and his many aliases. Campbell also[Read More…]
Arts & Entertainment
Keep up to date on local art, new albums, and everything entertainment-related.
Tuesday Night Café Theatre’s annual 24-hour play festival spotlights up-and-coming actors
In the 24 hours from Jan. 25 to 26, six student playwrights, directors, and actors met for the first time to write, produce, rehearse, and perform original student-written play as a part of the Tuesday Night Café Theatre (TNC)’s annual festival. Each play had to incorporate certain elements, including the[Read More…]
Awards season villains
In 2017, Damien Chazelle’s La La Land received a record 14 Oscar nominations. The film, which met with critical acclaim as well as enormous box office earnings, was an ode to the lush Hollywood musicals of the 1950s. But by the time that the Oscars race began, critics were tiring of[Read More…]
A look back on art’s historical past in ‘Manifesto’
Manifesto, one of German artist Julian Rosefeldt’s most internationally renowned video works, ran at the Musée d’art contemporain de Montréal (MAC) from Oct. 20 to Jan. 20. The work is comprised of 13 videos—each showcasing Australian actress Cate Blanchett assuming different roles, including that of a teacher, a homeless man,[Read More…]
Dance takes center stage at the MAC
On Jan. 11, the Musée d’art contemporain de Montréal (MAC) held a series of events as part of their current Françoise Sullivan retrospective, including a panel and a separate exhibition. Aptly titled the Dance and Visual Arts Study Day, the MAC invited a host of educators, artists, and theorists to share[Read More…]
Fired up with Fireball Kid
Just over halfway through Fireball Kid’s “Be Friends” (with Magi Merlin, Ura Star, and Big Friends) a distorted guitar solo rips through the production. Sparkly pop textures, autotuned falsetto verses, and Magi Merlin’s lush, commanding hook suddenly fall off, and, for a second, it sounds like someone tripped over a[Read More…]
Sharon Van Etten is ethereal in ‘Remind Me Tomorrow’
Sharon Van Etten has never shied away from vulnerability. Her music is often associated with a certain melancholy and is characterized by honest lyrics on love, inevitable heartbreak, and the self-reflection that follows. However, on her newest record Remind Me Tomorrow, Van Etten shifts away from her usual brooding depictions[Read More…]
What we watched this winter break
Arriving home for winter break in the typical post-exam fugue tends to make the inevitable holiday burnout all the more severe. Everyone knows that those few weeks between semesters are best spent binge-watching movies in sweatpants and resisting the urge to hit refresh on MyCourses—at least that’s how we in[Read More…]
The comedy of “Vice” lies in its absurd truth
In a moment when Trump’s presidency is often perceived as a low point in American democracy, Adam McKay’s Vice shows how Trump is simply following in the footsteps of older, more tactful Republicans predecessors. Christian Bale depicts Dick Cheney with undisguised bias as a man of pure evil, even thanking Satan[Read More…]
Oh, What a Show: Kacey Musgraves radiates at Mtelus
“Born in a hurry, always late, haven’t been early since ’88,” is one of the best and most endearing opening lines for an album. It is infinitely more compelling when sung by a shimmering silhouette emerging from a shroud of fog. From those opening words to the last glimmering chords[Read More…]
