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a, Arts & Entertainment

Strength of heart

Recalling my encounter with Invisible Children’s KONY 2012 campaign, I reflected on this healthy reminder to be a critically thinking consumer. For those who are not familiar with the experiment, KONY 2012 was a thirty-minute online video released in an attempt to make “an obscure war criminal famous”—that criminal being none other than Joseph Kony, leader of the Ugandan thugs known as the Lord’s Resistance Army (LRA).

Some 3.7 million viewers pledged their support (as did I) in a helpless (and dare I say, lazy) effort to arrest Joseph Kony and to bring a permanent end to LRA atrocities once and for all. As bystanders, we felt as if we were making a difference by liking, sharing, or hashtagging #KONY2012, but how effective can participatory social media acts be?

Fast forward to Monday, January 7, 2013. Acclaimed Vancouver-based filmmaker Jodie Martinson re-ignites our lapsed interest in the mystery that is Joseph Kony. While Invisible Children took a transnational approach to exposing the realities occurring in Uganda under Kony’s control, Martinson teamed up with a talented animator named Kunal Sen, as well as The National Film Board of Canada, to create an animated short titled Stronghearted. The film tells the story of a twelve year old girl named Evelyn Amony, who was kidnapped and made one of Joseph Kony’s wives.

As the press release describes, Stronghearted blends a “haunting first-person interview with woodcut-style animation” to create a shocking, yet intimate picture of the LRA’s history of rape and kidnapping.

Looking back on her experiences while being interviewed, Amony is emotional when discussing her torturous 11-year experience with Kony. Providing a novel perspective on the controversial topic, Martinson and Sen work together to enlighten viewers on this chapter of African history; in this instance, however, with the accuracy and truthful intentions that the KONY 2012 team was criticized for lacking.

Released simultaneously with Jodie Martinson’s full-length documentary of Amony’s experience, titled To Have and To Hold, the depth these films reach is impressive. After spending four extensive years retracing every single step in Amony’s experience with both the LRA and Kony himself, it is safe to say that along with her noteworthy past experiences in film and journalism, Martinson creates a commentary that is rich in substance, and ultimately, one which we can trust.

Exposing Evelyn Amony’s individual story is Martinson’s way of approaching the Ugandan conflict. Amony recalls a pivotal memory of crossing the Acwa River in 1994 and coming face to face with Kony, a moment powerfully portrayed by Sen’s rich animation. We not only sense that Evelyn receives closure in the telling of her story, but also gain insight into her experiences ourselves.

Martinson focuses on this very moment of Amony’s story, making us step back, and ask the ultimate question: can this ruthless man be both her abuser, as well as her savior? The inconceivable question begs an inconceivable answer—Amony remains alive, in spite of her maltreatment. We are left craving to learn more than the five-minute documentary presents.

Stronghearted’s approach is both thoughtful and thought-provoking, weaving together a commentary of “testimony and memory.” Jodie Martinson creates an unforgettable depiction of one woman’s struggle for survival, direction, and understanding in dire circumstances. Through a groundbreaking medium, we are able to gain reliable knowledge from a first-hand account with the harsh realities of central Africa and Kony himself.

Stronghearted is free to view at www.nfb.ca/film/stronghearted

a, Arts & Entertainment, Music

(III): Crystal Castles

If Crystal Castles’ duo of Alice Glass and Ethan Kath danced near the edge of despair in their first releases, (I) and (II), in their latest effort, (III), they take the plunge.

Producer Kath toys less with the bleepy 8-bit sound that characterized their debut, which had a threateningly manic feel, like a party animal about to snap. Instead, both he and frontwoman Glass—who tends to alternate between screaming and warbling—have made a record that sounds like a natural extension of the ideas they introduced in their sophomore effort. The background noise is still characterized by electronic synths, but they are smoother and more subdued, shifting midway through songs and progressing melodically. Glass’ vocals sound submerged and sad, often hiding behind Kath’s enveloping mix. This makes them fit into Glass’ suggested theme of “being oppressed”; her vocals do not fight the synthesized loops, but rather, submit to their persistence.

Crystal Castles’ success has always stemmed from their ability to twist the characteristically upbeat genre of electronic dance music into something dark and melancholy, and (III) pulls off this combination in a sonically exciting way. The songs aren’t as radically inventive as before, but this helps them sound more assured and balanced, rather than stale.

Overall, a pattern has emerged in the duo’s album structure, which (III) maintains with an abrasive, dissonant track (“Insulin”), a catchy single (“Wrath of God”), and a languid, lullaby ending (“Child I Will Hurt You”). (III) continues to prove that Crystal Castles is unrivalled in their ability to make their listeners enthusiastically nod their heads to such depressing material.

 

a, Arts & Entertainment, Music

Hummingbird: Local Natives

Hot off their critically-acclaimed 2010 release Gorilla Manor, Local Natives return with Hummingbird, bringing with them a new sense of maturity and complexity. Although still possessing an authentic feel, Hummingbird presents a dramatic shift in sound, trading light, airy tones for heavy, intimate tracks that reflect the group’s coming-of-age.

Nevertheless, the band does not entirely abandon their youthful vigour, as demonstrated by tracks like “Breakers” and “Black Balloon.” On this sophomore effort, Local Natives beautifully embrace a new arena-filling sound, utilizing a more streamlined feel and form-fitting syncopated drum patterns. The band is now writing more multi-faceted sentimental pieces that lend Hummingbird a long lasting satisfaction, allowing the listener to dig deep into these emotionally layered tracks, offering something new with every listen.

Beginning with “You & I,” Hummingbird progresses into a mournful trip. The album explores despondent youth, while embracing a melancholic atmosphere reminiscent of The National (whose guitarist co-produced). On Hummingbird, one will not find the likes of Gorilla Manor’s fast-paced garage rock, but rather moody ballads like “Three Months.” Themes of uncertainty and inadequacy surface throughout the album as well, such as on “Breakers,” the album’s lead single, where singer Kelcey Ayer croons, “Waiting for my words to catch like I’m trying/ To strike a match that’s soaking wet,”—a desperate cry to be understood.

Hummingbird may be a less melodic and vibrant record than Gorilla Manor, but this sacrifice of youthful glamour is not unwarranted. The adoption of intimacy and complexity in Hummingbird establishes Local Natives as serious, versatile songwriters who are here to stay.

 

a, Arts & Entertainment, Music

The New Familiar: Goldenboy

As the title suggests, The New Familiar delivers on its promise to be everything familiar in a brand new album. Goldenboy, led by vocalist and guitarist Shon Sullivan, have released four albums since first bounding into the spotlight with Blueswan Orchestra a decade ago. Blueswan Orchestra was re-released last month as a warm-up act for The New Familiar—but rather than foreshadow their latest work, it overshadows it.

The New Familiar begins with “The Walking Song,” with vocals blending effortlessly with the development of guitar and drums, suggesting a stylized approach to the remainder of the album. Unfortunately, this prediction rings all too true. “Today is the Day” is too repetitive, coming off as directionless. “Steal Your Face” doesn’t give any respite from the endless abyss of sound with its all-too-frustratingly familiar mix of strumming patterns and instrumentals. While Goldenboy are known for their catchy guitar riffs, what The New Familiar delivers here is too much of a good thing. “Soho’s Empty” feels like a turning point in the album, and along with “Starlight Town,” it is the highlight of the 40 minutes.  “Starlight Town” is a clever combination of sound and lyrics and, like “Soho’s Empty,” refreshingly axes the repeat signs, adding a bit of contrast.

The New Familiar does not lack musicality or sensitivity; it lacks direction. Undoubtedly, Goldenboy is sticking to what they know best. This is a band with a great sound, but it is time for a change. Give me Blueswan Orchestra any day.

Ex-Cult during one of their raucous live performances. (facebook.com)
a, Arts & Entertainment

Worship the Ex-Cult

A city deemed the birthplace of both rock and roll and blues, Memphis, TN is fertile ground for cultivating musical talent. Cue Ex-Cult—a musical project that brought together five local musicians. Drawing influences that transcend several decades, the members have woven psychedelic, garage, punk, and other terms that precede the word “rock” into their distinct sound, all the while engrossing modern audiences.

Ex-Cult (Sex Cult, before the band discovered that a New York techno label had already laid claim to the name) is what the members describe as a “meaningless” name for this up-and-coming punk band. Since their conception, Ex-Cult have been working their way through small local venues, house parties, and Gonerfest 8 and 9—an annual music festival in Memphis.

Ex-Cult also made a notable appearance at SXSW last year in Austin, where things suddenly clicked with fellow musician Ty Segall. The quintet had been good friends with Segall before their SXSW appearances, and it came naturally that Segall later produced their debut LP.

“A lot of people think we saw [Ty Segall] for the first time at SXSW, and he just agreed to do an album with us,” says lead singer Chris Shaw, pointing out that they’d been friends and mutual fans of each other’s music for about a year before Ex-Cult played at the festival.

For the band, making music has become so integral to their lives that the process of doing so no longer requires much planning; it just happens.

“We make music individually and we make music together,” says Shaw. “Then, when we come together in real life, we combine all of it.”

UK artists Television Personalities and Brian Eno, as well as fellow Memphis punk band Useless Eaters are among the artists that have shaped the sound of Ex-Cult’s debut album. Recorded in a small studio in San Francisco’s Chinatown, the self-titled release features 12 tracks, all of which are distinctly aggressive, while remaining masterfully controlled.

Gritty vocals are backed by Ex-Cult’s true driving force: instrumentation. Songs like “Better Life Through Chemistry” and “Don’t Feel Anything” bring a sense of wild exhilaration—the kind that sweeps you off your feet and never lets you back down. With relentless energy, the band plows their way through 30 minutes of hard-hitting music, while listeners try to keep up. The rawness of the album, both musically and lyrically, strikes a parallel with the down-to-earth personalities of the members themselves.

With so much intensity stuffed into a single LP sleeve, one can only imagine the kind of damage this band could do at a live concert. Luckily, Montreal is one of the stops on their tour across the US and Canada this month. They’ll be playing 21 shows in 23 days—an impressive number for a band going on its first extended tour. It’ll also be the band’s first time visiting their northern neighbours, alongside none other than Ty Segall.

When asked which other artists they would like to work with in the future, Ex-Cult says they wouldn’t mind a chance to perform with San Francisco experimental rockers Chrome. Although they currently have new music in the works, the band says they’re not focused on looking for producers right now.

Like everything else about Ex-Cult, there’s nothing really definitive, nothing too clear-cut about whatever it is they’re doing. This is Ex Cult’s strength—there’s always something you can’t quite put a finger on, which makes them worth looking out for.

Ex-Cult is performing with Ty Segall and K-Holes on February 5th, 8 p.m., Cabaret Du Mile End (5240 Avenue du Parc). Tickets are $15 advance, $20 at the door.

Keep an eye out for trucks like this. (Alexandra Allaire/ McGill Tribune)
a, Student Life

Streets of Montreal to welcome gourmet, mobile fare

Walking around trendy neighbourhoods in New York City or Chicago, you’ll pass many food trucks on street corners, serving meals as distinct as the cultures represented in each city. Initially, many may think the trucks offer a lower-quality last option. The trucks actually offer plenty of gourmet and affordable fare, and they can be ideal for those constantly on the go. Food trucks have also increased the availability of a broader range of ethnic foods and quirky, but delicious combinations of cuisines. The trucks provide access to dishes previously unavailable if not unimaginable and are soon to crop up all around Montreal.

Starting in 1947, when food trucks were first under consideration in Montreal, the Quebec government refused to authorize the operation of such enterprises, citing concerns for food safety and quality. But after the successful launch of numerous food trucks in other big cities, it became impossible to oppose the establishment of Montreal’s own signature brand of street food. Food trucks will be approved and should rapidly begin to appear this summer. To date, six food trucks have been approved by the government, and will be available for our enjoyment before the summer.

Two original food trucks pushed the margins of the old law and are indisputably the real deal: Grumman’s ‘78 and Noveau Palais. Grummans ‘78’s imaginative tacos provide the city with authentic Mexican food. According to the owners, “the food is fresh, healthy, affordable, locally-sourced, and locally-owned,” according to their website.  Customers can purchase two generously sized tacos for $7.50. Grummans ’78 began the revolutionary “food-truck” idea in downtown Montréal. Under the old law, Grummans had to limit their presence to a few days per year. Finally, after numerous struggles with the old law, this truck will now be available for all to enjoy.

Nouveau Palais serves miniature burgers, cookies, and milk out of a Winnebago, as if sent to satisfy the hunger pains that accompany late night studying. This truck operated just within the old laws by serving food outside their restaurant on West Bernard and Parc, in the wee hours of the night. Now, the Nouveau Palais truck will serve food in the daytime as well.

In addition to these classics, newer options have cropped up at Montreal’s yearly Jazzfest are worth exploring. Crêpe-moi is famous for its fabulous paper-thin crêpes and unlikely fillings, like chorizo and goat cheese. Purists need not fear—it also carries the classics, such as sugar and lemon crêpes. La Mangeoire, a gourmet sandwich truck, serves unique and tasty combinations.  Popular choices include an enormous falafel sandwich, and the ‘Ribwich’ (BBQ ribs and coleslaw). Their most indulgent concoction, the Decadent, combines peanut butter, Nutella, and bacon.

 Pas d’Cochon dans mon Salon and Lucky’s Truck are both known for their comfort food and barbecue. Finally, out of an understated trailer, HotBullDog serves homemade sausages, including a tomato-basil sausage.

The development of a network of food trucks in Montreal is undoubtedly exciting. These six trucks are, hopefully, only the beginning of healthy, imaginative, and affordable meals for students. They will eventually be allowed to freely roam the city; but will first be spotted during festivals in the Quartier des Spectacles and on First Fridays at the Big O.

a, Student Life

New Years’ Resolutions Revamped

Yes, it’s that time of the year again. If you’ve made a New Years resolution  this month, you are engaging in an age-old custom. According to a study by Virgin Mobile Canada, a whopping 51 per cent of Canadians make resolutions — 19 per cent of which fail within the first 24 hours of the New Year. This year, the Tribune has come up with two different approaches to a hopefully different 2013.

Keep it classic

Set a goal: Step one may sound idiot-proof, but it can be harder than it looks. Setting a goal is the easiest thing in the world to do, but making a plan and—here’s the kicker—trying to actually stick to it, is deceptively tricky. Yes, many of us would like to be able to run a marathon after only two weeks of training, but setting reasonable, reachable goals is the best way to actually succeed. Setting smaller milestones, under a reasonable timeframe, allows you to better track your progress and schedule rewards (sweet, savory, or otherwise). Flip on your motivational switch and internalize why you want to achieve your goal. Write it down, memorize it, chant it, post it beside your bed—do not let the idea leave you.

Grab a buddy: The problem with setting personal goals is that you are more likely to cheat yourself. If you use the buddy system, and advertise your goals to your family, friends, and roommates, you are more likely to be encouraged, or policed, into keeping at it. Tip: advertise your goals and your progress in a clearly visible place. This is a great conversation starter and a good way to boost your motivation every time someone asks you about your resolutions.

Work out at home: The vague goal of “getting fit” can leave you not knowing where to start. Instead of buying a gym membership and meaning to show up every day, try to incorporate small things into your day to increase your physical activity. Establish a home-workout routine, including skipping rope, yoga, and weight-bearing exercises (push-ups, sit-ups, planking, squats). If you need inspiration, search for ‘at-home workouts’ on YouTube to get programs and music you can follow along to, for free! Cardio is key, but do not forget those weight-bearing exercises. Building extra muscle improves metabolism, and increases the number of calories that you burn when working out.

One step at a time: In order to become conscious of your daily activity, you may also want to invest in a pedometer. You can chart your daily steps, and strive to increase your activity by walking to class or work, or taking the stairs instead of the elevator.

Treat your body well: For those who have resolved to diet, don’t focus on skipping meals, but on eating properly and proportionally. You do not want to be ravenously hungry, nor do you want to indulge. Spread your caloric intake out over the day, and strive to have at least three different colours of fruits and vegetables for a nutritional boost. Another healthy suggestion is to increase your water intake. Simple, and effective, water is indisputably good for you, your skin, your metabolism, and your mind.

Focus on friends: Another healthy resolution to make this year is to improve your social bonds. Take the time, and make the effort to reconnect with those old friends you may have been losing touch with. You can also expand your circles by joining a new club, or volunteering in the community.

Smile: Finally, strive to smile and be happy! People with positive emotions live longer, happier, and fuller lives. Resolve to look at yourself in the mirror every morning before you have breakfast, and simply smile. Try adopting a mantra, or short saying like “I am a happy person” or “My life is full of happiness” to internalize positive emotions.

— Susan Westfall

You need new goals

Year in and year out, popular New Years resolutions relate to fitness, money, and other lifestyle overhauls: lose weight, stop smoking, get a better job, learn to budget money, and get organized.

Instead, set more meaningful objectives this year. If you really want to make a change, then be honest with yourself, and make better resolutions.

Instead of: “Get better grades.”

Try: “Getting off of Facebook in class.” No, it’s not just for a minute, or to check one notification. If you want to do well, you need to be present and engaged in lecture. What else are you sitting there for?

Instead of: “Don’t stress.”

Try: “Managing stress by giving your brain some down-time.” Avoid TV show marathons, and clicking through Reddit or Twitter for hours. Use the time you spend away from glowing screens to let your mind wander. Daydreaming can help you to actually process feelings and information, which is crucial in keeping your head clear.

Instead of: “Find the perfect job.”

Try: “Prioritizing.” Choose a couple of issues you care about and think about how you can get involved.  Let those priorities shape your plans after McGill, rather than the other way around.

Instead of: “Get ‘involved.’”

Try: “Helping others.” Sign up for a volunteering organization. It may be new and awkward at the beginning, and you may not know what you’re doing, but throw yourself into the new task. Once you’ve gained your bearings, you’ll be surprised by how much you learn, and wonder why you never got involved in the first place.

Instead of: “Look better/lose weight/get ‘fit’”

Try: “Cutting the extras out.” Stop getting advice in bullet point form. Don’t expect the advice from ‘top ten’ lists to change your life! We’re good, but we’re not that good. Use this semester to think about what’s important to you, and don’t worry about the rest.

— Elisa Muyl

Alexandra Allaire/ McGill Tribune
a, Student Life, Student of the Week

Student of the Week

This Student of the Week was chosen for his enthusiastic work in the Gardner Hall council, as well as within the larger McGill community.

Q: If you were a mode of transportation, which would you be?

A: I’d probably go with a sidecar. Not the motorcycle itself, just the sidecar. It’s cooler, it’s safer. I’ve always wanted to be the guy with the goggles and the scarf; and I’m always a good sidekick.

Q: What’s the best reason to visit your hometown?

A: I live in the northern suburb of Chicago: Wilmette. ‘Thrill-mette’ as I like to call it….A New York minute’s like 20 seconds, a Wilmette minute’s more like 20 minutes….I actually really love my hometown, and Bill Murray’s from there. I run the Facebook page of my town, it has a thousand or so likes on it. Also it has the Baha’i temple—there’s [only] one in North America, and it’s in Wilmette.

Q: What’s your recommendation for a bird course at McGill?

A: It’s not a bird course, but a course that people should take [is] PSYC 180. It’s called Critical thinking: Biases and illusions. The professor [Amir Raz] is a magician. As he explains it, he’s a mentalist. He plays mind tricks on you. It’s a three hour lecture once a week, and he just takes you on a rollercoaster ride of emotions, and he weaves magic tricks into his lectures.

Q: Who do you think should take over as principal when HMB leaves?

A: Can we go with Joe Biden? I mean, I’ve always loved Joe Biden. We all really know who’s pulling the strings in this Obama administration: Joey B. I’ve really just supported any vice president ever, being a vice president myself [VP Internal of Gardner Hall]. I feel like … he’d settle in nicely.

Q: What word or phrase do you most overuse?

A: I use a lot of interjections, so I’d probably go with ‘drat!’ I use drat a lot, probably too much. I’m a very energetic type of guy, so even when things don’t really need a ‘drat’ to be given, I still do it.

Q: If you could say one thing to Leonard Cohen, what would it be?

A: ‘Great music. You wanna hang out sometime? Please?’

Q: Name one movie you’ll never get tired of watching.

A: Truman Show, 100 per cent. [It’s my] favourite movie of all time. I watch it actually once a year. I cry every time. It’s not really a movie to cry during, but it’s just so good.  It’s so great.

Q: What’s your biggest pet peeve?

A: When people crumple money. I guess with the Canadian money, you can’t crumple it. Like the fifties and the hundreds are plastic now; and the twenties as well? Looks like I moved to the right country. Solving my biggest pet peeves. Thank you, Canada!

Q: What’s your party trick?

A: I have two different sized hands, which is one of my party tricks. And recently, my ability to speak Chinese. It’s cooler when I bust out the hand trick though.

Q: Name your favourite McGill event this year so far.

A: Probably gonna have to go with the Gardner floor crawl that we did for Halloween. From being on council to being one of the leaders of the groups, it was cool to see [how the event was created], to be in it, and to watch the entire progression of it. I really played all sides of the field on that one.

Q: Describe Add/Drop in three words.

A: ‘This class sucks’, or, ‘temporary woes, stress’.

Q: What is your new year’s resolution?

A: Probably to call my mother more, and tell her that she is a lovely woman.

Q: What technological or sociological advancement do you hope to see during your lifetime?

A: Do you remember the movie Clockstoppers? I just want to turn on a hose, clockstop, and just bat those water droplets out of the air. That was the coolest part of the movie.

Project Glass makes wearable computing a future reality. (digitaltrends.com)
a, Science & Technology

Wearable computing at a glance

Imagine window-shopping down Ste. Catherine on a crisp Sunday morning, when a stunning suit on display catches your eye. Beep! Brand: Arrow; Size: M; Price: $700—all this information pops up in front of your eyes in the flash of a second. This is the future of shopping, as Google envisions it, by introducing Glass.

Glass is a head-mounted, augmented reality display set developed by Google X Labs, which works on other futuristic projects, such as driverless cars.  In simpler words, Glass is a pair of glasses that contain a computer, which can provide information about any object, viewed through the lens.

“Augmented reality”—a term used to describe a live view of a real world environment, whose elements are amplified by computer-generated information—is not a new idea. However, with Glass, there is a real possibility of this concept being integrated more into everyday use.

Glass has a minimalistic design. The glasses include a light titanium frame with lenses replaced by LED displays.  This minimalism makes it easy to use Glass as daily wear, part of a technological trend currently referred to as “wearable computing.”

“[Glass is about] allow[ing] people to connect to others with images or video,” said Babak Parviz, head of the Google Glass project.

Parviz went on to explain that one of the primary goals of the project was to bring more of the “visual” to social computing.

With this technology come many advantages. From ‘Instagraming’ that delicious carpaccio at the local Italian restaurant without digging out your smartphone, to quickly accessing any information on the web through eye and motion gestures, Glass opens up new applications of computing.

But Glass is more than just a webcam mounted on trendy-looking glasses. With this fashion-oriented foray into wearable computing, Google has opened up a new platform to access and create social content in a manner relevant to the individual user.

In a world where online social networks are incredibly popular, Glass gives the consumer a new tool: a faster way to share life moments and ideas with friends. Unlike other social networking technologies, Glass allows others to view your experiences through the same lens as your own.

Google X Labs are exploring a new territory in terms of how users integrate information streams within the real-life context. It will be interesting to see how consumers will respond when this technology is released in 2014.

For a preview, Sergey Brin, CEO of Google, walked down the catwalk with celebrated fashion designer Diane von Furstenberg in her show in New York for her Spring 2013 line, sporting these brightly coloured glasses. Diane’s models wore them on the ramp, and recorded the show through their perspective in a video called “DVF through Glass.”

TIME magazine also listed Glass as one of the “Best Inventions of 2012,” alongside other scientific marvels like the Mars Curiosity Rover.

However, with all this excitement buzzing around Glass, it is important to take a step back. There are a few drawbacks to this project, which are not quite as evident at first glance.

Having a display screen so close to the eyes for extensive periods of time can strain the optic nerves, and such harmful effects have yet to be properly investigated. Besides, with the constant bombardment of technology today, switching off for a while is not a bad idea.

Yet, with the advent of this kind of wearable computing, it might become even harder to go offline.

“Here’s where human behaviour comes in,” Christopher Rims from the MIT Technology Review explained. “We are really bad at ignoring distractions that are at hand. And the more accessible they are, the more addictive and distracting they can become.”

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