In the 24 hours from Jan. 25 to 26, six student playwrights, directors, and actors met for the first time to write, produce, rehearse, and perform original student-written play as a part of the Tuesday Night Café Theatre (TNC)’s annual festival. Each play had to incorporate certain elements, including the[Read More…]
Theatre
Dance takes center stage at the MAC
On Jan. 11, the Musée d’art contemporain de Montréal (MAC) held a series of events as part of their current Françoise Sullivan retrospective, including a panel and a separate exhibition. Aptly titled the Dance and Visual Arts Study Day, the MAC invited a host of educators, artists, and theorists to share[Read More…]
‘10 Years of Gaga’ gets its rah-rah on
On Jan. 12, the Diving Bell Social Club and drag queen collective BabyDrag celebrated a decade of Lady Gaga’s career in 10 Years of Gaga, a show featuring a host of queens as talented and visually provocative as Gaga herself. Each performer took to the stage lip-syncing along to Gaga’s[Read More…]
Yvette Nolan’s ‘The Birds’ places indigeneity in the spotlight
Yvette Nolan’s adaptation of Aristophanes’s classic Greek comedy The Birds, which ran Nov. 21-23 and 28-30 at Moyse Hall Theatre, focuses on the history of colonization, and the future of truth and reconciliation for indigenous peoples in Canada. Produced as a part of the English department’s Drama & Theatre Program, The[Read More…]
Arcadia delves into discussions of science, sexuality, and existentialism
Past and present overlap in playwright Tom Stoppard’s Arcadia, a curious exploration of sex and love, mathematics and nature, and the pursuit of knowledge. Presented by Player’s Theatre and directed by Steven Greenwood (PhD candidate in English), Arcadia portrays the curiosity and determination of young scholars in this brilliant rendition of Stoppard’s 1993[Read More…]
‘The Tashme Project’ combines personal discovery and public atrocity
The internment of Japanese Canadians during the Second World War was a shameful moment in history and one high school curricula often sideline. The Tashme Project: The Living Archives, which showed at the Centaur Nov. 15-24, brought the history of internment to the forefront. Created and performed by Julie Tamiko[Read More…]
‘Once’ is the ideal 21st century musical
The transition between theatre and film can be arduous, and at worst, painful (sorry, Rent). Once, based on John Carney’s acclaimed 2007 film of the same name, successfully manages the transition in reverse. The story tracks five days in the lives of two Dublin residents, one, a struggling vacuum-fixer who[Read More…]
The Sweetest Swing in Baseball sparks dialogue about the healthcare system
The Sweetest Swing in Baseball, directed by Emily Sheeran (U3 Arts), currently playing at Morrice Hall until Oct. 20, centres around the failures of the mental health system. Written by Rebecca Gilman, Tuesday Night Cafe Theatre (TNC)’s production presents an unfiltered account of a suicidal painter’s struggle with manoeuvring both the art world and the healthcare system.
‘Don’t Read the Comments’ breaks the silence surrounding the complexities of consent and assault
Today’s climate – at McGill and worldwide – has drawn widespread attention to the prevalence of sexual violence. These discussions lead to people questioning what exactly constitutes sexual assault. Produced by the Office for Sexual Violence Response, Support and Education (OSVRSE) as part of their Consent Campaign, Don’t Read the Comments delves into these grey areas of consent, forcing its audience to engage with issues of such violence
‘Blood Relations’ is a haunting portrait of social isolation
Sharon Pollock’s award-winning play Blood Relations, currently showing at Moyse Hall, was directed by Professor Sean Carney and produced by the McGill Department of English. The story is a bone chilling, pulse-quickening, and thought-provoking examination of one of the most notorious cause célèbres in history. Set in 1902, Blood Relations takes place[Read More…]
