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McGill, News

Luke Stark discusses how digital media exploits emotions in feminist tech series

Luke Stark, an assistant professor in the Faculty of Information and Media Studies at Western University, delivered a virtual talk on Jan. 18 about the history of affective computing and emotions in cybernetics, the science of communications and control in humans and machines. 

The lecture was part of an annual speaker series titled “Disrupting Disruptions: Feminist and Accessible Publishing, Communications, and Technology,” organized by Alexandra Ketchum, a faculty lecturer at McGill’s Institute for Gender, Sexuality, and Feminist Studies (IGSF). Stark’s research focuses on the ethical, historical, and social impacts of artificial intelligence (AI) and machine learning, which are also the topics of his current book project, Ordering Emotion: Histories of Computing and Human Feelings

Ketchum launched the speaker series in 2019.  In an email to the The McGill Tribune, she noted that  Stark’s talk was the 71st of the series. 

“When I started the series, I never imagined how big it would become,” Ketchum wrote. “I wanted to showcase the work of scholars, artists, and people in industry whose voices are less often showcased when it comes to questions of technology. This means that every speaker in the series is a person of colour, queer, a woman, non-binary, or disabled (and many of the speakers in the series share multiple of these identities).”

The talk was given in ‘scenes.’ Scene one centred around Facebook’s reaction icons, titled “Where Did These Faces Come From, and Why Do They Matter?” In this scene, Stark discussed how the like button, a 2009 design choice, is an example of a method used by social media platforms to extract data on user expression. 

“That’s what these reactions are, they are structured data about emotional expression,” Stark said. “In some cases, this data is structured by the user, is developed by the user; in some cases, it is collected without the user knowing or realizing.”

Scene two of the talk outlined how technology companies became interested in developing emotional AI and how AI understands emotions. Stark argues that computing technologies reinforce definitions of emotions that prioritize the body’s physiological reactions to emotions. 

“Computing technologies are taking up much older ideas, and in some ways taking up ideas that have been largely discredited […] in biology, physiology,” Stark said. “These kinds of quantifiable, biophysical definitions of emotions have tended to either directly or indirectly justify emotion and emotional control as both a proxy and mechanism for maintaining social norms […] of colonialism [and] misogyny.”

In scene three, Stark discussed the misrepresentation of emotional AI by technology companies. He debunked Apple’s introduction of Memoji, animated emojis that follow the user’s facial expressions, as a camouflaged cover for the company’s extraction data to improve its facial recognition technology. Stark also noted that digital features often run rampant with biases, pointing to research by Lauren Rhue that discovered how facial recognition systems fail to accurately interpret the emotions of Black people.

In his concluding remarks, Stark quoted Michal Kosinski, a computational psychology and psychometry expert at Stanford University, that equated a smartphone to a “psychological questionnaire that we are constantly filling out, both consciously and unconsciously.”

Zoe Leousis, U1 Arts, attended the talk with the hopes of learning more about the technology she interacts with on a daily basis.   

“It’s something you don’t really think about, how personal the targeting of certain platforms really is and how easily we can be swayed by it,” Leousis told the Tribune.  “I would have never thought of the robot maid from The Jetsons as a mirror to the stereotypes being pushed by these companies.”

Arts & Entertainment, Comedy, Pop Rhetoric

Logan Paul’s genius strategies to make you rich!

Logan Paul is not the scam king that the media has falsely painted him to be. I, for one, am an avid supporter of the hotter Paul brother and have personally spent thousands of dollars on NFTs, which I don’t regret at all. 

Non-fungible tokens, or NFTs, are the genius business of investing in unique digital images that accumulate astronomical value. Understanding NFTs to be the goldmine that they clearly are, Logan dipped his toe into the industry by purchasing one NFT for a whopping $623,000 USD, according to a screenshot of his Snapchat story. Unfortunately for him, the NFT’s worth plummeted to $10—only because there obviously wasn’t the right leader in advertising its true worth. Please welcome to the stage that leader: Logan Paul himself, the perfect champion for NFTs. 

As a non-problematic YouTuber, superstar musician, and intimidating boxer, Logan Paul is the ideal face for this new wave of NFT gaming. Taking inspiration from his love of Pokémon cards—the NFTs of the 90s and early 2000s—Logan devised a game that would maintain the joy of Pokémon’s super cool mythical animals and also introduce the masses to cryptocurrency. He announced this pet project, CryptoZoo, in 2021 on his hilarious podcast, IMPAULSIVE (isn’t he clever?). The game was simple: Use real American dollars to purchase “eggs” on the blockchain, which will “hatch” into common animals you can find on Earth. But where are the hybrid animals I was promised, you ask? Roleplaying as God, you have the power to breed your animals together to create crossbred animals (handmade unique NFT art) which accumulate Zoo tokens the longer you hold them. Think of it like a business pyramid—the most sturdy and successful shape.  

Like all the other listeners, I was immediately sold on CryptoZoo and couldn’t wait to invest. Logan Paul has never steered me wrong before, so why would he now? He alleged on IMPAULSIVE to have invested $1 million USD and over seven months of his valuable time and energy into this project. CryptoZoo was going to be a massive hit. Before launch day, CryptoZoo had sold $2.5 million in eggs. But then—sabotage. 

Logan Paul’s own development team scammed him, stole his hard-earned code, and escaped to Switzerland! They held the code hostage for $1 million and claimed to be “underpaid” when CryptoZoo had yet to be launched. As business mogul Kim Kardashian once said, “Get your fucking ass up and work. It seems like nobody wants to work these days.” Everyone knows that trainees should be paid lower wages during the trial stage of their employment! 

Cut to December 2022. President Biden calls for unity, deadly storms attack the east coast, and, unbeknownst to us Logan Paul stans, the best present is about to be dropped: A scandal. No, not the false rumour that Logan Paul abandoned his pig, Pearl (she was lovingly rehomed). But a trio of tell-all videos posted on YouTuber CoffeeZilla’s popular channel was about to change everything. CoffeeZilla set out to “uncover the truth” about CryptoZoo, making wild and unfounded claims that Logan Paul hired professional scam artists and criminals to develop this game to simply make himself money. While the “scam artist” allegation was true, they also scammed Paul out of $7.7 million dollars. So really, CoffeeZilla, Logan Paul is the real victim. 

Amidst the “scandal,” the Zoo token value jumped 1000 per cent in two weeks, proving that Logan Paul’s popularity is the key to a good investment. CryptoZoo investors who know what they’re doing are biding their time, knowing that their returns will be tenfold in the near future. As Logan said, CryptoZoo is coming. Who is CoffeeZilla to decide when the development timeline ends? Only Logan can decide that. So, while scumbags like CoffeeZilla make their money off of “investigative journalism,” CryptoZoo will be passively making its investors rich—at some point! 

Arts & Entertainment

What we liked this winter break

The weather outside is frightful, but as always, the Tribune has media recommendations that are nothing short of delightful. Here is a breakdown of what the Arts & Entertainment section enjoyed over winter break.

Alice in Borderland (Season 2) 

Ella Buckingham, Staff Writer

(hardwarezone.com)

The much anticipated second season of Alice in Borderland, a Japanese thriller series streaming on Netflix, truly holds its own––no small feat in the shadow of its epic first season. Set in Borderland, an alternate reality where only a small percentage of the population is left and must play a variety of maniacal games in order to survive, the second season picks up right where the last one left off. The audience sees young gaming prodigy Arisu (Kento Yamazaki) and his friends battle their way through the trigger-happy marksman King of Spades (Ayumi Tanida), probing philosophical questions, and a prophetic nudist before the climatic last episode that will have viewers reeling. What the storyline lacks in complexity, the finale makes up for by deftly wrapping up an almost impossible number of loose strings. While a third season has not yet been confirmed, hopefully the joke’s on us and it will be coming soon. 

Glass Onion: A Knives Out Mystery 

Dana Prather, Staff Writer

(mashable.com)

In the follow-up to 2019’s smash-hit Knives Out, the “world’s greatest detective” Benoit Blanc (Daniel Craig) returns to take part in another star-studded whodunit. Set a few months into the COVID-19 pandemic, Blanc finds himself frustrated and listless without a mystery to solve when he’s unexpectedly invited to a weekend-long murder mystery party on a private island by eccentric tech billionaire Miles Bron (a hilariously douchey Edward Norton). When a shocking real-life murder occurs, Blanc’s powers of deduction are put to the test. A stellar ensemble cast—Kate Hudson is a standout as vapid former model Birdie Jay—form Bron’s inner circle, serving as perfect targets for the film’s satirical jabs at America’s wealthy elite. Complete with stunning Greek island vistas and heart-warming, posthumous cameos from the likes of Stephen Sondheim and Angela Lansbury, Glass Onion is a fun-filled mystery that’s not to be missed. 

Ginny & Georgia (Season 2)

Simi Ogunsola, Contributor 

(people.com)

Peaaaaach, they’re backkkkk! For all the fans who stuck it out through the painful attempts at portraying Gen-Z, endless Ginny vs. Marcus blank staring contests, and complete destruction of the word “peach,” you’ll be pleased to know that season 2 of our beloved Ginny & Georgia is out now on Netflix! All of your favourite players—Cynthia (Sabrina Grdevich), Nick (Daniel Beirne), and I’ve-loved-you-since-I-was-15-Joe (Raymond Ablack)—are back to take you on an emotional rollercoaster unlike anything seen in season one. Viewers journey with Ginny as she grapples with the truth of her mother being a murderer. Ginny and audiences alike go back and forth between shock, anger, a desperation to understand, and maybe a reluctant relatability as they are forced to decide: Can good people do bad things? But don’t worry—whenever things are getting too serious, Max (Sara Waisglass) is back with a cringey line that makes you say, that’s enough internet for today. Head back to sweet, old Wellsbury for the second installment of “we’re-definitely-not-the-Gilmore-girls!”, with a side of intense reckoning with the fact that your superhero is human too. 

Anna Akhmatova: Selected Poems (Translated by D.M. Thomas)

Kellie Elrick, Contributor

(poetryfoundation.org)

My family sold my grandma’s house this past summer, and while moving everything out, we found no fewer than three copies of Anna Akhmatova: Selected Poems. Akhmatova’s poetry travels through the 20th century, from Imperial to Soviet Russia. My grandma read it during and after the Cold War. Today, it resonates more than ever: Cities move like people; colours laugh; the dead are the ones who smile. Akhmatova notably chose to stay in Russia during and after the Revolution, writing against the backdrop of friends and family being imprisoned, exiled, and executed by the Stalinist Regime. At times, time itself seems to freeze and the landscape of the poem is frozen over for a few stanzas, before melting again when Akhmatova transports the reader to the past. The reader bears witness to suffering in more solemn, common situations rather than big historical moments in newspapers: Through stories of women standing in prison queues in Leningrad during the Great Terror, tears melting ice, or a blue sky smeared with blood. But maybe these are big moments—maybe they would be lost without someone to write them down. I can see now why one copy wasn’t enough.

SZA: SOS

Adrienne Roy, Contributor

(genius.com)

Following her breakthrough debut album CTRL in 2017, SZA’s fans have been—not so patiently—awaiting her next record. Finally, on Dec. 9, 2022, the R&B singer released SOS, the second chapter of a story that tackles the intricacies of modern love—a diverse but wonderfully cohesive ode to her exes. A 23-track break-up album risks sounding redundant, but SZA’s sublime vocals and jarring yet vulnerable lyrics are her signature and help this record stand out. For these reasons, “Kill Bill,” inspired by Quentin Tarantino’s 2003 movie of the same name and “Low,” a subdued but high-tempo hit about keeping past relationships “on the lowski,” are clear highlights. Softer hits like “Nobody Gets Me” and “Ghost in the Machine (featuring Phoebe Bridgers)” testify to her willingness to venture outside her genre—possibly redefining it altogether. SZA proved that good things come to those who wait, as SOS is far from a cry for help: It’s a masterpiece. 

Editorial, Opinion

In debating existence, expect resistance

On Jan. 10, McGill University’s Centre for Human Rights and Legal Pluralism (CHRLP) planned to host a talk entitled “Sex vs. Gender (Identity) Debate In the United Kingdom and the Divorce of LGB from T.” The debate featured Robert Wintemute, a human rights professor and lawyer with ties to the LGB Alliance—a notorious anti-transgender lobbying group in the U.K.—and purported to discuss whether laws should be amended so that changing one’s legal sex is made easier. In response, student groups such as RadLaw and Queer McGill staged a protest and the event was cancelled only minutes after it began. The event and its disruption spotlighted McGill’s shameless determination to platform a hateful organization that promotes discrimination against trans people, while aiming to sow division within the queer community. The university must apologize for once again prioritizing alleged academic freedom above the rights and safety of the students they claim to serve. 

The LGB Alliance claims to advocate for bisexual, lesbian, and gay causes, despite having tweeted that opposing same-sex marriage is not homophobic. The organization is also virulently anti-trans, supporting trans conversion therapy, promoting medical misinformation about trans people, and declaring that gender identity is a “lie.” Organizations like the LGB Alliance relentlessly pit marginalized groups against each other, claiming to be a champion for queer people while simultaneously attacking trans and nonbinary folks. This is a dangerous and divisive tactic often used by those who wish to maintain the status quo of oppression. 

McGill claims to be promoting academic debate by hosting Wintemute while also stating that individual events are not endorsements of specific views. In an email to law students following the event’s cancellation, Professor Robert Leckey, Dean of the Faculty of Law, suggested that protesters failed to live up to their commitment to “the exchange of ideas.” However, as highlighted by the open letter put forth by the protest’s organizers, the university’s rhetoric promotes a dangerous culture of intolerance. Such “conversations” that question trans dignity do not exist in an academic bubble of discourse. The hate group in question has exercised their political agenda by contributing to anti-trans bills and attempting to prevent reforms to the Gender Recognition Act in the U.K. The failure to consider the wider implications of giving a voice to transphobic ideology is indicative of McGill’s failure to foster a safe campus for its trans and non-binary students. 

Discourse that focuses on trans peoples’ very right to exist, aside from the egregious encouragement of discrimination and hate, moves the conversation away from the myriad ways that transgender people are disproportionately targeted. Trans people are over four times more likely to experience violent victimization than cisgender people, are significantly medically underserved in Canadian health care institutions, and are victims of hate crimes at skyrocketing levels in the country. In particular, racialized trans and non-binary individuals report more instances of sexual assault, harassment, and fear of police mistreatment.

Hate disguised as academic discourse subjects trans students to additional danger and discrimination. The very basis of the event ignores Canada’s colonial history of implementing Western legal structures seeking to delegitimize Two-Spirit identities in Indigenous communities. Anti-trans rhetoric has far-reaching consequences that disproportionately affect racialized transgender people and their communities: 68 per cent of transgender people of colour report mistreatment at the hands of a health provider, there is a worrying lack of access to gender-affirming care for Black transgender youth, and Black transgender women are incarcerated at 10 times the rate of their cisgender counterparts. Protesters were not only defending the rights of transgender individuals, but they were also upholding the principles of active and democratic citizenship. Opposing bigotry is precisely the responsibility of community members—especially in lieu of their unabashedly unprincipled university.

It is unacceptable for McGill or any other academic institution to provide a platform for a discriminatory agenda under the guise of freedom of speech. McGill’s leaders have a responsibility to ensure a safe, respectful campus for all students, and that includes not debating the validity of students’ existences on a public stage. We must stand in solidarity with trans and nonbinary folks, especially those already at the margins, and work towards creating a community where nobody’s right to dignity and respect is up for debate.

Album Reviews, Arts & Entertainment

‘NO THANK YOU’ poignantly hits back at the music industry 

Something felt off amidst the accolades lavished upon Little Simz following her 2021 Mercury Prize-winning record Sometimes I Might Be Introvert. Be it by awarding her Best New Artist at the Brit Awards in 2022, despite having just released her fourth album in a decade-plus career, or through the postponement of her North American tour due to the financial strain of being an independent artist, the music industry has repeatedly defined Little Simz’s worth in commercial terms, rather than in terms of her artistry. 

NO THANK YOU sees Simz reflect on her complex relationship with an industry that too often treats Black artists as commercial tools. Its surprise release and minimal promotion subverts listeners’ expectations of what a follow-up to an artist’s most successful album can look like. Lyrically, Simz is introspective in her verses, lamenting the emotional toll of dealing with industry figures who prioritize paychecks and “sending their kids to private school” over her mental health, visible in the standout track “Angel.” Simz is direct in her approach, expressing frustration at herself for participating in the industry despite knowing she would lose agency: ‘What did I expect from those living the corporate life?’

Sonically, NO THANK YOU is more pared back than its predecessor, but Simz and collaborators Inflo, of Sault fame, and Cleo Sol maintain a strict precision to their work, with bursts of richness carefully chosen to amplify Simz’s most confessional moments. On “No Merci,” spurts of telephone rings form a call and response with tense orchestral strings before Simz’s frustration gives way to lush, liquid synths, as Cleo Sol’s backing vocals repeat the mantra ‘you can’t be their saviour.’ Meanwhile, “Gorilla” revisits some of the raucousness of Introvert with an anthemic horn section trading fours with low-strung bass and a dragging drum groove. 

Simz sustains a coolness in her demeanour, acknowledging the grim humour of her position as an independent artist by cracking jokes—for example, mocking the powerful and influential as ‘art collectors, silent investors, and film directors.’ Ultimately, her candour and wryness corroborate the merits of Simz’s approach; NO THANK YOU is a testament to the artistic value of Little Simz making music on her own terms. 

Science & Technology

McGill at COP15: A future for biodiversity?

2020 was a year that marked the start of the COVID-19 pandemic, the public health crisis that spurred unprecedented timelines for vaccine development. However, 2020 should be infamous for another reason—it was one of the hottest years in history. Adding insult to injury, this was not some statistical outlier: The last eight years have all been categorized as the hottest on record. The average temperature has risen by 0.08 degrees Celsius—0.14 Fahrenheit—each decade since 1880, and since 1980, that rate has more than doubled to 0.18 Celsius.

Last month, while the Qatar World Cup engrossed millions, here in Montreal, an even more momentous event occurred: The 2022 United Nations Biodiversity Summit. Also known as COP15, the event concluded on Dec. 19 and saw almost 200 countries agree to the goal of halting and reversing biodiversity loss. With a “30 by 30” target, nations pledged to conserve 30 per cent of the world’s lands, seas, and inland waters by 2030. 

The targets put forth by the attending nations were grand in scope, with goals like cutting global food waste in half, reducing harmful pesticide usage, and acquiring $200 billion by 2030 dedicated to protecting biodiversity. Held at the Palais des congrès in downtown Montreal, the summit came two weeks after the United Nations Climate Change Conference, known as COP27, in Sharm El Sheikh, Egypt. In contrast, COP27 focused entirely on climate-related issues such as curbing carbon emissions and adapting to climate impacts. 

The fight for climate action has been difficult, with repeated setbacks like missing the 1.5 degrees Celsius world temperature target and nations’ failures to stick to emissions pledges. In many ways, biodiversity protection is as important as meeting climate targets because biodiversity upholds the world’s ecosystems—an environment with diverse species is more stable than a homogeneous one. The overharvesting of a couple of key species of marine life was a central discussion because of how it can break down ecosystems in unpredictable ways, along with the small-scale communities dependent on them.

Kristen Lalla, BSc ‘18, MSc ‘21, and current Physical Science Officer at Environment and Climate Change Canada (ECCC), was a speaker at the conference. In an interview with The McGill Tribune, Lalla discussed her and the ECCC’s research after participating in the “Conservation Exchange: An innovative new approach to financing conservation” panel at COP15.  

“We’re working on developing a biodiversity indicator that will hopefully be able to quantify the biodiversity benefits of conservation projects,” Lalla said. “[The development] has involved a lot of reading, a lot of thinking and discussions both within the team and with others, and a lot of trying things out to figure out what works and what doesn’t [….] It’s not a super straightforward process.”

However, quantifying biodiversity efforts can be challenging because there are so many aspects to consider—population, habitat size, invasive species, and pollution. If these were left unchecked, species endangerment is a possibility.

“Species at risk are a priority in Canada […] and so those species at risk have legislative population distribution goals, and we can actually use those goals to estimate the benefits relative to those goals,” Lalla explained. 

By comparing the initial populations of at-risk species to post-conservation populations, a numerical value is generated to gauge the impact of preservation efforts. This initiative, known as the Conservation Exchange, will allow the Canadian government to dole out biodiversity certificates—something similar to carbon credits—to benefit entities who work on promoting preservation efforts. 

In addition to Lalla’s research, Kyle Elliot, a professor in the Department of Natural Resource Sciences and Canada Research Chair in Arctic Ecology, researches Arctic avian predator ecology. Professor Elliot’s research focuses on Arctic seabird migration—one of the many avian species that are impacted by biodiversity loss.

“We’re measuring the energetics—the energy expenditure and intake of arctic seabirds—and you can imagine them as being tiny little sampling devices for us,” Elliot said. “The traditional way of studying the Arctic would be with an icebreaker which does one track—$100,000 a day–and covers some small section of the arctic [….] They’re telling us something about what is happening in the ocean, and if they have to expend a lot more energy, then things may not be as good.”

Since seabirds, such as the thick-billed murre and ivory gull, are perched at one of the highest positions on the Arctic food chain, one can determine how well an ecosystem is doing by tracking the way these predators interact with their environment. Suppose a seabird population has to go a few kilometres further to get the same amount of calories as they did a decade prior. This would indicate a substantial drop in the birds’ prey population or in their prey’s habitat size.

Currently, ECCC has over 20 initiatives ranging from the ecological gifts program, which offers tax breaks for whoever donates the rights to ecologically sensitive land; the Aboriginal Fund for Species at Risk, which supports Indigenous leadership in wildlife conservation efforts; and the Habitat Stewardship Program, which funds projects that directly contribute to the fulfillment of recovery objectives and population goals for species that fall under the Species at Risk Act (SARA).

In COP meetings, governments arrive at conferences with their own objectives in mind, so reaching a consensus often requires considerable effort and involves stripping the final resolutions of many strong commitments. 

COP15’s plenary sessions saw negotiators continuously weakening proposed goals to get everyone on board. The United Kingdom delegates, for example, asked that criteria remain flexible and open to change, with other nations parroting the same complaint about the proposal’s perceived stringency.

As some wealthy countries pushed for ambitious new targets, representatives from the Global South, responsible for the world’s most biodiversity-rich ecosystems, focused on securing the funding needed to meet such goals. Toward the meeting’s end, several representatives from developing nations walked out to protest the lack of funding their countries were receiving. A prominent figure in this protest was the lead climate negotiator for Brazil, Leonardo Cleaver de Athayde. Representing the nation that arguably holds the most biodiverse forest on the planet, he was frustrated with a lack of genuine engagement from the other side of the table.

Despite these complications, the final result not only included the 30 by 30 agreement but also some commitments to fund different forms of biodiversity protection, such as promoting environmental awareness or reducing consumer waste. The European Union (EU) promised to double its international biodiversity financing to seven billion Euros for the 2021-2027 period, calling on other donors to match this effort. Countries also committed to mobilizing $200 billion USD per year in domestic and international biodiversity-related funding by 2030, with $30 billion USD per year in international finance (public and private) from “developed to developing states.” 

Though these are steep figures, the impact of these policies will only be felt if countries actually stick to the agreements reached. For instance, concerns surrounding the “30 per cent restoration of land and sea” goal stem from the fact that no baseline year was established for reference. 

The funding mechanism also remains vague regarding where the capital will come from and sounds eerily similar to past financing commitments that were never met. At the 2009 climate COP, countries agreed to raise $100 billion USD annually for climate action in developing countries by 2020. But this target has been missed every year so far.

All commitments to protect biodiversity still remain entirely dependent on the assumption that global warming will not decimate our environment. 

“It’s fantastic to have this agreement […] these types of aspirational goals are fantastic,” Elliot said. “It’s great to create national parks and protected areas in the Arctic, but it’s not going to do anything if climate change means there’s no Arctic left.” 

The enticing ambition of COP15 should be treated with caution and will require consistent pressure for meaningful success. If governments do not detail how to achieve such goals, reaching them will be nearly impossible. 

Hockey, Sports

Finally, some parity: The shifting landscape of international hockey competition

When it comes to international play in both men’s and women’s hockey, the conversation tends to revolve around two familiar suspects: Canada and the United States. Tournaments hosted by the International Ice Hockey Federation (IIHF)—the international governing body for ice hockey—are dominated by discourse surrounding the two North American superpowers as fans wait for the ultimate matchup, usually in the gold or silver medal round. 

The dominance of these two countries is even more apparent in the IIHF’s under-18 and under-20 competitions. Since the inception of the men’s under-20 World Junior championship in 1977, Canada has won 20 gold medals, facing off against the U.S. five times since 2004. In women’s hockey, the pattern is even more glaring with the U.S. and Canada meeting in the gold-medal game every year since the creation of the under-18 Women’s World championship in 2008, with the exception of a U.S.-Sweden final in 2018.  

While the Canada-U.S. rivalry is what draws much of the viewing audience to IIHF tournaments, the past few years have shown the desperate need for parity within international competition. And in 2023, we got just that. 

At this year’s under-18 Women’s Worlds, the rising levels of competition were put on display as Czechia, Slovakia, Finland, and Sweden made their presence known. In the semifinal, the U.S. fell 2-1 to Sweden, with Astrid Lindeberg netting the game winner. The loss marks the first time the U.S. will not appear in the gold-medal game in tournament history. In the other semifinal, Finland forced Canada into overtime, and despite falling 3-2, the Finns made clear that they will no longer be pushed around on international ice. 

To follow up the 2022 NHL draft in which two Slovakians, Juraj Slafkovsky and Simon Nemec, went first and second overall, Slovakia started to establish itself as a force to be reckoned with. Tournament Most Valuable Player, Nela Lopušanová, a 14-year-old Slovakian forward, dominated with 12 points over five games and was a constant highlight reel. Lopušanová’s feats reveal themselves to be all the more remarkable when you factor in her play in the men’s under-16 league in Slovakia, where she is averaging 3.1 points per game. For context, Slafkovsky averaged 2.35 points per game in the same league. The scoring leaders illustrate the tournament’s newfound parity with Czechia’s Adéla Šapovalivová and Tereza Plosova, Sweden’s Hilda Svensson, and Slovakia’s Ema Tothova, joining Lopušanová in the top 10. 

As for the men’s 2022-23 under-20 World Junior tournament, Canada’s usually dominant team had some shaky moments, but this year, they weren’t against the U.S. On Dec. 26, Canada opened the tournament with a 5-2 loss to Czechia—a team without a gold-medal game appearance since 2001. 

The U.S. faced a similarly shocking 6-3 defeat against Slovakia—a country that is yet to appear in a gold medal game. As the prospect of a U.S.-Canada gold-medal match-up faded away, some began to turn toward stars of the rising European teams. 

Adam Gajan, a Slovakian goaltender who was not even listed on the team’s preliminary roster, took over the news cycle. The relatively unknown player skyrocketed to a potential second-round pick in the matter of a week. After a masterful 33-save performance against the U.S., Gajan shut out Latvia and carried his team to a nailbiter game against Canada in the quarterfinal. Despite falling short of a medal yet again, the Slovakian team proved that they are true contenders, adding a newfound level of parity to a tournament usually dominated by the Canadians, Americans, and Swedes. 

But the story doesn’t end there. After a somewhat underwhelming match-up against the U.S. in the semifinals where the Canadians claimed a 6-2 victory, Czechia defeated Sweden in a 2-1 overtime win to face off against Canada in the final. With Canada gaining a 2-0 lead early on, Czechia tied it up with less than 10 minutes to go, taking the game to a thrilling overtime but ultimately losing 3-2. Following two invigorating match-ups, many Canadian fans are left asking the question: Does Canada have a new rival?

McGill, News

McGill files for judicial review against law professors’ union certification

On Dec. 6, McGill filed for a judicial review of the Nov. 8 Tribunal administratif du travail (TAT)’s decision to certify the Association of McGill Professors of Law (AMPL) as a union. The appeal came a day before the case-law deadline to file such an objection: Applications for review must be filed within 30 days of receiving a decision. 

If McGill wins its suit, the previous decision of the TAT judge will be declared invalid. AMPL and the university administration will be sent back to the TAT for a second round of hearings to decide whether or not to keep AMPL certified. 

AMPL President Evan Fox-Decent had previously suggested that McGill might file an appeal. Fox-Decent believes that the appeal will serve as a “bargaining chip” for McGill as negotiations move forward according to schedule. According to Fox-Decent, the possibility of McGill overturning the certification is very slim due to the decisive nature of the 20-page TAT ruling. The union’s view is that the lawsuit is not directed toward AMPL in particular but serves as a warning for other faculties considering unionization. 

“As far as we are concerned, [the lawsuit] is a technicality—McGill has next to no chance of success,” Fox-Decent said in an interview with The McGill Tribune. “We may be able to get the suit declared to be abusive litigation, which would compel McGill to then pay for our legal costs. We would seek to have them [cover our legal fees] only to prevent them from doing this in the future if other professors decide to organize.”

The prolonged litigation imposes a financial burden on both sides but, according to Fox-Decent, the Canadian Association of University Teachers (CAUT) and La Fédération québécoise des professeures et professeurs d’université (FQPPU) support AMPL, both financially and ideologically. 

“I indicated that we would be there to support them in their legal costs and legal battle at this next stage,” CAUT executive director David Robinson told the Tribune. “We’re hopeful that this will be a pretty quick hearing [….] I think one of the reasons why the labour board was so comprehensive was that it was trying to make its decision appeal-proof. It’s hard to see where [McGill’s] argument is really going to come into play, so it’s just an annoyance more than anything.”

Officially, McGill’s reasons for challenging AMPL’s certification have remained the same as those originally used to oppose the union, with the administration citing “vast consequences” for the university if AMPL is granted union status as a faculty-specific association.

“Given the far-reaching impacts of this decision on McGill’s operations as a whole, the [a]dministration has a duty to see this process through to the end to ensure all impacts have been thoroughly considered and that they are, where relevant, incorporated into the application of the correct legal test,” McGill media relations officer Frederique Mazerolle wrote in an email to the Tribune. “While the [u]niversity continues to seek resolution to its concerns about the TAT decision, McGill is fully committed to negotiating with the new union.” 

Fox-Decent speculates that it will take about two years for the challenge to move through the TAT docket and into court. In the meantime, collective agreement negotiations have already begun.  

“As abusive and unnecessary and as wasteful of student funds and donations as the lawsuit […] is, the truth of the matter is, McGill probably isn’t going to get in front of a court for two years,” Fox-Decent said.

The second collective agreement negotiation meeting is scheduled for the third week of February.

McGill, News

McGill introduces optional sustainability module on MyCourses

“Creating a Brighter Future: Sustainability at McGill,” an online learning module focused on sustainability, is now available to students on MyCourses, though its content is subject to change until its official launch on Jan. 26. 

According to the McGill Office of Sustainability (MOOS), the module takes approximately 45 minutes to complete and introduces students to strategies for living more sustainably. Those who complete the module will receive a credit on their Co-Curricular Record, which acknowledges out-of-classroom learning experiences. The McGill Tribune looked into what students think about the release and the effectiveness of online learning modules in teaching about sustainability.

Developed by the MOOS, Teaching and Learning Services, and the Associate Provost of Teaching & Academic Programs in Spring 2021, the new module promotes McGill’s Climate & Sustainability Strategy 2020-2025. According to the MOOS, approximately 100 members of the McGill community, including students, participated in reviewing the MyCourses addition prior to its release. The module is separated into three sections: What is sustainability, sustainability at McGill, and living sustainably. They include videos, interactive animations, images, articles, and questions posted on Slido, an online polling and survey platform. 

Students are introduced to the fundamental aspects of sustainability and different ways of getting involved in sustainability efforts, such as through student groups, courses, and volunteer opportunities. Francois Miller, executive director of the MOOS, is hopeful that the module will inspire students to engage with sustainability in their own ways.

“The purpose of the module is to be a helpful starting point for students interested in incorporating sustainability into their studies, their extracurricular activities, or their day-to-day actions,” Miller said in an interview with the Tribune. “We hope students who complete the module will feel empowered to get involved in the larger sustainability movement happening at McGill.”

Sarah Taciani, U2 Science, is doubtful that “Creating a Brighter Future” will effectively teach students how to implement more environmentally friendly practices. She pointed to McGill’s sexual violence module, “It Takes All of Us,” as an example, and suggested that a mandatory in-person course on sustainability would be more beneficial to get the message across.

“I thought ‘It Takes All of Us’ was long, and while I always pay attention, I have heard stories of people putting it on mute and answering questions quickly,” Taciani explained in an interview with the Tribune. “It’s effective if you want it to be effective. I believe that interactive in-person seminars may be more engaging.”

Oban Lopez-Bassols, U2 Arts and a member of the student-run environmental club Greenpeace McGill, expressed his concern about the module’s optional status for students, especially since “It Takes All of Us” is mandatory.  

“I think this module should be mandatory,” Lopez-Bassols said in an interview with the Tribune. “There are a lot of people who care about sustainability, but few willingly do a 45-minute module unless it is mandatory. It then becomes a question of why one should be mandatory and the other not, as if sustainability is not a priority at McGill.”

Lopez-Bassols is also concerned that the purpose of initiatives like “Creating a Brighter Future” is to create a greener image for McGill so it can rank higher on university sustainability indexes rather than improving environmental practices.

“There has been some back and forth where people are pressuring McGill to divest from fossil fuels, and in the meantime, McGill is trying to highlight all of its green initiatives,” Lopez-Bassols said. “Indexes are very important, especially when comparing institutions. But they become very difficult when a somewhat arbitrary indicator is used to measure something, and the university focuses just on that, and not the actual sustainability.”

The McGill Office of Sustainability will be hosting a Launch Party on Jan. 26 to celebrate the official release of the module.

A previous version of this article incorrectly stated that over a 100 members of the McGill community participated in reviewing the MyCourses module. In fact, approximately 100 members had participated. The Tribune regrets this error. 

Laughing Matters, Opinion

Widespread voter fraud at MILF Fest

Some of you reading this title of this piece are likely having the same reaction I had upon hearing about the Montreal International Laureate Film Festival (MILF Fest): Why haven’t I heard about it before and how do I get to it? 

It’s an independent film festival, but, alas, not for //those// kinds of films. //The Plumber’s Station//, a McGill student filmmaking club, hosted the first annual MILF Fest on Jan. 8 at the prestigious Cabaret Lion d’Or. Some might critique //The Plumber’s Station// for the misleading name of the festival—to put it another way, I had to wipe my search history after buying tickets online—but true film connoisseurs appreciate the genius behind this name. Films from young creators starred in this highly exclusive event. Attendees were presented with four categories: Comedy, Horror, Drama, and Experimental. At the end, guests were invited to vote for the best film in each category and the best film overall—the MILF of the Year. All was going smoothly . . . until mysterious actors rigged the election and the MILF of the Year award was stolen from its rightful winner.

 Cultured cinephiles showed up to the event in their finest attire. Glamorous anthropology majors wearing vintage corduroy jackets sipped pomegranate martinis and discussed the Western capitalist bias of the film industry. Political science kids in turtlenecks and double-breasted overcoats staged photo shoots with their film cameras in the dusky twilight of the ballroom. Hushed conversations speculated about which films would impress and which would fall flat. But none could have possibly foreseen the bald-faced fraud that truly occurred as an illegitimate film stole the election, much like Joe Biden stole the White House in 2020.

Everyone in the crowd held their breath as the announcers began the awards ceremony, which started innocently enough. The films //L’Appartement d’à Côté//, //The Talking Stage//, //Mr. Peanut//, //Après Aujourd’hui//, and //Gobbits// won in the Short Film, Comedy, Horror, Drama, and Experimental categories respectively. But this is when the deep-state actors (Big MILF) enacted their vile plan to interfere in the election: MILF of the Year was awarded to //Duct Tape//, a 15-second experimental film shot on an iPod Touch showing a young fashion diva duct-taped to a wall repeating the phrase “Duct tape is the new cashmere.”

Outrage! The audience was too stunned to speak. The director went up to accept the award and before anyone could put an end to the charade, it was over and the ushers were shooing us out of the ballroom. This blatant display of anti-democratic chicanery, this violent coup d’état, this vile plot to strip the MILF of the Year award from the true best film (//Gobbits//, in my opinion) harkens back to that time when Beijing Biden and his crew of coastal elite Democrats committed massive voter fraud to take the presidency from Donald Trump.

//Gobbits// was a fan-favourite to win MILF of the Year. This ingenious film delved into the void that is the human psyche and examined the meaning of life. In five short scenes, it presented the exploits of surrealist creatures faced with the absurdity of existence: being, knowing, substance, cause, identity, time, and space. The animation was seamless, the music deeply moody, the execution immaculate—a gem. The crowd went wild as // Gobbits //was presented with Best Experimental Film, and the 10-minute standing ovation had to be cut short by the event coordinators, who were probably already busy stuffing the ballot boxes so their candidate could run away with the election. In the last minutes before the results were announced, massive dumps of fraudulent votes were recorded (mostly coming from the sociology and GSFS majors, if you catch my drift) and //Duct Tape// snatched the win from //Gobbits//. //Duct Tape// didn’t even win a category, so how could it have won the whole festival? Riddle me that, liberals.
All in all, the festival was pretty fun. To all the aspiring filmmakers out there, this festival is your chance to shine. I’m considering participating too. I just have to think up the perfect MILF (movie I’d like to film).

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