Theatre

Pop Rhetoric: Christopher Nolan and the cinema of abstraction

Christopher Nolan used to make movies about people. The director, along with his script-writing brother Jonathan Nolan, have made some of the best genre films of the past decade, including Memento (2000), Insomnia (2002), The Prestige (2006), and two-thirds of the Dark Knight trilogy. His recent movies—particularly his latest film, Interstellar—have confirmed a[Read More…]

Pop Rhetoric: It’s a bird, it’s a plane, it’s a film franchise!

After months of speculation, DC Comics has released its five-year superhero film line-up, answering hundreds of assumptions, expectations, and unrealistic hopes in one succinct press conference. The films include the sequel to 2013’s Man of Steel, which will focus on Batman and Superman’s first meeting while simultaneously featuring multiple Justice[Read More…]

Nadia Verrucci takes the stage as Alice's mother

Billy howls into obscurity

There’s not much subtlety in Fabien Cloutier’s Governor General’s Award-nominated play Billy (The Days of Howling)—currently making its English language debut at Theatre La Chapelle—nor does that seem to be the playwright’s goal. Rather, Cloutier aims to explore the themes of delusion, judgement, and class relations, all of which he[Read More…]

woman grabs head

Theatre Review: Monster

It’s difficult to describe the plot of Tuesday Night Café’s (TNC) one-person show Monster in words without dwarfing the experience. Narratives and characters are intricately interwoven, all powerfully represented by actress and co-director Laura Orozco, and the play achieves a sense unity and commonality despite the seemingly different stories. The[Read More…]

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