[URIS id=47252] Fans of indie classics, rejoice; Ghost World has been adapted for the stage, right on McGill soil. Following the fragile relationship between best friends Enid (Beky Seltzer) and Becky (Sarah Foulkes), Ghost World is a portrait of a bond that unravels under the strain of growing up. Told[Read More…]
Theatre
Comedians stand up for feminism
Successful comedy comes from a place of heartbreak, and from the ability to make what seems devoid of humour funny. The stereotype is that feminists aren’t funny, but by that token, feminism should be a breeding ground for good comedy. Comedy greats like Louis C.K. and Chris Rock base their routines[Read More…]
Play Review: Never Swim Alone is much more than absurd
Daniel MacIvor’s Never Swim Alone is an ironic parody of gender as well as a mildly unsettling piece of theatre. Directed by Katey Wattam, Never Swim Alone is not the kind of play an outsider would come to expect from McGill’s Player’s Theatre. Everything about it is minimal in terms[Read More…]
From the Viewpoint: Diction: Readings by Gay Men
I entered Stock Bar, one of the premier male strip clubs in the Gay Village, just after 7 p.m. to see Diction: Readings by Gay Men Jazz music played throughout the bar, which was lit by soft red-and-pink lights. The centerpiece of the establishment was the stage about three feet[Read More…]
Peer Review: Franc-Jeu theatre company displays innovative spirit in Alter-Ego
McGill’s francophone theatre company, Franc-Jeu, has come into its own since its creation two-and-a-half years ago. Its latest production, Alter-Ego, was a testament to the progress that it has achieved over time. Dramatic, emotional, and humorous all at once, Alter-Ego reflected on themes relevant to students. The play explored subjects[Read More…]
TNC’s The Flood Thereafter feels entirely washed up
The Flood Thereafter was a risky choice for a student production. Tuesday Night Café Theatre (TNC) Directors Daphné Morin and Cleo da Fonseca chose a complex piece that weaves surrealism, small-town identity, and Greek myth together. Coming in closer to two hours than the promised hour and a half, The[Read More…]
Bring Your Own Juice (BYOJ) is serious about silliness
2016 marks the fourth year of the original sketch comedy troupe Bring Your Own Juice (BYOJ)’s of bringing unabashed silliness to a relatively stodgy campus atmosphere. The group, consisting of 10 student members, delivered a preview of their upcoming show at Players’ Theatre that was an absurd, surreal, and entertaining representation[Read More…]
Race and RENT: A look at racial representation within the McGill theatre community
The poster for the Arts Undergraduate Theatre Society’s (AUTS) most recent production, RENT, might have unsettled those who know the original musical well. Their first question would likely be: “Wait, why is everybody white?” RENT is a musical that centres on the lives of poor artists in 1980s New York[Read More…]
High infidelity: McGill Savoy Society’s “The Merry Widow” brings a classic into the modern era
Opera is an art form that has been in jeopardy for at least the last few decades. With a near complete lack of any notable new operas since the early 20th century, the entire genre is in danger of becoming stagnant without the intervention of passionate fans who are willing[Read More…]
The life not lived: “The Secret Annex” uses alternate history to examine the Anne Frank mythos
What if Anne Frank had survived? What would her life and struggles consist of after enduring the most well known genocide of the past century, possibly of all history? This is the alternate universe that writer Alix Sobler portrays in The Secret Annex, directed by Marcia Kash. With a cast[Read More…]
