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Arts & Entertainment, Music

Georgia Harmer brings audience home at Montreal stop on her Canadian tour

When I entered Georgia Harmer’s show this past Thursday, Nov. 6, I was shocked to look around and see no one at all. That is, before I glanced down and noticed concert-goers sitting in groups on the hardwood floors of Sala Rossa’s upstairs venue. As I walked among the crowds, I overheard conversations in both French and English as the concert melded together members of both the anglophone and francophone Montreal communities. 

I took my seat among the gaggle and waited for Georgia Harmer’s opener, Sister Ray—the stage name of Toronto-based Métis singer-songwriter Ella Coyes—to begin. Eventually, she came forward and, in an instant, warmed up the space. Like rapt children, concert-goers gathered cross-legged at her feet as she sang songs from her 2025 album, Believer. While Coyes sang bittersweet lyrics from tunes such as “Animal Thing” and “Magic,” the space around us sprouted a familial feeling. Her bold intimacy and willingness to banter with the crowd transformed Sala Rossa, making it feel more like a cozy living room than a concert hall. 

Before performing the title song of her album, “Believer,” Coyes shared the story behind it, recounting her relationship with a man twice her age, whom she had kissed only twice within their year-long relationship. The crowd’s whooping was followed by a laughing bite back from Sister Ray, saying, “Don’t cheer for that!” 

After Sister Ray’s homey acoustic performance, the crowd warmed up and stood in anxious anticipation for the evening’s headliner: Georgia Harmer. The Toronto singer-songwriter stepped to the stage flanked by Canadian bandmates:  City and Colour’s leader Matt Kelly on guitar and pedal steel, Manitoban bassist Kris Ulrich, and Toronto drummer Dani Nash

Harmer kicked off the set with her self-proclaimed favourite song from her 2025 summer album, Eye of the Storm: “Farmhouse.” The track describes an idealized farmhouse representing nostalgia for the good days of a now-failing relationship. She sang to the audience members with a clear voice, accompanied by the tap of her black-booted foot. 

Inciting her set with a song describing the comfort of a house, she picked up where Sister Ray left off, continuing the theme of home for the evening. This idea is maintained throughout Harmer’s music. She jived on stage and sang “Home early with the flu / Your parents pick us up from the airport,” from her song, “Can We Be Still.

In an interview with The Tribune, Harmer articulated why she chose to emphasize the theme of home in her music.

“In my mid-twenties, I still feel like I am coming of age, and I think a lot of that is looking for where home is,” she said.

As a fellow Ontarian, Harmer’s music presented a specific kind of home to me, with her songs evoking a familiar landscape, even mentioning Kingston in one of her songs. While speaking with The Tribune, Harmer expressed what it means to belong in the Toronto music community. She shared that this sense of place extends beyond Ontario to Montreal, admitting to concertgoers that she had spent one semester studying at McGill before dropping out to pursue music. Harmer situates herself within the Canadian musical tradition, both in her lyrics and in the Toronto music scene, as well as in every Canadian city she visits while touring. 

She expressed to The Tribune that, for her, the biggest way home shows up is in people. This was apparent in the energy she felt with bandmates, particularly guitarist Kelly, who is, in fact, her romantic partner. 

“For me, a lot of my songs are about people, and they are very relational, and I think you can have homes in people,” Harmer said. 

As Harmer played out her encore, the title song of the album “Eye of the Storm,” audience members danced all together, singing and stomping their feet. In that moment, it was clear that, for the night, under the blue and pink lights of Sala Rossa, we had all found a home within one another. 

Opinion

A clerical error calls Election Canada’s dedication to democracy into question

In the 2025 Canadian federal election, the Liberal Party won the riding of Terrebonne by a single vote, with Bloc Québécois as the runner-up. However, a clerical error returned a mail-in ballot to a Bloc Québecois voter. This administrative fault, framed by judicial bodies as a mere unintentional mistake, has the potential to not only obstruct the accuracy and fairness of the Terrebonne race, but sets a precedent that minimizes the cruciality of honest elections.

Since this vote could have altered the outcome of the election, Bloc Québécois candidate Nathalie Sinclair-Desgagné argued that the result should be annulled, positing that not counting a vote constitutes a violation of that voter’s Charter rights. The judge ruled against her, stating that there was no malicious intent and that there was therefore no obstruction of election integrity. 

Allowing this result to stand is not merely unjust but undemocratic, and could set a dangerous precedent that allows improper elections to be validated. Flaws in our electoral system are inevitable, but rather than neglecting those mistakes, Elections Canada should be doing everything in its power to make sure that when those inevitable incidents occur, they do not affect electoral outcomes.

In an era where online conspiracies around elections are widespread, it is imperative that Elections Canada remains a neutral and effective electoral body. Claims of fraudulent elections have grown increasingly common around the world in the past few years. Infamously, right-wing insurgents stormed the United States Capitol on Jan. 6, 2021, in an attempt to overturn the results of the 2020 election—which rioters claimed was rigged. Then, in 2023, an almost identical insurrection took place in Brazil, clearly demonstrating the damage incited by a mistrust in the electoral process.

Democratic elections are supposed to be both free and fair. A free election is one where all voters can vote for the candidate of their choice. A fair election is one where all votes are counted equally. Hungary’s elections are free but not fair. Turkey’s elections are fair but not free. Elections in the Jim Crow South were neither fair nor free. The 2025 Canadian Federal Election was free—there was no voter coercion towards any party. Yet because a vote was not counted, this election was not fair. 

Elections Canada has a track record of miscounts and errors, one they must compensate for with thoughtful, targeted solutions to clerical errors like those within the Terrebonne election. In the October 2024 elections in British Columbia, Elections BC forgot to count an entire extra box of ballots, leading to conspiracy theories that the BC New Democratic Party fabricated election results in the extremely close election.

In the 2025 federal election, Elections Canada closed several remote polling sites in northern communities due to inclement weather, preventing people from voting as there were no other polling stations nearby. While Elections Canada offers a weather contingency plan on its website, it must also invest in sufficient infrastructure to support voting in all remote communities.

With Canadian electoral mistrust and political polarization on the rise, it is Elections Canada’s responsibility to prove to the Canadian people why it deserves to be in charge of one of the most important functions of our democracy—elections. Determining the extent of an election’s error should not be a question of intent or malice, but a question of fairness.

By neglecting Sinclair-Desgagné’s deciding vote, the ruling judge is sending the message to Terrebonne that unfair elections and undemocratic outcomes are acceptable as long as those outcomes were unintended. Failing to penalize—and be proactive about preventing—anti-democratic election activity on the basis of subjective perceptions of intent is a deeply flawed principle. The law does not carve out exceptions for good intentions; Canada’s democracy should not be any different.

Behind the Bench, Football, Soccer, Sports

Battling the elements: The ‘icicle kick’ and other notable weather moments in sport

On Nov. 9, the Canadian Premier League’s final match turned into a full-blown winter wonderland. TD Place in Ottawa was buried in a blizzard, with visibility collapsed for players and spectators, grounds crews and even goalkeepers clearing snow away by hand, and extra time delayed while snowplows worked to clear the pitch. 

Through the mayhem, Atlético Ottawa emerged 2-1 to beat Calgary’s Cavalry FC with an unbelievable play from David Rodríguez, who stole the show. The midfielder pulled off an acrobatic bicycle kick to tie the game in the midst of the storm and then popped up in extra time to seal Atlético’s win—a finish that immediately went viral. The match’s battle against the elements led to fans coining Rodríguez’s surreal goal the ‘icicle kick.’ 

This whirlwind moment joins a long list of instances in sports history where weather stopped being a matter of setting and scenery and instead became the forefront of the game. Here are a few of the wildest weather sporting moments in recent years. 

“#SnowClasico3” 

During a Major League Soccer match between the Colorado Rapids and the Portland Timbers on March 2, 2019, DICK’s Sporting Goods Park near Denver filled with snow and let in freezing temperatures as the teams played a hectic game, ending in a 3-3 draw. 

Despite the frigid conditions, the game was a nail-biter. The snow made footwork a treacherous task and passing was quite unpredictable; the teams adjusted to this by running more direct plays, implementing shorter passes, and using simpler touches to try and reduce turnovers on the slick surface. This snowy spectacle proved how weather can add entertainment value to sport without destroying it. 

The “Snowplow Game” 

The New England Patriots and Miami Dolphins battled in a National Football League (NFL) showdown on Dec. 12, 1982: A frosty game that led to a quirky decision to let a tractor with a snow sweeper clear a spot for the Patriots’ kicker, whose ensuing field goal secured a 3-0 finish. This unusual moment of improvisation goes down in NFL history as the only one of its kind, made more rare by the fact that it allowed the only points of the game; the snowy conditions made it otherwise impossible to score. 

“The Fog Bowl 2.0”

If snow games feel surreal, the Patriots vs. Buffalo Bills NFL game on Oct. 23, 2017, genuinely looked like it was played inside a cloud. A massive, rolling fog bank drifted over Massachusetts’ Gillette Stadium during the game’s second quarter and turned the field into a grey void. Cameras could not track the ball, broadcast wires disappeared, and players seemingly vanished on the field. Teammates struggled to see their bench, never mind the endzones. 

Despite the chaos, the Patriots managed to come out on top (20-13), playing a compressed and short-throw offence for the majority of the game. Quarterbacks had to throw largely based on timing and trust because proper reads downfield were impossible, and defensive players reacted only when a receiver physically bumped into them. The Bills struggled and miscommunications piled up as players disappeared in the mist.

Weather is a volatile, unpredictable, and uncontrollable aspect of sport that forces athletes and fans to adapt and adjust in real time. Snow, mud, and ice hinder technical play, cold and rain affect stamina and breathing, and wind tugs things off course. When coaches must shift their tactics and players must improvise, what emerges in these wild conditions are either mediocre moves or moments of jaw-dropping talent. 

Rodríguez’s bicycle kick in Ottawa proved that weather extremes do not always ruin games: They just reframe them. The drama, the visuals, and the athletic skill and adaptability weather reveals will be replayed for years to come. 

Arts & Entertainment, Books

‘Best Canadian Stories 2026’: In the Shadows of Apocalypse

The lived reality of an apocalypse is a daunting thought, yet one that BiblioasisBest Canadian Stories 2026, edited by Zsuzsi Gartner, confronts at length. The collection gathers a world of beautiful and provocative literature, each unique in writing yet united by shared thematic currents. Apocalypse—destruction on a catastrophic scale—appears here as an everyday occurrence, with stories exploring friendship, loneliness, and the stubborn resilience of life. Gartner’s collection puts the stories in conversation, creating new meanings between them while introducing readers to the breadth of talent in the Canadian creative writing landscape. 

The collection opens with Rishi Midha’s “We Are Busy Being Alive,” which follows a newly affluent family struggling to understand one another and their place in their community. Midha undermines their self-image as activists by repeatedly reminding readers that their mansion sits at a crisp 64 degrees during a brutal heat wave. The upheaval around them is not explicitly described, highlighting the family’s privilege to drift in and out of movements while maintaining their ability to fall asleep comfortably every night. Their shallow bond introduces a question that recurs throughout the anthology: How does connection exist in times of difficulty? 

Kaitlin Ruether’s “A Language of Shrugs and Sparks” turns to the digital world as an escape from the loneliness of reality. Ruether infuses every sentence with vitality and motion as she describes a woman who pours her energy into a vibrant virtual life, while her physical existence remains still and stagnant. Her only tangible relationship is unstable and shallow, thus emphasizing her need for an online community of anonymous friends. 

Alex Leslie’s “The Formula” similarly explores the strangeness of connection. Two teenagers forge a deep bond, united by their shared experiences, yet unable to communicate directly. Instead, they rely on their perfected formula of emoji strings meant to convey all that cannot be said. 

The space between words is further explored in Margaret Sweatman’s “Sounding a Name,” which creates kinship without familiarity. This story examines an anonymous connection between two people visiting Russia before the war with Ukraine. Their friendship is built on witty remarks and dark humour, supporting the sporadic sharing of fragments of identity. Their friendship offers both of them solace, yet never comfort. The looming war creates an ominous atmosphere around the story, yet Sweatman only mentions it a sentence at a time, allowing dread to fester beneath the narrative.

The beauty of community is best explored in Bill Gaston’s “Jack’s Christmas Dinner,” a touching tale of found friendship. In a cold town during Thanksgiving, a solitary man’s eccentric neighbour prepares a feast out of roadkill. An eclectic group forms around the holiday, united simply by their desire to attend. The effects of the pandemic and the man’s fractured family life cast a shadow of loneliness that the feast ultimately dissolves. Even the revelation that the presumed turkey is actually a vulture does not spoil the evening but instead amplifies the strange yet tender charm of strangers becoming unlikely friends. Gaston’s warm and witty writing makes this story a standout in the collection. 

The anthology closes with Julie Bouchard’s “What Burns,” a tale that boldly confronts the climate crisis rather than placing catastrophe in the background. No longer is societal destruction backgrounded in favour of succinct plots and individual character arcs. A cool, objective tone weaves statistics into an account of forest fires and arson. The narrator introduces a mystery, yet deliberately refuses to deliver narrative satisfaction, insisting that the climate crisis outweighs any one person’s story. By switching between first, second, and third person narration, Bouchard merges reader and narrator, revealing the frightening truth that we will all eventually face the climate apocalypse. 

As an art form, the short story collection uniquely allows readers to sample many authors while creating a discourse between each tale. This anthology is enjoyable to read, and I found myself wanting more from the selected authors.

Out on the Town, Student Life

Good things come in artisanal, handcrafted packages


‘Tis that jolly season once again. The days are shorter, the nights colder. Chestnuts are beginning to roast upon open fires across the world, and Jack Frost, in his unrelenting power, nips at all of our noses, having just blessed Montreal with 20cm of early snowfall this past week. As we approach Yuletide and embrace the festive spirit, many of us are starting to wonder where we can find the perfect gift to give our loved ones, while also celebrating togetherness, community, and the new year. Don’t fret, The Tribune has gathered a list of Montreal holiday markets you won’t want to miss. 

Le Grand Marché de Noël at Place des Arts

No holiday market guide would be replete without due mention of the biggest and perhaps most well-known Montreal holiday market. From Nov. 21 to Jan. 4, shoppers can brave the cold and head down to the Quartier des Spectacles on rue St.-Catherine to see over 40 charming winter chalets housing exhibits from dozens of local and regional artisans. The Great Christmas Market offers tourists and locals alike a holiday experience to remember. With over 150 free activities, including musical and theatrical programming, there’s no risk of boredom. Take in what seems to be a scene ripped straight out of the North Pole while drinking a hot, fruity, and spiced mulled wine. Make sure to stop by their signature show Noël à Montréal, which tells the tale of a fantastical Kingdom of Elves, for an even more immersive experience. Offering a number of packages which include drink and meal coupons, priority access to vendors, and even souvenirs, The Great Christmas Market is popular for a reason.

A Very Queer Holigay Market at l’idéal bar & contenus

If the crowded, maximalist energy of Le Grand Marché de Noël is more of a deterrent than an incentive, check out the Holigay market at l’idéal bar & contenus on Nov. 29 from 2:00 to 6:00 p.m. The market featuring over 15 makers and artisans from Montreal’s 2SLGBTQIA+ community, you’ll be able to shop hand-crafted jewelry from independent vendors like Statique, mycological paintings and pottery from Peauxs et Spores, or even a tattoo from Thanatasia.Tattoos. Support local queer businesses and mingle with the crowd in a more intimate setting at this inclusive, must-see event. 

Le Marché Vintage at Église St. Denis

Whether you’re looking for a one-of-a-kind gift you can’t buy on Amazon, or you’re just shopping for that hipster friend who lives in the Plateau, you’ll want to check out the Vintage Holiday Market on Nov. 29 at 5075 rue Rivard near the Laurier metro station. Featuring over 35 vintage and antique dealers and a live vinyl DJ, you’ll be able to find a wide range of trinkets, collector’s items, and other curiosities, many of which you //literally// cannot buy in stores anymore. From Bakelite coffee mugs and dinnerware sets to old lighters and chic fur coats to leather boots, you’ll be able to find a special present for anyone in your life. Plus, gifting second-hand items is both economical and sustainable—you’ll be able to fill out everyone’s wish-list at a fraction of the price, all while avoiding unnecessary waste

Marché Malfectarium: Sombre Solstice Edition at 400 Rue St. Ambroise

For those who wish every holiday were Halloween and are sad that the spookiest time of year has been all but replaced, we see you, hear you, and understand. Instead of partaking in a holiday season that wishes for hackneyed, unrealistic, and frankly boring joy to the world, check out the ‘Season’s Creepings’ at Marché Malfectarium, a creepy twist on the classic holiday market. On Dec. 20 and 21, from 11:00 a.m. to 6:00 p.m., venture down to St. Henri to shop for gothic gifts featuring witches, vampires, and other horrifying creatures from the darkest depths of human creation. With over 20 vendors and the offer of a special goodie bag to the first 20 shoppers of the day, Marché Malfectarium is the perfect activity for those who would rather shout humbug than join in on the holiday cheer. 

Creative, Student Life

urban child

SUBWIRED MIND an ode to the grimy concrete, divine passerby, neon nightlife and transcendent street art of montreal through the lens of a beat up lumix

hangman, 191025

metalloid wire through bent sheet, there is no movement, no swaying in the wind. for the hangman there exists only the sloping staircase behind bars of metal, uninviting door handle- the street. he watches from his static airborne grave and breathes a sigh at the divine passerby, rusty gaze, amalgam heart.

postshow smoke, 241025

sweaty and superficially pacified bodies gather just beyond the veil of God: the city breathes in the nightsmoke exhaled by spike-clad angels on the venue steps. drum, sound and noise from underneath huddled houses and obscured window pass through and by, to return again.

postage of the self, 021125

advertise yourself! cry the heavens down at the ghastly concrete trespassing on the barren earth, the puddles have long filled themselves tall to reflect the divine sky-body back to itself. transcendent body watch car, light fly by.

upward gaze, 301025

clenched-jaw defiance: out of place for a muse, he looks up and towards the obscured skyline, past the shaved wood of gutted tree and rusted screw, into the night. o deity of quiet revolution, watch over us in your impermanent existence, for you only exist in the refuge of darkness, to be torn away in the morning.

remembrance of childhood, 041125

small reminder on the jail cell, small hands urge the remembrance of times past. look down, hands shrink, look up and undulate onwards. carry within you the smells unpinnable to concrete objects, simply memories, collect them as you walk.

with balance, 271025

where the supercoiled plastic pythons lead is unknown: their tender bellies bend under weight and press into the sharpened gravel below, sighing a crackling breath of release. they remain in distemperate existence under the wall of signed sigils, slowly refilling their caved in ribcages throughout the night.

Features

Strong, vibrant—and unjustly criminalized

//Content warning: Sexual assault and violence//

In 1880, a group of Montreal sex workers and brothel owners were arrested in a police raid. They refused to quietly comply. Instead, while being marched from the recorder’s court to their jail cells, they began to sing. Their voices rang out for over half an hour. 

Today, their story is told at the Centre des Mémoires Montréalaises (MEM), where echoes of their song of resistance can still be heard in the determined efforts of Montreal’s sex worker advocates.

For as long as Montreal has been a city in which sex workers are policed, detained, and prosecuted for their profession, it has also been a site of community, resistance, and activism against unjust legislation. 

Canada’s current sex work laws constitute a human rights violation. To recognize the agency and autonomy of sex workers, and to create conditions in which they can safely do their job, Canada must decriminalize sex work.

//Understanding Canadian legislation//

In 2007, three Ontario sex workers—Terri-Jean Bedford, Amy Lebovitch, and Valerie Scott—took the federal government to the Supreme Court.

In //Canada (Attorney General) v. Bedford//, the plaintiffs argued sections of Canada’s Criminal Code prohibiting working in ‘bawdy houses,’ living on income derived from sex work, and communicating in public for the purpose of sex work violated sex workers’ constitutional right to security of the person.

Six years later, the Court issued its landmark ruling. It declared the Code’s three provisions unconstitutional and gave Parliament one year to introduce new legislation to protect sex workers.

“The prohibitions at issue do not merely impose conditions on how prostitutes operate,” former Chief Justice Beverley McLachlin wrote in the decision. “They go a critical step further, by imposing //dangerous// conditions on prostitution; they prevent people engaged in a risky—but legal—activity from taking steps to protect themselves from the risk.”

Rather than introducing a bill that pushed for the safety and health of sex workers, Stephen Harper’s Conservative government passed Bill C-36, the //Protection of Communities and Exploited Persons Act// (PCEPA). This 2014 law maintained the criminalization of sex workers and third parties, as well as criminalizing, for the first time in Canadian history, the purchase of sex.

The Supreme Court instructed the government to improve the conditions of sex work; instead, Parliament passed a bill which made sex work //more// criminalized—and thus more dangerous.

While PCEPA claims to grant sex workers who sell or advertise only their own services immunity from prosecution, the criminalization of all aspects of their work creates an atmosphere of police presence and surveillance, which then contributes to isolation and vulnerability to violence. A 2021 UBC study found that one in three sex workers were unable to call 911 due to fear of the police, a statistic which illustrates the jeopardizing effects of PCEPA. 

Sandra Wesley, the executive director at Stella, l’amie de Maimie, Montreal’s direct-service and advocacy organization run by sex workers for sex workers, emphasized that the Act puts sex workers in danger by creating and perpetuating this environment of violence and fear.

“[PCEPA] sends a message to every violent person out there that if you want to be violent, be violent towards a sex worker,” Wesley said in an interview with //The Tribune//. “We know in the 10-plus years now that the law has been in place, that these violent people are receiving that message loud and clear from the government, that the government wants to eradicate us, the government doesn’t think that we have rights [….] Just think about Judge Goldstein’s words, ‘Violence is a feature, not a bug, of sex work.’”

//Sex worker resistance in Montreal//

To counteract Canada’s oppression and endangerment of sex workers, Wesley and her Stella colleagues divide their efforts between broad-scale activism at a national level and on-the-ground support in Montreal. The organization draws on decades of resistance within Montreal, using regional advocacy as a catalyst for national change.

I met Jenn Clamen, Stella’s mobilization and communications coordinator, at the MEM, a towering museum in the middle of the bustling Quartier des Spectacles. She kindly agreed to tour me around Stella’s new exhibit, //By and For: 30 Years of Sex Worker Resistance//, which celebrates the organization’s 30-year anniversary.

Clamen noted that the exhibit’s location in the MEM is not coincidental. By displaying this history of sex worker resistance in the centre of Montreal’s former Red-Light District, the organization aims to draw attention to the historical displacement and oppression of sex workers in the city.

“We didn’t choose the MEM for no reason. We chose it because we are standing in a space that has been highly occupied again and again and again over decades,” Clamen said. “If you look around and you look at the Quartier de Spectacle, the images that they use, the language that the city uses, talking about Montreal as a ‘sin city,’ […] they’re still using sex work ideas or sex work histories, sex work symbolism, to attract people, but sex workers aren’t allowed to work on the streets in the way that they used to.”

The //By and For// exhibit celebrates sex workers’ historical resistance against a political and social environment that has long denied their human rights.

“You know this myth that sex workers just are passive […] beings that cannot stand up for their rights or don’t know what their rights are, or that they’re being exploited all the time,” Clamen said. “The reason that these stories of resistance are so important is to really counter narratives, to demonstrate that’s not actually who sex workers are. They’re always resisting conditions. They’re strong and vibrant people.”

Through archival documents, photographs, art, and videos, the exhibit showcases the convergence of sex work resistance with other social movements. Communities that have been historically subjected to harsh policing and oppression, including migrants, unhoused individuals, Indigenous Peoples, drug users, and individuals living with HIV, have a long history intertwined with sex work. 

Clamen described Stella’s diametric opposition to carceral punishment, in part due to this intersection of sex work with other highly policed communities.

“Our feminism at Stella is an anti-carceral feminism,” Clamen said, “meaning that the solutions that we want or know to be successful for […] the challenges sex workers face are not through the use of criminal law, because of the ways that sex workers in our community are already surveilled and repressed.”

During my tour of the exhibit, two Stella members stopped in to say hello to Clamen. They were bundled up to face the cold and sported tall backpacks full of outreach supplies, from condoms and Narcan to printed guides on harm reduction and health. Hearing Clamen discuss the historical and legal context of Stella’s work and seeing her colleagues preparing to hit the streets encapsulated the unique breadth of the organization’s mission.

//Paths to decriminalization//

Rather than the government employing its current criminalization system—known as the ‘Nordic model’—which encourages violence and carceral punishment, Stella and other organizations are pushing for the removal of all criminal sanctions surrounding sex work and the implementation of policies created with input from sex workers.

Wesley described how the current law creates an environment in which those who commit offences against sex workers can be charged not for their violence but for their participation in the sex work industry. She argued that decriminalization would allow these offenders to be correctly charged.

“If we decriminalize sex work, then what?” Wesley propounded. “Then maybe if we’re raped, the person can be charged with rape. Maybe if we’re being kidnapped and held against [our] will, that charge can actually happen, which it doesn’t right now. Maybe if a client assaults us or robs us, that’s the charge that he can have instead of purchasing. We already have all those things in the Criminal Code that are not being used right now because we’re seen as not rapeable [….] Just our existence as a sex worker is [seen as], in and of itself, violence.”

One route to decriminalization is through the House of Commons, where Members of Parliament can choose to pass new sex work legislation at any time. Wesley noted that the Liberal Party claims to align with the goal of decriminalization, yet has failed to take any action despite its ten years in government.

“The liberals were supposed to change this law,” Wesley said. “They were against it in 2014, and when they were elected in 2015, they said they would change it. That’s their party’s position. They never acted on it. Why didn’t they act on it? Because it’s politically very appealing to hate sex workers.”

Another path towards new legislation involves the Supreme Court. Stella is a member group of the Canadian Alliance for Sex Work Law Reform (CASWLR), an organization currently engaged in a constitutional challenge to specific sex work criminal offences. 

There have been previous, highly publicized challenges to PCEPA, including this summer’s //R v. Kloubakov// case. However, these challenges have all been pursued by third parties facing criminal charges, not sex workers seeking recognition. Notably, all have failed. 

By contrast, CASWLR’s challenge is not an attempt to evade criminal prosecution; instead, it is a legal challenge made by sex workers who want the law to acknowledge and protect their human rights.

The Ontario Supreme Court heard CASWLR’s challenge and upheld Canada’s current laws as constitutional in 2023’s //CASWLR v Attorney General (Canada)//. CASWLR has since sought leave to appeal the ruling. If the Court of Appeal chooses to hear CASWLR’s appeal and overturns the Ontario Court’s decision, it will be referred to the Supreme Court of Canada.

//New Zealand: A legislative model//

Decriminalization may still be a hopeful concept in Canada, but on the other side of the world, it has been a legislative reality for over 20 years. 

In 2003, New Zealand passed the //Prostitution Reform Act//, a bill developed in association with the New Zealand Sex Workers Collective (NZPC) that decriminalized sex work. Since then, sex workers have experienced improved relationships with police, safer systems of reporting assault, legal wins on issues of harassment, and justice through the court system. 

In New Zealand, sex workers are considered //workers//, not criminals, and their rights are guaranteed under employment and human rights laws.

Cherida Fraser, the Wellington regional coordinator of the NZPC, described how this legislation has created a safe and open work environment for sex workers.

“Decriminalization benefits workers’ health, safety, and wellbeing,” Fraser wrote to //The Tribune//. “It enables reporting of any harms in the justice system, without fear. It supports sex workers’ health (sexual, mental, general) as sex workers can be open about their work without fear of authorities.”

New Zealand, like Canada, has a high percentage of Indigenous sex workers who are already subject to increased police surveillance and violence. Fraser stated that the decriminalization of sex work supports Indigenous sex workers as it protects them from receiving discriminatory charges.

“Decriminalization made a positive change for Maori sex workers,” Fraser wrote, “mainly due to the institutional racism that existed which saw Maori sex workers disproportionately charged/incarcerated for all crimes.”

Both New Zealand and Canada pride themselves on having generally progressive political cultures, especially compared to their larger, more politically dominant neighbours, Australia and the United States. But Canada’s record on the rights of sex workers stands in stark contrast to this reputation.

If Canada wishes to remain a world leader in progressive policy and work towards reconciliation with Indigenous Peoples, it must turn away from criminalization and adopt decriminalization legislation, as New Zealand has successfully done.

//Moving forward//

It is naive to believe that the criminalization of this profession will somehow result in its total eradication. Criminalization does not abolish sex work; it worsens the already challenging conditions in which sex workers live and labour.

Instead of fighting for a world in which sex work ceases to exist, the government must follow New Zealand’s lead and enact legislation that protects sex workers. CASWLR has provided an exhaustive proposal of recommended law reform; these suggestions come directly from sex workers with lived experience navigating the industry. 

Whether through the Supreme Court or Parliament, Canada must decriminalize sex work. When drafting new legislation, the government must consult sex workers to ensure new laws are conducive to their health, safety, security, and human rights. 

Stella’s work in Montreal exemplifies the power of local activism. Students can join the fight for decriminalization by writing to their Member of Parliament and explaining their concerns with Canada’s current sex work legislation. 

The laws that govern our nation must protect //all// workers, not just those the government deems ideologically virtuous. For sex workers in Montreal and advocates at Stella, new legislation cannot come soon enough.

//The full By and For: 30 Years of Sex Worker Resistance exhibit will be displayed at the MEM until Feb. 1, 2026, and part of the exhibit will remain until March 15, 2026. 

To learn more about the constitutional challenge put forward by the Canadian Association of Sex Workers for Law Reform, visit their website at sexworklawreform.com.//

Off the Board, Opinion

I believe in fairies and Santa Claus

Since I can remember, my head has been in the clouds. From the moment I could string words together, I was always happiest poring over the pages of novels or tucked with my favourite show underneath a warm blanket of daydreams. I’ve fallen in love countless times with these worlds, each more fantastical than the next. The soles of my feet are worn smooth from the paths walked alongside Peter Pan, Anne Shirley, and Winnie-the-Pooh, my cheeks dimpled in glee from their fanciful tales and my own heady admiration.  

At the ripe age of 20, my room remains littered with the remnants of these fictional passions, colliding in a cacophony of butterflies and skateboards, katanas and typewriters—relics I’ve collected throughout my chimerical travels. Streaky sketches are taped about haphazardly: Rudimentary attempts to capture my flourishing imagination. The countless characters endeared to me remain marked both on my soul and the plaster of my walls.  

I was convinced that this wonder could only exist between the pages of a book or the fabric of a daydream. I could steal away within stories, and like a portal, they would be my solace from the reality of every day. With my feet shackled to growing up, my mind could only remain rebellious in its musings. These two lives existed separately. One could not begin to approximate the other. 

When I was 12, my family sat me down around Christmastime for the long-awaited crash down to reality. I sat very still, hands clammy, as my fantasies of Santa were dismantled. With the resignation settling on my face, I almost missed what I was told next. At Christmas, people are inspired to share gifts, kindness, and twinkly lights. Doesn’t that seem pretty magical? I sat there for a moment, the disappointment and curiosity warring in my mind. 

For the first time, the lines between my worlds began to blur. 

As the stretch of maturity began to tug at my heels, I found magic seeping into the folds of my ordinary life. In a world now filled with responsibilities and the looming chill of failure, I floundered, clinging desperately to any scrap of guidance. I stumbled, and the voice of my younger self echoed in my mind with renewed vigour. I acquiesced to her demands, lapping up my dormant passions and reconceiving my world a bit brighter. 

I felt like a child again, discovering joy in every moment. For the first time, the colours of my secret world were colliding with the reality I was so intent on escaping. This overlap lit the world ablaze with a new definition: Every experience was my first, each unique and tinged golden with secrets. 

I recently had to trek home in a freezing drizzle, the sky pitch dark at 5:00 p.m. I ruminated over my miserable situation, shuddering in my coat and urging my feet to go faster. But as the music in my ears rose to a chorus, I stopped in my tracks. The lights along my path seemed to sparkle, the raindrops slanting haphazardly. I stood there, frozen for a moment as my hands chafed and my lips turned blue. The object of my irritation was suddenly mesmerizing, just as magical as, say, a white rabbit with a pocket watch. 

As a society, we hold maturity as a token of pride. Kids who were praised as ‘mature’ wear it like a badge of honour, and polish it proudly. But as we grow up, we start to long for the saturated days of childhood. As adults, we cling to modest pleasures, only to be called immature. Told to grow up and stop dreaming. 

But who is to say what is real and what is not? There is no time limit on passion and wonder. Children remain the happiest and most intelligent of us all, and it is only the wisest of grown-ups who can defer to the child they once were to take them by the hand and urge them forward—skipping and twirling all the way. 

Know Your Team, Sports

Know Your Team: Varsity Rowing

At the start of November, the McGill Rowing Team hosted the Canadian University Rowing Championship (CURC) for the fifth time in program history. The event was held on the team’s home turf at the Montreal Olympic Basin. The course’s unique layout meant fans, volunteers, and the McGill Rowing Junior Varsity (JV) and Novice athletes could bike alongside the racers and cheer them on. 

Women’s Rowing Captain Naomi Fandrich, U2 Engineering, alongside her partner, Kaitlin Puddy, U2 Science, placed fourth overall in the Women’s Open double sculls. The women’s team finished off the season ranked tenth overall. Fandrich explained how racing at home with McGill’s full team present at the CURC helped her performance in an interview with The Tribune.

“Usually, [universities] just send selected athletes [to Nationals] […], whereas we got to have the JVs and the Novices helping out,” she said. “It was really a big community thing.” 

Fandrich added that McGill having the opportunity to host the CURC also highlighted the collaborative nature of Montreal’s rowing scene. McGill’s team trains at the Basin with other universities from Montreal and the Montreal Rowing Club

“Even though we were hosting [individually], it felt like a shared effort,” she explained.

As Fandrich emphasized, the weekend was about much more than just rowing and podium finishes—it also reinforced the team’s close dynamic. The program’s supportive atmosphere is what makes the potentially difficult transition from McGill Novice to varsity crew smoother for athletes, Puddy highlighted.

“The transition to […] the varsity team is definitely hard,” she stated, in an interview with The Tribune. “There’s more hours to dedicate. It’s mentally a lot harder, but it’s really uplifting to be on a team. I think my teammates are what’s really most important for me.” 

Puddy continued by sharing that her CURC success would not have been possible without support from her teammates. 

“This sport really has shown me that you can always do things that you didn’t think you could,” she stated.

Beyond pushing each other on the water and in the weight room, the team also shares several pre-race rituals. The men’s and women’s crews each hold a team dinner the night before competition, reviewing race plans and locking in their focus for the next day. This cohesion shows when they get back on the water.

Jacob Lofaro, U4 Engineering, and teammate Patrice Légaré, U4 Engineering, captured gold for McGill in the men’s double sculls, marking McGill’s first gold in the doubles category since 2012. The pair were also named McGill’s Athletes of the Week

Lofaro explained in an interview with The Tribune that his and Légaré’s strategy was straightforward: Start strong and take the lead early.

“We made a race plan to get out ahead in the very beginning, just so we could be in control of the race. We could pace it how we wanted, and if people wanted to challenge us, they had to be the ones to make the push,” Lofaro said. “During the race, it was just, ‘Let’s hold on, let’s pray and hope we can hold everyone off.’ And it worked.”

Building off of Lofaro’s remarks, Rowing Head Coach Stéphanie Marchand told The Tribune how proud she was of the team’s performance this season, especially against such strong competition. Looking ahead to next season, she hopes that making finals and earning medals becomes the standard for McGill Rowing—not the exception.

“I’m trying to create a space where it’s competitive, but it’s also incredibly healthy, and people are able to be there for each other and support each other,” Marchand said. “[The team has] so much potential, and we can achieve so many more podiums. Everyone trains, everyone is there, and everyone is year-round, training hard. I really wanted to bring the level of the team up, which we’re seeing. It takes time.”

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