Writer-director Martin McDonagh’s (In Bruges, Seven Psychopaths) world is inhabited by broken souls; well-intentioned but flawed people who hurt the ones they love because they have not found any other way to cope. Pain passes between individuals in an endless cycle of violence, and we watch as it grows, infects,[Read More…]
Arts & Entertainment
Keep up to date on local art, new albums, and everything entertainment-related.
Rhinoceros tramples into Players’ Theatre
Rhinoceros begins with stillness. While the rest of the production is full of chaotic and frantic energy, the play opens simply, with all seven cast members onstage, clad in identical white jumpsuits, eyes closed, exemplifying the ideal tabula rasa—a blank slate. As a green light dims, Berenger, played by Emily Sheeran[Read More…]
SSMU Musicians Collective rocks out at La Vitrola
It’s add-drop season, so before profs start slamming students with endless readings, the Students’ Society of McGill University (SSMU) Musicians Collective gathered in La Vitrola on Jan. 10 to kick off the Winter semester. The Plateau/Mile End vibe was strong that night: Blundstones, Radiohead, and cheap beer were plentiful. [Read More…]
On Armie Hammer’s shoes in Call Me By Your Name
Shoes don’t often scream your name from across a crowded room. Unlike the peacockish hat, the ostentatious bifocal, or the presumptuous earring, the humble shoe does not boisterously salute you at eye-level. Often concealed, or at least partially so, by a brashly uncuffed pant leg, shoes maintain a measured distance[Read More…]
The Disaster Artist—or ‘How to Bring Tommy Wiseau to the Oscars’
In 2003, a man created a film that came to be known as the best worst movie of all time: The Room, written and directed by Tommy Wiseau, who also stars. Despite its lackluster premiere and absence of a theatrical release, it has garnered a cult following complete with midnight[Read More…]
Phantom Thread finds hilarity in toxicity
Don’t be deceived by its trailers: Phantom Thread, the new Paul Thomas Anderson (Inherent Vice, Boogie Nights) film, is possibly the funniest thing he’s made yet. It’s also one of the most impeccably-crafted movies of 2017. Daniel Day-Lewis stars as Reynolds Woodcock in what he claims will be his last[Read More…]
Thirty years of queer art and activism at image+nation
Thirty years ago, Canada’s first LGBTQ film festival held its inaugural screening. Today, the image+nation festival continues to share queer cinema with Montreal’s wider community, supporting the producers and artists who create these spellbinding stories. Bringing all of this together is no easy task. Programming director Katharine Setzer and her[Read More…]
