Theatre

Song and dance for the tortured soul

Alice Walker What do you do when you’re trapped in a Buenos Aires prison? You fantasize about movie stars, of course. That, at least, is how Molina—a gay window-dresser in prison for “corrupting a minor”—has gotten through his darkest hours. When Valentin, a hunky Marxist revolutionary accused of attempting to[Read More…]

In Goethe-inspired opera, a fatal attraction

Opera of Montreal Shortly after the curtain rises on Opera of Montreal’s production of Werther, a young boy wheels a bicycle across the stage, laughing and carousing with his friends. The bicycle remains onstage through the first act, occasionally pedaled by the boy but mostly left in a corner, untouched[Read More…]

Before there were hipsters…

Holly Stewart Though it usually operates on a smaller scale, this week Opera McGill will debut a big-budget, big-cast version of what is arguably the world’s biggest-name opera: Giacomo Puccini’s La Bohème. “It’s the world’s favourite opera, in some way,” says Patrick Hansen, the director of McGill’s Opera Studies program.[Read More…]

Rewriting the classics

Perhaps inspired by the trials of his conflicted protagonist, director Max Zidel ambitiously attacks Aeschylus’ three-part tragedy in The Oresteia Rewritten, now on at Players’ Theatre. The result of his efforts: a powerful and unexpectedly fast-paced reproduction full of sound and fury. From early on in the play it is[Read More…]

The Tempest

Many of the films that will be contending in this year’s Academy Awards were released during the holiday season. For this reason, we bring you a rundown of the best movies from December 2010 that you should be sure to catch in theatres before school starts taking over.

Don’t cheat on the queen

Sophie Silkes  As a broke college student, attending an opera can be jarring and strange: spectators are dressed to the nines, songs are sung in languages most of us don’t understand, actors are wearing over-the-top costumes, and melodramatic stories are being unfurled before us. But if you suspend your cynicism,[Read More…]

The show about writing a show

Something about musical theatre is inherently ridiculous. It has to do with the fact that, whenever you see people singing onstage, you can’t help but notice that you’re watching a performance. As Julien Silverman and Dane Stewart point out in their director’s note, there is a long-standing tradition of “self-reference[Read More…]

Leaping and soaring to Chopin

I have only experienced a few perception-altering performances in my life, and Friday night’s National Ballet performance of Marie Chouinard’s 24 Preludes by Chopin and Crystal Pite’s Emergence was one of them. Prior to the performance, I was certain I was not a person who could enjoy contemporary ballet. I[Read More…]

Read the latest issue

Read the latest issue