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Album Reviews, Arts & Entertainment

Alvvays – Antisocialites Review

Alvvays, Toronto indie favourites, first made waves in 2014 with their self-titled debut and its breakout single “Archie, Marry Me,” a brazenly tongue-in-cheek young love song. Their newest album, Antisocialites,  lacks a hit as anthemic as “Archie,” yet Alvvays’ pop sensibilities remain razor-sharp throughout. Antisocialites thrives off of apparent contradictions; its saccharine pop hooks and dreamy guitars disguise tales of urban melancholy and romantic longing rife with self-deprecating wit.

Each song on the album walks a careful line between the joy and melancholy of urban young adulthood. Longtime live staple, “Your Type,” finally makes an appearance on this record, and is the album’s sweetest and most danceable pop tune. Its lyrics, joyously delivered, are hilariously gloomy: “I die on the inside […]I will never be your type,” belts frontwoman Molly Rankin. Conversely, “Not My Baby” finds Rankin feigning resilience post-breakup— her heartache betrayed by her downcast delivery and the track’s overpowering moody synths.

“If I saw you in the streets, would I have you in my dreams tonight?” asks album highlight “Dreams Tonight,” with a lyric that would fit right in any of the most wistful Smiths songs. The influence of generations of indie pioneers is evident on Antisocialites. There is a track dedicated to Jim Reid of the Jesus and Mary Chain, whose band’s hazy guitars and layered synths act as blueprints for many of Alvvays’ sonic textures.

Though these 10 tracks might be pop-y, this is not to diminish the brilliance of the songwriting. Rankin’s lyrics can be dreamy, silly, poetic, and tragic—usually all at once. There are tracks for dancing and there are tracks for moping, all blended together seamlessly across the album. Antisocialites is Alvvays’ most cohesive release yet, leaving none of the band’s signature ethereal soundscapes or impossibly catchy hooks behind.

Sports

Citius, altius, fortius: The cost of hosting the Olympic games

Hosting the Olympic games can be an expensive, corrupt, and unpredictable business. It is a very high-risk but potentially high-reward proposition: Effective hosts see their cities enjoy substantial economic boosts and an upgraded image, while poor hosts risk wasting just as much money and tarnishing their reputation. The Olympic games should only be assigned to cities that can shoulder the financial burden. The recent announcement of two developed tourist hubs, Paris and Los Angeles, as hosts for the 2024 and 2028 summer games might be indicative of the lessons learned from past host selections. 

The 2016 Olympics in Rio de Janeiro were a disaster for Brazil. An uninhabitable Olympic Village, literal sewage in the water used for the rowing events, and body parts washing up on the shores next to the beach volleyball court were just some of the issues that plagued the Rio games. The problem was that Rio de Janeiro had too many problems to fix, too many projects to build, and not enough resources or time to do so before the games.

That's not to say there wasn’t much invested—the costs of Rio 2016 were estimated at a staggering US$4.6 billion, with $1 million still owed to creditors a year after the games. While that figure was lower than those of previous summer games—such as London in 2012, costing $10.4 billion—it does not paint the whole picture. What’s more important is that London has continued to make use of the buildings it developed for the games. The 2012 Olympic stadium is now a soccer stadium inhabited by a Premier League team, and the Olympic village was converted into apartments.

Meanwhile, in Rio de Janeiro, the iconic Maracana Stadium sits in a state of disrepair and ruin after its use in the 2016 games and 2014 FIFA World Cup. The concept of Olympic venues being treated as one-time-use facilities is not a new one for the Olympics: In Beijing, the baseball stadium, kayaking facility, cycling arena, and volleyball courts have all been abandoned. The recent trend is that fully-developed countries tend to host better-organized games than developing countries and make better use of their venues once the games have ended.

The good news is that the hosts of the upcoming summer games look promising, with Tokyo set to host in 2020, followed by recently-announced Paris and Los Angeles in 2024 and 2028, respectively. These three locations present a possible new direction for the future of Olympic city selection. Each host city is fully-developed and looks well-equipped to handle the events. Furthermore, France and the United States are the two most internationally-visited countries in the world, per the World Tourism Organization. The countries already have the infrastructure to handle millions of people descending upon their cities and, if London is any indication, will be able to make good use of new constructions once the games are over.

In fact, representatives from the Olympic committees for both Paris and Los Angeles estimate that around 90 per cent of the required facilities have already been built. This existing infrastructure ensures that the summer games will be hosted by competent and prepared groups for the next 12 years.

Traditionally, host cities are announced one at a time, instead of the double announcement of Paris and Los Angeles last week. The punctual announcement is good for Paris, which will have nearly seven years to prepare. The advantage is greater for Los Angeles, which now has over 10 years to build the necessary infrastructure for the games. It’s easy to be optimistic about these upcoming games. If the games live up to their promise, they could serve as a shining example for the rewards of effective city selection for the International Olympic Committee. 

Arts & Entertainment, Film and TV

First Impressions: Safdie Brothers’ ‘Good Time’ not the best of times

Leo Stillinger: At the beginning of the Safdie brothers’ (Daddy Longlegs (2009), Heaven Knows What (2014)) new feature-length film Good Time, two brothers have just robbed a bank. One asks the other: “Are you feelin’ this?” Good Time is not a good movie, but perhaps it can be justified in terms of this question.

Jordan Foy: “I don’t know what to tell you,” Robert Pattinson’s character Connie says at one point in the film, and I think this encapsulates exactly how I feel about it. I just don’t know. It was all over the place. There were things I appreciated, and things that drove me crazy. 

LS: I’m feeling that high adrenaline confusion as well. Thanks to the convulsive soundtrack and claustrophobic cinematography, the unrelenting intensity quickly becomes too much. I spent most of the film feeling more exhausted than entertained. The film’s most memorable scene takes place in a darkly lit funhouse, where Connie finds a Sprite bottle filled with LSD. The scene can be taken as a metaphor for the movie itself—a bad trip.

JF: Bad trip indeed—this film significantly heightened my anxiety. For one thing, almost every shot is a close up on somebody’s face. And the soundtrack, produced by electronic artist Oneohtrix Point Never, is jarring and unfitting at times. These two factors—along with the haphazard and almost improvisational feel of the plot— resulted in a seriously unsettling viewing experience. 

LS: Disorienting as it was, though, the style of the film is distinctive enough to hold it together as a work of art. Unfortunately, its protagonist is an unsympathetic plank. As Connie, Robert Pattinson is not much more expressive than he was as Edward in the Twilight series (2008-2012). Yet the camera remains glued to his face, which often fills the entire screen, perhaps in the futile hope that he will show any emotion. Pattinson himself described the film as a “really hardcore kind of Queens, New York, mentally-damaged psychopath, bank robbery movie.” It would be hard to argue with any of that; it’s just a shame that the mentally damaged psychopath wasn’t made to be more interesting.

JF: Not going to disagree with Rob on that one. Connie is a grade A, sociopathic piece of shit. His goal in the film is to free his mentally handicapped brother from police custody, but at various points in the movie he recklessly endangers him, and spends most of the film ruthlessly manipulating people. Perhaps Connie was intended to be a morally grey character, but I had extreme difficulty sympathizing with him. I really didn’t like him.

LS: What makes the film more of a shame is that there is an interesting, sympathetic character, in the form of Connie’s brother Nick (Ben Safdie), whose mental turmoil and relationship with his grandmother seemed to promise a much more emotionally-complicated plot arc. Yet, Nick spends the majority of the film off-screen in a psychiatric hospital, and viewers are left with his soul-dead brother instead. The final scene, which depicts Nick participating in group exercise at the psychiatric hospital, is genuinely bittersweet. Moreover, it gives a glimpse into what this film could have been if taken in a different, more sensitive direction. 

JF: The film has its moments though. There were some scenes that made me laugh, and there were times when I felt like maybe I was liking the movie. But ultimately the experience was too intense. There’s an audience for a film such as this, and maybe I would enjoy it a second time through, but I certainly did not have a ‘good time’ on my first watch. 

Laughing Matters, Opinion

McTavish? It’s just not that into you

It always happens: You finally come to terms with how things ended with a questionably-motivated ex, you think you’ve moved on—then you see them again post-break up—and all you can think is, “Damn, they look good.”

The McTavish Street $56.6 million glow up is a case in point of this cliched response. Merely months ago, the street was the cause of so much grief among McGill students, especially after the announcement of construction delays. But now, stepping onto the newly refurbished walkway after years of construction is to have the chasm in your heart filled, just as Grand Canyon McTavish has finally been repleted. Its evident facelift and upped contour game are at a level Montreal Instagram models wish they could achieve, and looking out at the pedestrian activity brings a reminder of why students fell in love with McT in the first place. The new and improved McTavish has won back the hearts of Montrealers and McGillians alike, but it’s hard to forget the emotional rollercoaster of this relationship over the past couple of years.

The end of everyone’s romance with McTavish can be traced back to the beginning of construction in 2016. The last year clawed an ugly scar across McGill’s downtown campus and the hearts of its students. The street became void of the ‘girl next door’ comfort it brought in navigating campus and instead became the cold hearted femme fatale in a film noir—broken and unattainable.

But now, McTavish looks so good it makes people want to slide into its DM’s like Flood Girl slid down the very same street four years ago. The view of the new-and-improved walkway from Dr. Penfield Avenue is stunning, with the rose gold Scotiabank building capturing the late afternoon sun. The warm tones it casts over the scene almost erase the memories of the hideous construction site. The McGill Farmer’s Market breathes even more life into this unfeeling and apathetic former lover every Thursday.

The glow up of an ex is equal parts entrancing and infuriating. The iconic phrase “beauty is only skin deep” rings true of this fickle promenade. This collective McGill ex still hasn’t resolved its financial issues either. The original cost of this project was estimated to be around $42.4 million, but as is usually the case with a petty quondam sweetheart, it went way over budget.

Yes, McTavish is looking more fine, and trying to tell you that even the most toxic people (and streets) can change with time. It’s scary to give an ex a second chance, but it seems like McTavish is attempting a healthy relationship again. It looks as though this boulevard of broken dreams could become the street of everyone’s fantasies once again.

McGill, Montreal, News

Montreal indigenous community gathers to celebrate 16th annual Pow Wow at McGill

On Sept. 15, the McGill First People’s House (FPH) hosted the 16th annual Pow Wow on Lower Field. Members of the indigenous community from Montreal and other parts of Canada sang, danced, and socialized with students and families to celebrate to their indigenous culture.

For FPH Administrative Coordinator Dana-Marie Williams, an organizer of this year’s Pow Wow, the event has served as an opportunity for indigenous and non-indigenous students alike to learn about the heritage and network of First Peoples year after year.

“[We want] the students to come enjoy and see the culture, gain experience, and get great food or arts and crafts,” Williams said. “I hope the indigenous students come to see what kind of indigenous organizations are out there. It’s a great place for other indigenous people to come meet friends and family.”

(Emma Hameau / The McGill Tribune)

 

As part of the festivities, 12 Aboriginal organizations set up booths on Lower Field to advertise their counselling services, promote upcoming cultural events, and sell clothing and jewelry. Native Montreal, an organization dedicated to the improvement of the health and development of the culture of Aboriginal communities in Montreal, used their space at the Pow Wow to promote programs like their free Aboriginal language classes and social interventions for resolving personal, domestic, social, or psychological problems among indigenous youths. Wayne Robinson, Social Intervention Officer at Native Montreal, explained the organization’s objectives at the Pow Wow.

“We know a lot of the indigenous community comes out to the McGill Pow Wow,” Robinson said. “We’ve been here for the last few years, and there have been a lot of families who haven’t known about our services because we’re a relatively new organization. [The Pow Wow] is a big part of our mandated friendship center movement [to assist Native people making a transition into urban communities and…] to do some of the bridging between the indigenous people and the non-indigenous community.”

(Emma Hameau / The McGill Tribune)

 

As executive director of the Rising Sun Childcare Center–the only indigenous childcare facility in Montreal–Alana-Dawn Phillips brings the children from her daycare to the McGill Pow Wow every year to immerse them in Aboriginal festivities.

“It’s important that children are exposed to as much of the indigenous culture and language as possible, to have pride in who they are, and to accept who they are,” Phillips said. “[It is crucial that the children] have that initial thought of ‘This is who I am’ and…that they have a positive identity as an indigenous person.”

(Emma Hameau / The McGill Tribune)

 

This year’s Pow Wow coincided with Prime Minister Trudeau’s visit to McGill for a press conference on the opening of Facebook AI Research (FAIR) Montreal, an artificial intelligence lab in the city led by McGill Associate Professor of Computer Science Joelle Pineau. Student leaders gathered in protest of Trudeau’s failure to acknowledge the Pow Wow, while tribal leaders at the Pow Wow, such as former McGill student and army veteran Ray Deer, felt unsure if Trudeau would keep his promises to the Indigenous peoples.

“What [Trudeau will] do as he goes through his term and if he comes through with all [his] promises [remains unknown],” Deer said. “[The Pow Wow’s purpose is] to acknowledge we were here, we are here, and we want to continue to participate on the land of Montreal. Justin Trudeau, if he can help [to acknowledge our presence], I think all of us as First Nations people will be very proud to participate with Canada.

Martlets, Soccer, Sports

McGill Martlets soccer hold UdeM Carabins to 0-0 draw

 

 

McGill Martlets
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UdeM Carabins
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Before meeting the Université de Montréal (UdeM) Carabins at Molson Stadium on Friday, Sept. 15, the McGill Martlets soccer team hoped to continue their momentum from a 4-1 win over Sherbrooke on Sept. 8. The fiercely fought contest ended goalless, with neither side able to get the better of the other, and pushed the Martlets’ record to 1-1-1 on the season.

The close proximity of McGill and UdeM has facilitated a rivalry between the two teams. Martlets coach Jose-Luis Valdes spoke after the game about the unique threat the Carabins pose.

“It’s a very physical battle against Montreal,” Valdes said. “They play a lot of long balls. We needed to win our 50-50s and I think we did very well about winning those battles. They didn’t push us around too much, and when they did the referee did a good job about calling fouls.”

From the moment the first whistle blew, it was clear that the two sides were evenly balanced and that it would take something special for the Martlets to win on their home turf. In the first half, clear-cut opportunities on goal were few and far between. UdeM had the first sight on goal when a free kick in the early minutes forced McGill goalkeeper and fifth year chemical engineering major Sarah Dubois into a dive to defend her near post.

McGill’s most threatening moment came in the 15th minute when some good teamwork on the left flank freed up forward Claudia Agozzino, who dribbled past a few defenders before laying the ball off for defender Nathalie Brunelle. Brunelle’s shot sent the opposing keeper scrambling but sailed just over the bar.  

As the game wound down, both sides had last-ditch opportunities to break the tie but couldn’t convert them into points. A clearance from a Carabins defender fell to the feet of Martlet captain and fifth year nursing student Lisa Perrett in the 88th minute, but her well-timed effort flew just over. At the other end, a scramble for the ball in the McGill box caused the ball to break free for a Carabins attacker. Her shot smacked the crossbar in what was the closest chance of the game.

Valdes believed that the scoreboard was representative of the way both teams played.

“A draw was probably a fair reflection of the game, but we always want to win at home,” Valdes said.

However, Martlet forward Tia Lore was pleased by their efforts.

“I thought we played really well today, it was a tougher game but I think we came out on top and mentally we were in it to win it,” Lore said.

The Martlets currently sit in the middle of a competitive RSEQ division and are set to hit the road for a matchup against the Laval Rouge et Or on Sept. 17. Students can catch the Martlets in action in their next home game vs UQAM on Thursday, Sept. 21st at Molson Stadium.

 

Moment of the game

Lore was played in behind the defence and found herself one-on-one with the goalkeeper, only for the offside flag to be raised. The third-year sociology student explained her frustration with the call.

“I was really upset, I’m not sure if I was offside,” Lore said.

 

Quotable

“With the ball we need to be better. We’ve got the qualities, but today we didn’t show as much. The few times we did move the ball properly, we were in dangerous areas and positions, and we came close and threatened a few times.” – Head Coach Jose-Luis Valdes.


Stat corner

Dubois saved eight attempts, contributing to a shutout effort from the McGill defence.

News

Engineering students to develop solar-powered drone

For their required MECH 463D1 Design 3 Mechanical Engineering Project course, four U3 Mechanical Engineering students aspire to build a solar-powered unmanned aerial vehicle (UAV) that will exceed the continuous flight time of agriculture UAVs currently on the market.

A Design 3 course, commonly referred to as a “capstone project,” spans two semesters and requires students in their final year to develop a mechanical device from start to completion. In the past, students have created off-road vehicles, bridges, and concrete canoes for their Design 3 capstone projects.

Callaghan Wilmott, Elie Bou-Gharios, Matthew Morgan, and Adam Targui intend to create an autonomous solar-powered drone to detect changes in water density and crop stress on farms and, as a result, further the use of artificial intelligence technology in agriculture.  

The students will collaborate with three other teams of undergraduates from the Electrical and Computer Engineering (ECE) department to create the UAV. Assistant Professor Jovan Nedic (Mechanical Engineering), Associate Professor Brett Meyer (ECE), and Associate Professor Margaret Kalacska (Geography) will supervise the drone’s development.

“There are lots of questions that farmers would like to have answered but they either don’t have the technical expertise or the human resources to go and do this,” Meyer said. “So, this particular drone project would allow a farmer to […] keep better track of what’s happening with their crops [….] and ideally, [farmers] can do this all without needing to build their own drones or contract with people.”

While designing a project is a requirement of the McGill Engineering curriculum, the team insists that participating in the drone’s creation will not be exclusive to students in the Faculty of Engineering. In fact, Wilmott encourages non-engineering students to join the solar-powered UAV project in hopes of diversifying the skill set of their team as a whole. 

“We are dominated by engineering students […] and we do need skills that non-engineers can provide,” Wilmott said. “Creative skills like [web design], admittedly, we lack quite a bit [….] That’s one thing that we really need as a business. So, there are definitely opportunities for non-engineering students to get involved and we would definitely like to see that kind of involvement.” 

Beyond seeing out the planning and design for the drone, the team is also responsible for financing the project. To garner sponsorships, the team’s business lead Alexander Gobran, U2 Arts, focused on companies in the energy sector. Early sponsors for the drone include The McGill Institute for Aerospace Engineering, EDF Énergie Nouvelles, Canadian Solar, and Leclanché. According to Gobran, the drone’s selling point is its potential flight efficiency. 

“Right now a typical UAV used for land surveying must come down every 45 minutes to one hour to recharge or switch battery, which costs money and time,” Gobran wrote in an email to The McGill Tribune. “Our goal is to use solar energy to have our UAV fly for 10 hours which would provide great time and money savings. [….] It is also beneficial that UAV and solar technologies are at the forefront of modern innovation.”

Though the project is set to finish at the end of the Winter 2018 semester, the team hopes for the drone project to continue extracurricularly beyond that point. As Co-Directors of AERO McGill, a recognized Engineering Undergraduate Society design team, Wilmott and Targui aspire for the project to become a multi-year extracurricular enterprise that future students can continue to improve upon. 

“AERO has accepted to undertake the challenge of creating a solar-powered unmanned aerial system and has created a special projects division for that purpose,” Targui wrote in an email to the Tribune . “This project stemmed from our belief that it is important to push the boundaries of aviation.”

Student Life, The Tribune Tries

The Tribune Tastes: Cannoli

With school starting again, the sweet taste of summer is becoming a distant memory. To wrap up August, Montreal’s annual Italian Week showed residents of Little Italy and beyond how important good, home-cooked treats can be. Because cannoli took center stage at this year’s festivities, The McGill Tribune rolled out the dough to see if they could do these artisan pastries justice.

[one_third]

Ingredients

  • For the dough:
  • 4 cups all-purpose flour
  • 2 tablespoons sugar
  • ¼ teaspoon salt
  • 3 tablespoons softened/melted butter
  • 2 eggs
  • 1 and ½ cup white wine
  • For the Filling:
  • 4 cups ricotta cheese
  • 2 cups powdered sugar
  • 1 tablespoon vanilla extract
  • ¼ cup semisweet chocolate chips
  • 1 cup heavy whipping cream
  • For the Shells:
  • ¼ cup olive oil
  • 5 tablespoons shortening
  • 5-10 small metal tubes (you can get these at Dante’s Cooking Supply Store, or you can buy a tube of metal at a hardware store and cut it into three or four-inch length small tubes–just make sure the metal you buy is safe for cooking in hot oil)

[/one_third]

Directions

Part 1: Dough
1. Thoroughly mix the flour, sugar, salt, butter, and eggs in a large bowl.
2. As you mix the dough, stir in ½ cup of wine in small splashes.
3. Form the dough into a ball with your hands, gradually adding the remaining 1 cup of wine. Add more wine as needed until the dough sticks together.
4. Let the dough stand for 30 minutes.

Part 2: Filling
1. If the ricotta cheese is watery, drain it with a cheesecloth before prepping the filling.
2. In a large bowl, thoroughly mix the ricotta cheese, powdered sugar, and vanilla extract.
3. Stir in the chocolate chips, spreading them evenly throughout the filling.
4. Pour in the heavy whipping cream and whip until stiff peaks begin to form. This takes a lot of time and energy to whip by hand; it may be a good idea to use an electric mixer rather than a whisk.
5. Chill the filling in the refrigerator for at least 30 minutes to allow it to thicken.

Part 3: Shells
1. Use a rolling pin, or whatever cylindrical object you might have, to roll out the dough on a well-floured cutting board or countertop. As you roll, sprinkle flour generously whenever the dough feels sticky.
2. Find a cup with a diameter equal to the length of the cannoli tubes you’ll be using. Press the rim of the cup into the rolled dough, making circles.
3. Cut out the circles and set them aside. Clump the remaining dough together again so it can be rolled out again.
4.  Brush the surface of each dough circle with olive oil. Wrap the dough circles around canoli tubes, Making sure the two sides of the circle slightly overlap. Press the sides together to form a seam together.
5. Melt the shortening in a pot at about 170 degrees Celsius or medium-high heat. Allow the shortening to melt into an oily consistency.
6. Using a pair of metal tongs, individually place the shells (still wrapped around the tubes) in the oil. Hold the seam together with the tongs so that the shell does not unfold, and continuously flip the shell until all sides are fried and the entire shell is golden brown. This should take between 30 seconds and one minute.
7. After frying, place the shells on a paper towel with the seam side facing down, to allow the oil to drain off of them. Once the shells have cooled, remove the tubes from inside of them. .
8. Next, put the filling in a Ziploc bag, then cut off a small corner of the bag so you can squeeze it out. Stick your makeshift piping bag into one end of the shell, then gently squeeze the bag, slowly pulling it out as you go, until the filling just barely flares over the edge of the shell. Repeat on the other side.
9. Garnish your cannoli with powdered sugar, chocolate sauce, and whatever else might suit your fancy. When storing, keep them refrigerated, to ensure that the filling does not melt out.


This recipe has been adapted from Food.com.

Commentary, Opinion

Conscious eating: More than just labels

What people refer to when they talk about organic food has become a point of contention. Technically, the term “organic” refers to a food item that is grown according to certain Canadian Food Inspection Agency (CFIA) standards; culturally, it is more expansive. To some people, going “organic” signifies leading a more ethical lifestyle. To others, it is an example of the financial inaccessibility of eco-friendly consumption. Whatever one’s thoughts are on eating organically, to consider eating as an act of consumption–both economically and physically—is not conducive to an environmentally conscious diet. It alienates the individual from the conditions under which the food was produced. To eat in a way that is environmentally responsible, it is necessary to alter one’s mindset surrounding food.

One must view eating as participation in an ecosystem, rather than a disjointed transaction, and make dietary choices accordingly. This means that there is no blanket fix, such as eating exclusively organic or local produce. Instead, the solution lies in small actions, each one approaching an affirmative answer to the question, “Are my eating choices in harmony with the ecosystem that produces my food?”

Marketplace signifiers such as “organic” might seem to indicate a more ethical choice, but this can be misleading. Organic food, firstly, is financially inaccessible to those who cannot participate in the consumer class. It is also a niche market–a subset of the food industry that only targets a specific population–and therefore does not have the capacity to affect change across all demographics. Eating organic is only one potential component of maintaining a conscientious and informed relationship with food.

To achieve this goal, one must be conscious of the consequences of consumption. For example, every meal has a carbon footprint, and it is the responsibility of the individual to mitigate the unnecessary expenditure of energy. Eating local is the most obvious way to be conscious of this, but other factors also come into play. It is more beneficial to eat seasonal foods or preserved foods than, say, fresh berries in January. The idea of going to the grocery store and purchasing whatever you like, at any time, is dangerous because it necessitates the unnecessary expenditure of energy to make sure that food is available out of season. Out of season food must be shipped hundreds or thousands of miles, wasting fuel. This is the epitome of viewing food as a consumer good, instead of a varied and cyclical subset of the natural environment.

 

To eat in a way that is environmentally responsible, it is necessary to alter one’s mindset surrounding food.

Another element to consider is the scale at which a food item is produced. For example, at its current scale, the beef industry is wasteful and destructive, an active threat to the global ecosystem. The production of four ounces of mass-produced beef creates the same amount of greenhouse gas emissions as driving six and a half miles. This does not mean that cattle production as a whole is a horrible thing. Rather, it is the eater’s responsibility is to help shift the food culture from one that is absurdly meat-heavy to one in which meat is consumed more sparingly.

Finally, it is necessary to consider the livelihood of human beings. People too are a part of the biotic community. This is where eating organic produce may actually be of value, as certain pesticides are proven to have a connection with illnesses in farmworkers. Empathy for the people who produce the food one buys is the final link in the chain of compassionate eating.

The goals of a food production company are not always analogous to the goals of the environmentally-conscious eater. Likewise, the words “organic” or “local” do not necessarily indicate the most environmentally-conscious choice. It is only by reframing society’s perspective on food as a consumer good that one can enact legitimate change.

 

 

Grey Gunning is a U3 History major and occasional artist. She enjoys climbing, gardening, and cheesy 80's sci fi.

 

@mcgilltribop | [email protected]

 

 

 

Student Life

McGill 101

Congratulations on starting your journey. While McGill is renowned for its academics and research, it can be extremely daunting to navigate, especially as a new student.

What you'll find below is articles answering some of those questions. The topics range across our sections—News, Opinion, Student Living, Features, Science and Technology, Arts and Entertainment, and Sports—and will help you navigate everything from intramural sports to how to affordably acquire textbooks.

If you like what you see and would like to get involved as a writer, photographer, or illustrator with the Trib, we accept all students—no application or prior experience required. In the mean time, make sure to like us on Facebook, follow us on Twitter and Instagram, and check out our website.

Our first print issue will be on stands across campus starting Sept. 12.

Good luck, 
The McGill Tribune

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