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Album Reviews, Arts & Entertainment, Music, Poetry

Hannah Frances’ ‘Keeper of the Shepherd’ is the most sincere record of the year

Softly strummed chords steadily resound beneath layers of swelling vocals, grief-stricken and tenderly sincere. In her song “Husk,” Hannah Frances explores the glacial vulnerability of death, expounding grief as an absent presence and a manifestation of immortalized love. For sorrow cannot exist without the chances taken by love, and death forever plagues the corporeal body. The resulting imagery is passionately intimate: Dirt wedged between pulsating hands that claw at the mud, aching for some semblance of return, releasing the cages of despair that impede life in a time of loss. “Husk” is emotionally harrowing and breathtakingly articulate, spilling soulful introspections on life’s ubiquitous misgivings. Frances laments in the final lyrical blow, “Death is a husk / Holding the shape of my life.”

Frances’ record, Keeper of the Shepherd released in March of this year, melds the traditions of folk and avant-garde jazz to construct her distinctive sound. In this musical space, Frances grapples with the grief of losing her father and the emotional aftermath of vacuous relationships. Her lyrics are pure poetry and her guitar work is profoundly inventive. What results is a passionately authentic work, carried by its elegiac fortitude into untouched worlds perfectly encapsulated by its writing.

“When I started approaching Keeper of the Shepherd, I had grown so much as a musician,” Frances said in an interview with The Tribune. “The whole album is challenging, […] but I wanted to reach my edges as a musician on this record. Emotionally, I was going through a lot of intense reckoning and releasing a lot.” 

Throughout the record, the land is pushed to the soundscape’s foreground, while the perishable body becomes minute in the narrative of enduring nature. Frances now resides in Vermont, amongst the state’s breathtaking landscapes of ceaseless forests, lively wildlife, and harsh changes of the seasons. On “Woolgathering,” Frances sings, “Give me time to free my lungs / The ribs are loosening / The life breathes in.” She immerses herself in the life of a wandering shepherd to access the shearing of her bodily grief, communing with the surrounding mortality of nature for acceptance of this past. 

In discussing some of her literary influences, Frances said, “I think [Mary Oliver] subconsciously always inspires me to turn to the land for imagery and also to remember something bigger than the myopic stories that we all live in.”

Sometimes music unintentionally appears at the right time in a person’s life. This album arrived at an odd period for me. The March ice was waging wars as cold as ever, soon melting into the mud that bloomed the leaves of tomorrow’s summer. But Keeper of the Shepherd is a medicine for sorrow, engulfing you in its warm presence, comforting and easing with every note. The work accepts the loss that courses through every aspect of life, and the fleeting nature of love that drifts from season to season.

“Once it’s out of my hands, I think records find people when they’re meant to,” Frances stated. “It’s my hope that it makes people feel strong. I hope it makes people feel in touch with something very real and feel triumphant.”

The implementation of alternate tunings and irregular time signatures throughout the tracks fashion a soundscape of auditory uncertainty as a mirror to grief’s unpredictability. The record’s first song, “Bronwyn,” explores every inch of this theoretical space by continuously altering its signature to expound emotive wanderings. The accompanying arrangements crescendo as Frances expels, “For no one is mine to hold and no one holds still.” Her powerful voice hums every note like it’s her last, loosening ribs for breath and song to course through. There are no albums like //Keeper of the Shepherd//; its tender intensity and vulnerable beauty cement Hannah Frances as a true folk poet.

News

Mohawk Mothers and Independent Special Interlocutor Kimberly Murray call for legal reform and justice for Indigenous children

Content warning: Mentions of residential schools, settler colonialism, violence, and death.

On Oct. 29, Independent Special Interlocutor for Missing Children and Unmarked Graves and Burial Sites associated with Indian Residential Schools, Kimberly Murray, released her final report on missing and disappeared Indigenous children. Murray—who was appointed to the position by the Minister of Justice and Attorney General of Canada in June 2022—worked with Indigenous residential school survivors, their families, and their communities to outline the actions needed to create a legal framework to protect the rights of and ensure justice for children buried at the sites of former residential schools. Murray’s findings also supported the demands of the Kanien’kehá:ka Kahnistensera (Mohawk Mothers’) for an investigation into the New Vic Project site, for which they filed a motion at the Supreme Court on Oct. 15. 

Murray asserts that through actions such as subjecting them to violence, malnutrition, and medical experimentation, the state committed “enforced disappearances” of many Indigenous children sent to residential schools—a crime and violation of human rights under international law. Murray’s report also outlines 42 “legal, moral, and ethical obligations that governments, churches, and other institutions have to support Indigenous-led search and recovery work.” Among these obligations are calls for institutions to issue “full reparations” to families of missing and disappeared children and to protect burial sites from being disturbed by establishing an “Indigenous Burial Site” designation. 

Murray also determined that investigations should take place not only at sites of former residential schools, but at other locations such as hospitals, sanitoria, and mental health institutions where children were forcibly transferred, and later died. One of the obligations in the report demands that Action 73 of the Truth and Reconciliation Report—which calls on the government to create an “online registry of residential school cemeteries, including, where possible, plot maps showing the location of deceased residential school children”—be expanded to including these other institutions as well.

“[The Canadian government is] refusing to support searches of these other institutions, of the archival records of these institutions, so that people can find where their loved one is,” Murray said. “They’re absolutely refusing to repatriate remains if the person did not die at the Indian residential school, and they died in the hospital.”

Many of Murray’s findings aligned with the legal battles of Mohawk Mothers, who filed a motion with the Supreme Court demanding an independent investigation into potential unmarked graves on the grounds of McGill’s New Vic Project at the former Royal Victoria Hospital (RVH). Murray expressed her solidarity with the group at an Oct. 15 press conference in Ottawa, when the Mothers’ chose to bring their case to the Supreme Court.

Located at the RVH, the Allan Memorial Institute was among the locations where the CIA conducted mind control and chemical interrogation experiments as part of the MK-ULTRA project in the 1950s and 1960s. The Mothers believe that there are ancestral burials, which pre-date colonization, and unmarked graves from the experiments on the site. 

In an interview with The Tribune, Murray asserted that Canada’s legal framework fails the survivors of residential schools, and their families and communities, by creating barriers to accessing archives and information relating to residential schools that could lead to truths about the disappearances of Indigenous children. 

“When it comes to the archives, the privacy law, the access to information law […] they were never created for a truth-finding process,” Murray said. “We know under international law that victims of atrocities have the right to know the truth. Our current legislation in Canada is not about finding the truth, it’s about hiding the truth.” 

The Mothers came to a settlement agreement with McGill—as well as Société québécoise des infrastructures (SQI), RVH, the City of  Montreal, and the Attorney General of Canada—in April 2023, which mandated that archival and testimonial investigations into possible unmarked graves and archeological work at the site begin. This work was overseen by an archeological panel appointed by McGill, the Kahnistensera, and SQI. The panel disbanded in August 2023, which the Mohawk Mothers claim violated the terms of the settlement agreement. 

The McGill Media Relations Office (MRO) stated in a written statement to The Tribune that the panel disbanded because it had fulfilled its mandate. 

“It’s important to note the mandate letter to the panel members stipulated an end date of [July 17, 2023] for their service contracts. As the Panel had carried out its mandate by that date, it dissolved, as it was intended to,” the MRO wrote. “The settlement agreement nonetheless indicates that McGill, SQI, and Kahnistensera will seek the advice of the panel as to how to move forward if there is some unexpected discovery.”

The Mothers took the parties to court again in November 2023, where Justice Gregory Moore ruled to reinstate the panel. In August 2024, Quebec’s Court of Appeal granted McGill’s appeal of Moore’s decision, at which point the Mothers brought the case to the Supreme Court. As of Nov. 4, the Supreme Court has not publicly stated whether it will take on the case. 

McGill maintains that it has abided by the settlement agreement and that no unmarked graves have been found on the site. The MRO also highlighted that although the panel is disbanded, “[t]he investigation into possible unmarked graves is ongoing” and that the excavation continues to follow the panel’s recommendations.

In an email to The Tribune, Kwetiio, one of the Mohawk Mothers, noted that many of Murray’s arguments on the legal system’s failings resonated with the group’s ongoing battles in the courtroom. Kwetiio emphasized that Indigenous legal traditions were in place before colonization, and urged courts to “accept that our traditional laws govern the land.”

“The court system is not our way. The Kaianerehkowa (Great Peace) outlines a consensus decision-making system where all parties try to overcome their disagreements to come to an understanding,” Kwetiio wrote. “But our attempts to discuss with McGill and SQI out of court were consistently denied, and we have no choice [but] to go to the court.”

Associate Professor in the Faculty of Law at McGill, Kirsten Anker, studies Indigenous jurisprudence and is among the instructors who teach LAWG 103: Indigenous Legal Traditions. Anker noted that LAWG 103 takes a “bottom-up” approach to studying Indigenous law, as the differences between Indigenous laws and Western laws stem from different epistemologies or knowledge systems. 

“[The] understanding of a human […] as someone who is interdependent with all these other elements of the world, of the ecosystem and the planetary system, […] that’s a very different understanding to the individual model in the Enlightenment tradition that has formed the foundation of [the] Western legal system, and the idea of individual responsibility and the kind of moral tones of criminality and punishment as some kind of behavioural modification,” Anker said.

For Kwetiio, the lack of legal protection for burial sites and unmarked graves means the burden falls primarily upon Indigenous people to advocate for missing and disappeared Indigenous children.

“The burden should not be ours to protect evidence from the mass atrocities that we endured, but on settler institutions and governments,” Kwetiio wrote. “Because of the lack of any legal framework protecting these sites of atrocities and medical experimentation, we had to dedicate so much of our time and resources and face a slew of attorneys using legal tricks and technicalities to bury us under paperwork, […] [and appeal] court decisions in our favour, which continuously adds to the trauma we experienced.”

Reflecting on the possibility of having reconciliation within the legal system, Murray noted that some law schools and law federations are seeking to “revitalize” Indigenous law and teach it to lawyers. For example, she noted Justice Moore’s referencing of Haudenosaunee law in his November 2023 decision reinstating the panel in the Mohawk Mothers’ case. However, Murray emphasized that there are still challenges with applying these laws in court and that more must be done to see these changes.

“We’re seeing some movement and understanding, but […] we need the Crown and the defence council to start lawyering for reconciliation instead of trying to protect the rights of their clients in such offensive ways that they do,” Murray said. “I think we can go a lot further, if people would sit down and collaborate with each other.”

Football, Sports

The NFL’s racist double standard

After the San Francisco 49ers beat the Dallas Cowboys (30-24) on Oct. 27, the 49ers’ defensive end Nick Bosa videobombed his teammate and quarterback Brock Purdy’s postgame interview while proudly wearing and pointing to a Make America Great Again (MAGA) hat, indisputably endorsing presidential candidate Donald Trump. In 2016, the NFL blacklisted former 49ers quarterback (2011-2016) Colin Kaepernick for sitting and kneeling during the national anthem to protest racial inequality and police brutality toward Black individuals. Yet, despite its policy limiting political messaging, the NFL has not acted against Bosa. The league’s silence on Bosa’s sentiment in comparison to its response to Kaepernick illustrates the clear double standard in the NFL, further propagating the anti-Black racism and bigotry that prevails within American football and the broader sports sphere. 

In the 2016 NFL preseason, Kaepernick sat down during the Aug. 26 pre-game national anthem in protest of anti-Black policing. Kaepernick’s protests advanced to kneeling when the anthem was played, with 49ers safety Eric Reid soon joining him. Kaepernick received nationwide attention from proponents and critics alike. While former-president Barack Obama defended Kaepernick’s “constitutional right to make a statement,” 2016 president-elect Donald Trump denounced Kaepernick for his “lack of respect” for the American flag. 

Kaepernick continued his protests and frequently spoke out in interviews about the debate around racism and patriotism. After the 2016 season ended, the 49ers had a 2–14 record, and Kaepernick opted out of the final year of his contract, instead entering the NFL free-agent market. However, no team offered to sign him. Kaepernick soon filed a formal grievance accusing NFL team owners of conspiring to keep him out of the league, which was resolved in February 2019; the settlement details have remained confidential. Kaepernick has not played on an NFL team since 2016. 

While Kaepernick’s stance of anti-racism effectively ended his football career and resulted in him receiving countless death threats and hate messages online, Bosa has been commended for his endorsement of Trump. Users on X responded to clips of the interview with praise, including sentiments like “You gotta love it” and “We’re so fucking back.” 

Just hours before Bosa appeared in the NBC interview, Trump had held one of his most racist, sexist, and vile rallies yet. Speaker Tony Hinchcliffe began the rally with slurs against Latinx and African-American individuals, David Rem called presidential candidate Kamala Harris “the antichrist,” and Sid Rosenburg attacked former presidential candidate Hillary Clinton with misogynistic rhetoric. Trump himself gave some of his most sinister anti-immigration remarks, calling for the death penalty against migrants who kill American citizens, with chants of “Send them back” resounding from the crowd. 

For Bosa to endorse a candidate who is openly racist, misogynistic, and xenophobic should be considered an act of hate, especially considering the backlash Kaepernick received when he called for an end to anti-Black killings. At best, Bosa will be fined around $10,000 USD for his political statement. While Kaepernick was completely shunned from the NFL for his social activism efforts, Bosa will not face the same consequences and will be allowed to ‘practice his constitutional rights.’

Yet Bosa’s endorsement of Trump should come as no surprise given his own values. Bosa has long had a history of liking and following Instagram accounts featuring racist and homophobic language. During Kaepernick’s 2016 protests, Bosa called Kaepernick a “clown” on X. He has continuously commended former presidents Trump and Ronald Reagan, referring to them as the “greatest of all time.”

The NFL—administrators, players, coaches, and fans—cannot blacklist Kaepernick for a stance against racism and then commend Bosa for his hateful pro-Trump sentiments. Sport is not apolitical; rather, it chooses to platform racism and silence impactful dissent. The NFL’s racist double standard must be addressed. 

Local Stories, Student Life

How did students celebrate Diwaloween?

This year, Diwali fell on Oct. 31—making the Hindu, Sikh, and Jain celebration fall on the same day as Halloween. For students who celebrate both Diwali and Halloween, this presented quite a conundrum. The Tribune talked to South Asian students to see how they commemorated the joint festivities. 

For Keya Tyagi, Vice President Academic of McGill’s South Asian Studies Student Association (SASSA), the days around Diwaloween were hectic as she navigated exams, family celebrations, and school events. 

“For me personally it’s been a bit chaotic, especially considering it’s still kind of midterms season for me as well,” Tyagi wrote in a statement to The Tribune. “As someone who’s from Montreal and currently lives at home, I definitely have a different experience from students who are celebrating far from home, but for me, the struggle has been in balancing family commitments/celebrating Diwali at home [versus] everything that is going on for Halloween and going out with friends.” 

Tyagi also explained that it can be difficult for South Asian students to balance both Diwali and Halloween events offered by campus groups. SASSA offered a Diwaloween event on Nov. 1 in the Morrice Hall Theatre, with dance, music, and food for attendees. 

“I think with [the SASSA Diwaloween event] and other similar ones I’ve seen happening around here you can find a way to combine the two holidays [and] celebrate Diwali in a way that’s very unique to the diaspora,” Tyagi wrote. “At first, [SASSA event organizers] were scared that we wouldn’t have as good of a turnout for our event due to people having conflicting Halloween plans, but so many people showed up which was a nice surprise!” 

Tia Sharma, U3 Arts, acknowledged that it can be difficult for South Asian students to find community in Montreal, especially if they don’t have friends from the same origin. 

“We live in North America currently, [and] naturally the culture is more western-centric so it’s hard to make time for your own festivals in between Halloween,” Sharma wrote in a statement to The Tribune.  “South Asian students with multiple brown friends like me are fortunate on that end that we do have an option to skip things together to celebrate Diwali but for students that don’t have any brown friends from their own culture, they’d have to just go along with their friends’ plans.” 

Nonetheless, Sharma explained that she has found a way to make a home away from home for herself, which helps when it comes to celebrating holidays such as Diwali. She strongly encourages students to create safe spaces where they can retain their cultural values. 

“For example, a friend of mine made everybody who entered his house light diyas, even his non-Indian friends and explained the concept to them. Most people (with a few exceptions [of course]) are willing to learn about and appreciate your culture. I personally always find things to do like eating an Indian meal, buying sparklers, facetiming my mom and sitting through her Diwali pooja to feel like I’m home,” she wrote. 

Bhavya Kalra, Co-President of the Indian Students’ Association, explained that for some students, Diwali has been a lifelong tradition, whereas Halloween is a new addition, meaning that Diwali takes precedence when it comes to celebrations. 

“With Halloween being something that I personally started celebrating very recently (since I moved to Canada 3 years ago), I’ve celebrated Diwali every single year since I’ve been born and so the festival means much more than anything. It keeps me connected to my roots and my family and I think this is how all the brown kids, who are miles away from their homes feel,” Kalra wrote in a statement to The Tribune

She added that she hopes more events such as SASSA’s Diwaloween are hosted in coming years to foster a sense of community for South Asian students. 

“It would further create a sense of belonging for South Asians far from their homes in this country while also being connected to their own cultural identity,” she wrote.

McGill, News

McGill administration and students consider potential ramifications of federal government immigration restrictions

On Oct. 24, Immigration, Refugees and Citizenship Canada (IRCC) Minister Marc Miller announced the 2025-2027 Immigration Levels Plan which aims to decrease the number of temporary residents in Canada from 6.2 per cent of the population in 2023 to 5 per cent by the end of 2026. To achieve this, the plan includes a new ceiling of 437,000 study permits issued for 2025. The government will also tighten the eligibility requirements to gain a post-graduation work permit (PGWP). Starting Nov. 1, those wishing to obtain a PGWP must demonstrate a Canadian Language Benchmark level 7 for French or English. Amid the rollout, McGill and its students hypothesize the potential impact on the university. 

According to a federal government news release from January, the government imposed the restrictive measures to address the housing and healthcare shortage. In the same release, Miller alluded to some institutions that “significantly increased their intakes to drive revenues.” 

McGill boasts a diverse student body with almost 30 per cent of the population coming from over 150 countries. The Media Relations Office (MRO) wrote to The Tribune that it is unclear whether these restrictions will impact the university as details have yet to be shared. As such, MRO wrote that McGill remains confident in its international standing. 

“McGill’s international standing is based on the excellence of its academic and research programs, its international outlook and its ability to innovate based on the research it conducts,” the MRO wrote. “As a result, we expect our international standing to remain strong. ”

According to Caroline Viola, U3 Science, and co-president of the McGill Biology Student Union (MBSU), many international students are attracted to McGill under the notion that there is a clear pathway to obtaining a PGWP. The implementation of the new PGWP restrictions could act as another stress factor for many—especially those who will be graduating this year.

“This change is definitely detrimental to students […] if you have jobs in mind in Canada, just knowing that there might be a restriction on if you can actually be allowed to stay here to take the job is really unfortunate, and I think it definitely just adds a stressor for a lot of students, as well as restricting probably where students will end up applying,” Viola told The Tribune.

The MRO wrote that McGill President and Vice-Chancellor Deep Saini, along with administration leaders from the Université de Montréal, Université Laval, and Université de Sherbrooke, will appear before a Parliamentary Commission at the National Assembly of Québec on Tuesday, Nov. 5 to present their unified stance on the new immigration regulations. The MRO also noted that the International Student Services provides support to students who wish to obtain a PGWP through webinars, advising sessions, and step-by-step guides.

Nick Chow, U3 Arts and Science and MBSU’s co-president, also remarked on the potential that it may be some time before any impacts are seen at McGill. 

“These are federal government changes and changes that are affecting schools all across the country,” Chow told The Tribune. “And so we’re getting numbers at the federal level and once that trickles down to McGill itself, it’s really hard to know exactly how many less international student spots there will be.”

Alongside these restrictions, the Quebec government has taken its own measures to cut down immigration levels. The provincial government announced on Oct. 31 that it will not accept new applications under the Québec graduate stream of the Québec Experience Program. This will be in effect until July 30, 2025 at the latest. Additionally, tuition hikes have been imposed on out-of-province and international students at anglophone universities. For Twisha Singh, coordinator for the Post-Graduate Students’ Society’s International Student Caucus, these kinds of measures have an outsized effect on students from low-income backgrounds.

“When considered alongside Quebec’s recent tuition increases for out-of-province and international students, these federal restrictions seem part of a broader trend that could disproportionately impact students from marginalized or lower-income backgrounds,” Singh wrote to The Tribune. “Policies like these affect not just individual students but also our ability to foster an environment where diversity, representation, and inclusivity are more than words—they are lived realities.” 

McGill, News

“Kiki as Resistance” discusses ballroom culture, radical joy, and Black queer identity

A crowd of roughly 25 people gathered in Redpath Library on Oct. 28 for a talk entitled “Kiki as Resistance: Shaping Black Queer and Trans Identities” by Vincent Mousseau—a social worker, PhD student in Health at Dalhousie University, and member of the kiki scene in Montreal. Mousseau discussed the role of kiki ballroom culture in shaping the identities of Black queer individuals and as resistance to systemic anti-Black racism. 

Mousseau first explained that kiki ballroom is a “youth-centred offshoot” of the ballroom scene that focuses less on competition and seeks to build community and foster self-expression among Black and Latinx youth in particular. They then presented their research, which explores the way Black and queer people understand their own racial and sexual identities. They argued that kiki ballroom culture influences identity development by affirming an understanding of Black and queer identity as one rather than being seen as split. Mousseau’s research found that when Black queer people report an understanding of their identities as one, they also experience better health outcomes. 

“[W]hen we consider human physiology and more specifically our central nervous system, it becomes clearer how our bodies hold onto trauma and stress,” Mousseau wrote to The Tribune. “Understanding identity holistically, without having to police parts of oneself, plays a significant role in alleviating that burden. This perspective is also deeply personal to me as a Black queer person, experiencing the fullness of my identity within spaces where I don’t need to hide or fragment myself.”

They went on to discuss how elements of ballroom are rooted in Africentric principles, such as the understanding of kinship outside of biological family. Mousseau also noted ballroom’s emphasis on embodied ways of transferring knowledge as another Africentric principle, which is a tool to “hold knowledge that has been taken from us.”

Later in the talk, Mousseau invited Father Ali Old Navy, a member of the Montreal kiki scene, to the front of the room to enact and discuss the significance of different moves and styles of walks in ballroom culture. For example, Ali explained that ballroom culture works to reclaim the “limp wrist”—a gesture that has been historically used to mock queer people—by incorporating this movement in voguing. For Mousseau, this element of the talk highlighted the conversational dimension of ballroom.

“Ballroom, and especially Vogue, is about dialogue. It’s a way of saying something powerful in response to the marginalization we face,” Mousseau wrote. “Working with Father Ali brought this out; the talk wasn’t just me sharing information, it became a space where people engaged in the conversation together.”

Mousseau’s talk was organized as part of Queer History Month at McGill. Amanda Wheatley, Outreach and Engagement Coordinator at the Humanities and Social Sciences Library, spoke to the choice to hold the talk in a library, highlighting the “collective” nature of the space.

“Libraries are often unique in that they are available for everyone, regardless of disciplinary affiliation. It makes sense to host these events in collective spaces on campus,” Wheatley wrote. “We hold talks about knitting, Voltaire, science dissemination, challenges to scholarly publishing, medieval manuscripts, and more. So why not kiki balls?”

Librarian in the Humanities and Social Sciences Library Michael David Miller, who introduced Mousseau at the beginning of the event, noted that it “might be the very first kiki ballroom talk at the university.”

Reflecting on what they hope attendees take away from the talk, Mousseau reinforced the joy that comes with ballroom’s opposition to societal norms and its celebration of this subversion. 

“It’s about honouring femininity in a world steeped in misogyny, uplifting Blackness and queerness unapologetically, and celebrating the ‘limp-wristedness of it all,’” Mousseau wrote. “This joy and defiance have an immense cultural impact, visible in how mainstream culture borrows from ballroom—even though it’s often misaligned or taken without respect. My hope is that attendees leave with a sense of this joy, resilience, and the power of community-based resistance.”

Behind the Bench, Sports

Northern Super League makes exciting new signings ahead of first-ever season

The Northern Super League (NSL), Canada’s first professional women’s soccer league, was officially announced in May 2024 and is set to launch in April 2025. This new league fills a major gap in Canadian sports by providing a top-tier platform for women athletes, previously missing in Canadian soccer. Spearheaded by Diana Matheson’s Project 8, the NSL will debut with six teams, based in Montreal, Ottawa, Halifax, Toronto, Vancouver, and Calgary. Team franchises were first announced in May 2024, with Calgary Wild FC being the first. Montreal was one of the next to be launched, naming themselves Montreal Roses FC, a tribute to the roses featured in the city’s coat of arms

With the first season quickly approaching, teams are beginning to announce new signings as they gradually build up their rosters. On Oct. 21, 2024, Montreal Roses FC announced two significant signings that have created a buzz in the NSL, the first being French midfielder Charlotte Bilbault. Bilbault is a seasoned player with 56 international caps for France; this experience will bring leadership and defensive strength to the team’s midfield. Additionally, Bilbault has experience in top European leagues, including Montpellier in France’s Division 1 Féminine, and will thus hopefully bring insight and expertise to Roses FC as they build their team from the ground up. Athletic director and French former soccer player, Marinette Pichon, described Bilbault as an “impact player” whose game-reading ability will enhance the team’s defensive and playmaking abilities. 

Another noteworthy signing for the Roses is Gabrielle Lambert, a Canadian goalkeeper from SC Freiburg in Germany. Known for her agility and tactical awareness, she’s set to play a mentoring role, elevating standards and setting an example for the team’s younger players. Roses FC’s early signings of seasoned players highlight their intent to compete at a high level and provide fans with a strong first-ever season. Looking forward, there’s excitement over the Roses’ future as a team and potential signings that could further balance the team’s roster with promising young talent as the league approaches kickoff in April 2024​. 

Other teams across the NSL have also made several exciting roster moves. AFC Toronto signed forward Jade Kovacevic, one of Canada’s top talents, who brings an abundance of experience from both the collegiate and international levels, including time at Louisiana State University and Fanshawe College. Known for her playmaking skills and leadership qualities, Kovacevic is expected to be a key player for Toronto both on and off the field. Calgary Wild FC, although still finalizing and building its lineup, is also rumoured to be targeting myriad high-profile names such as Stephanie Bukovec as they establish their roster. The Canadian-Croatian goalkeeper has spent the last six seasons in Europe but stated that there’s always a chance she would return home. She recently followed Calgary Wild FC on Instagram, a possible hint toward her future team.     

These early signings illustrate the league’s commitment to building a highly competitive, talent-driven division that can captivate fans across Canada. The NSL’s inaugural season truly marks a transformative moment for women’s soccer in Canada, promising to elevate the sport domestically and provide new pathways for players and coaches who have never previously had the opportunity to do so domestically. By pulling talent from both Canadian and international sources, the league is already capturing the attention of fans eager to support hometown teams and see high-quality professional soccer close to home. These initial signings not only bolster the league’s competitiveness but also display their commitment to creating a strong, sustainable foundation for women’s professional soccer in Canada. With solid backing from sponsors and a national broadcast deal, the NSL is set to inspire the next generation of female athletes and create a thriving sports culture that will grow the game and inspire young girls for years to come. 

McGill Recommendations, Out on the Town, Student Life

Explore Montreal’s culinary milieu with MTLàTABLE

With Halloween behind us, there’s no need to fear surprise charges lurking at the end of a meal. MTLàTABLE’s set-price menus offer students a taste of the city’s vibrant culinary scene, spook-free, until Nov. 17. Each participating restaurant offers three or four-course set-price evening menus priced at $35, $50, $65, or $80 CAD. With over 150 restaurants on board, MTLàTABLE showcases Montreal’s rich culinary diversity—and to help you choose, The Tribune has curated highlights from this year’s lineup.

French fare

From casual bistros to fine dining establishments, French cuisine is a cornerstone of the city’s restaurant scene. MTLàTABLE showcases this rich culinary heritage and invites diners to explore French dishes from an array of restaurants. Among the most enticing options are the $65 CAD three-course offerings at both Leméac and Modavie. Leméac, a landmark Montreal restaurant, is celebrated for its chic bistro fare, featuring unique delights such as cromesquis of suckling pig and arctic char. Meanwhile, Modavie, nestled in the heart of Old Montreal, presents French classics like escargots and duck confit in a charming vintage atmosphere. Both venues promise delightful evenings that highlight the depth of French influence in Montreal’s food culture.

Quebec cuisine

Quebec cuisine blends traditional French influences and local ingredients, reflecting the province’s distinct cultural heritage and culinary landscape. If you’d like to explore this gastronomic scene during MTLàTABLE, Caribou Gourmand is an excellent choice, offering a $50 CAD four-course menu that captures the essence of Montreal’s flavours. Their dishes include bison stew and the Magdalen Islands wild seal, highlighting unique Canadian offerings. If that doesn’t pique your interest, fear not: There are vegetarian options too, ideal for those who prefer their meals more flora than fauna-centered. After all, who needs to wrestle with a wild seal when you can indulge in homemade beet gnocchi?

For a unique twist on traditional Quebec flavours, try h3, which infuses Québecois classics with Asian influences—think squash soup with hints of yuzu and maple. Priced at $65 CAD for four courses, H3 impresses with main offerings like seared salmon paired with Massawipi miso and celeriac, along with beef striploin steak served with aligot potatoes. 

Pescatarian and vegetarian options

Perles et Paddock’s $50 CAD four-course menu features the rich flavours of Quebec and the Maritimes, featuring standout dishes like their tapioca cromesqui with pumpkin and curry, and a robust seafood option of grilled Bobines Farm trout served with barbecued salsify. Guests can choose between vegetarian delights, such as the roasted cauliflower with honey and tahini, and meatier fare like the braised beef short rib with butter-roasted parsnips. With clear identification of vegetarian, vegan, and gluten-free options, this menu ensures that everyone can experience a remarkable dining experience, regardless of their dietary preference.

Date nightAs the temperatures drop, there’s nothing like warming up a chilly evening with a romantic date night and a cozy meal. The Tribune recommends three enticing dining options at varying price points, ensuring you can impress without breaking the bank. Foiegwa presents a three-course experience for just $35 CAD. Featured on their MTLàTABLE menu is the popular black truffle spaghetti, artfully topped with an egg yolk. The restaurant’s intimate seating and warm dim lighting create the perfect ambiance for a cozy evening. Le Boulevardier steps it up with four courses at $65 CAD, offering an impressive selection that includes scallops, tuna tartare, burrata, and sea bass. This elegant eatery strikes the right balance between sophistication and comfort, making it an ideal choice for a memorable night out. For those looking to treat themselves, Ratafia provides a luxurious four-course menu for $80 CAD. Highlights include the gravlax of Arctic char, eggplant with koji and amazake glaze, and a stunning dessert featuring burnt meringue paired with fresh sea buckthorn, buckwheat ganache, and a refreshing buffalo mozzarella sorbet from Maciocia Farm. Whichever option you choose, you’re bound to keep the chill at bay and impress your date!

Art, Arts & Entertainment

AM Kanngieser’s ‘Listening as Coming To’ transports you through time

This fall, the PHI Centre is hosting Habitat Sonore: A Kind of Harmony, a series of six sound exhibitions created by different artists. Each event comprises an in-depth interview with the artist, followed by a collective listening experience for the sound piece. Most recently, the centre welcomed audiences on Oct. 26 and 27 for AM Kanngieser’s exhibition ‘Listening as Coming To.’ Kanngieser, an award-winning geographer and sound artist, brings his talent to the PHI Centre to shed light on environmental justice through sound art.  

Pioneered by futurist Luigi Russolo, sound art is an immersive art form that utilizes auditory mechanisms for creative expression through atmosphere. Kanngieser’s exhibition cultivates sounds in a way that illustrates a deeper form of recognition and understanding of the land and all that came before him: For ‘Listening as Coming To,” Kanngieser worked with the sounds of Nauru, a small island in Micronesia, to pay respect to the island’s Indigenous population.

The exhibition began with a conversation with the artist dissecting the concept of listening itself. Kanngieser and the interviewer discussed how, as humans, we come to conversations and environments with our own personal baggage that influences how we perceive and interpret sound. Thus, by bringing our own presence to every experience, we change the environment itself. 

Additionally, Kanngieser spoke to how certain cultures build relationships with sound patterns and utilize similar motifs of audio over the course of time. This cultural side of sound is based mostly on the environment, the history of a place, and the people that came there before. Recognizing and respecting that facet of the listening process is a crucial part of building a relationship with the listening environment and ensuring that the audience fully sees the space for all that it is.

“You have to establish a relation, you know, you can’t just go in and take things. You can’t just extract all the time again and again,” Kanngieser stated. 

He accompanied that statement by asserting that one’s presence must appreciate the totality of the environment when recording sounds for their art. Kanngeiser touched on building a relationship with a space, elaborating on how people can choose the conditions in which they care for a space and take into account its liberation amidst environmental change. With appreciation for the space came greater respect and understanding of what he created. 

One of the final things discussed in the interview was the power of silence and its complexities. Kanngieser explained that while most people view silence as a lack and sense of emptiness, he approaches it differently. 

“Silence is more of an overflowing of, an overabundance [of], all of these things that exist in a way that maybe can’t be said, that sit at the limits of language,” Kanngieser clarified. 

The interview concluded with Kanngieser establishing silence as an invitation to the audience to pause and listen, thereby reorienting themselves to the plethora of sonic relations occurring at that moment. Kanngieser’s 15-minute piece followed. 

The piece commenced with tranquil nature sounds that simulated a rainforest and what I perceived to be a river. With serene water sounds flowing all around the room, I felt as though I myself was in the rainforest. The dim lighting of the exhibition room, paired with the cozy cushions provided for audience members to lie on, created an idyllic ambience for sinking into the auditory experience. The piece continued with a series of sparkling sounds, celestial and otherworldly, until eventually fading out to silence. 

Throughout the experience, I felt transported from place to place and was moved to such a state of peace that I felt myself slowly being lulled to sleep. The piece was transportive and sensational, evoking feelings and sensations of serenity strictly from listening and bathing in the surrounding sounds. 

Kanngieser built this ambience by using recordings from Nauru to reveal the natural life of the island. By displaying the beauty of Nauru, Kanngieser hopes to spread awareness and spark discussions of environmental justice for the land in other creative spaces. 

Behind the Bench, Sports

Jack Draper and Giovanni Mpetshi Perricard claim ATP 500 titles in Vienna and Basel

On Oct. 27, Jack Draper and Giovanni Mpetshi Perricard continued to set the stage for a new era of young tennis stars, claiming their maiden Association of Tennis Professionals (ATP) 500 titles in the Vienna Open and the Swiss Indoors Basel. Both players won their finals in narrow straight sets, with Draper defeating the experienced Russian player Karen Khachanov 6-4, 7-5 and Perricard edging out sixth seed Ben Shelton 6-4, 7-6.

Their victories solidified what has been an exceptional year for the pair, as both players captured their first ATP 200 and 500 titles—achievements that position them for an exciting 2025 season, focused on Masters 1000 and Grand Slam opportunities. Perricard’s championship in Vienna culminated his breakthrough season, while Draper’s victory in Basel marked an impressive comeback year following a 2023 season marred by injuries.

Draper had his first standout season in 2022, climbing the ATP Rankings from World No. 265 to 42. Unfortunately, the 22-year-old Brit suffered numerous injuries in 2023, which caused him to drop out of the top 100 at one point during the year. At the end of 2023, Draper set his goal for the 2024 season: a top-20 finish. His triumph in Basel achieved just that, pushing him to World No. 15—a career-high—and capping off a spectacular year. Apart from his victory in Vienna, Draper won his first ATP 250 title in Stuttgart in June. He reached the US Open semifinals in September, where he lost to the eventual champion and World No. 1 Jannik Sinner

While Draper’s season continued to cement him as a highly-ranked player, Mpetshi Perricard made a name for himself this year; his victory in Basel sent a strong message to those still unaware of his talent. The Frenchman, standing at 6’8, showed his impressive backhand and unbelievable serve in the Basel championship game, drawing eyes as he hit 22 aces in the final. He defeated Canadian No. 1 Felix Auger-Aliassime, a Montreal native and a two-time defending champion, on his way to the final. Perricard, who only went pro in 2021, soared to World No. 31 following his triumph in Basel, having started the year at No. 205. The 21-year-old also won the ATP Lyon Open in May on home soil and reached the last 16 at Wimbledon in July. 

Draper’s and Perricard’s victories further mark 2024 as a transformative year for tennis. Until recently, the Big Three continued to rule Grand Slams and Master 1000 tournaments. Following Federer’s retirement in 2022 and Nadal’s exit this year, Djokovic maintained the Big Three’s dominance, producing a staggering 2023 season in which he won the Australian Open, Roland Garros, and the US Open. Still, for Djokovic, at 37 years old, retirement is on the horizon. 2024 marked the first year since 2002 that one of the Big Three did not win a Grand Slam, signalling a passing of the torch to the younger generations.

The old guard has changed. The Basel Open featured for the first time that the ATP tour had four semi-finalists born in the 2000s. The Vienna Open’s semi-finals featured two 22-year-olds. Draper has set himself as Britain’s new No. 1 following Andy Murray’s retirement this year, and Perricard joins the likes of Arthur Fils as exciting new French talent. 

A new era of young tennis talent has emerged, spearheaded by 21-year-old Carlos Alcaraz and 23-year-old Jannik Sinner who already have multiple Grand Slams to their names. The question remains of who will join them as the third great in this new chapter. Stories play a beautiful role in sports, and fans will quickly look to find a third member to join Alcaraz and Sinner. Draper’s and Perricard’s victories this past Sunday may well position both as potential candidates for that third member of a new Big Three.

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