Latest News

a, Science & Technology

Drug price hike causes global outrage

Martin Shkreli, CEO of Turing Pharmaceuticals, was harshly criticized last week after raising the cost of one of the company’s drugs, Daraprim, from $13.40 USD to $750 USD—an increase of 5,000 per cent. Manufactured exclusively by Turing, this price hike has reignited the debate on the ethics of charging patients for medicine. 

Daraprim is used to fight against toxoplasmosis, an infection caused by the parasite Toxoplasma Gondii. It can cause various symptoms like body aches, headaches, fever, and fatigue. The drug is mainly prescribed in the treatment and care of immunocompromised individuals. This includes young children, HIV positive patients, pregnant women, and those undergoing chemotherapy. For HIV positive patients in the U.S.,  the average annual cost of care is about $25,200— nearly 40 per cent higher than it was 20 years ago.

The reason behind Daraprim’s newly increased price can be explained by investigating the drug development process. Most drugs are developed in phases. In the U.S., the first step towards releasing a drug is a three to four year-long pre-clinical phase. If successful, it is followed by an application to the Federal Drug Administration (FDA) as an Investigational New Drug (IND). The next steps are clinical phases 1, 2, and 3, after which the FDA choses to approve the drug or not. Following approval, the manufacturer files a New Drug Application (NDA) with the FDA. If accepted, the FDA may also ask the manufacturer to conduct additional post-marketing studies. The entire procedure takes eight to 12 years.

Dr. Joseph Schwarcz, director of McGill University’s Office for Science and Society spoke about the finances of creating a new drug.

Top tier pharmaceutical companies will employ over 1,500 scientists and spend over $1 million each day, on discovering new biological targets and creating new therapeutics—chemicals, proteins, or vaccines—in hopes of moving into clinical testing.

“When you’re looking at the cost of a drug, you’re not just looking at what it really costs to produce that drug, which is usually very little, but what you have to pay for the years of research to not only get that drug but the others [as well], which never made it to market.”

Since developing a drug takes such a long amount of time, it also requires a lot of funds. According to a new study by the Tufts Center for the Study of Drug Development, developing a new prescription drug is estimated to cost $2.6 billion USD. Top tier pharmaceutical companies will employ over 1,500 scientists and spend over $1 million each day, on discovering new biological targets and creating new therapeutics—chemicals, proteins, or vaccines—in hopes of moving into clinical testing. 

Schwarcz continued to explain the difference between the types of drugs pharmaceutical companies make. 

“Some drugs are absolute blockbusters [that is, they] generate profit,” he said. “But there are [also] orphan drugs, which can cost as much to develop but don’t have the chance to make money because there aren’t enough patients to take that drug”

According to a study done by Forbes, pharmaceutical companies had a 42 per cent profit margin in 2013. A profit margin shows what percentage of sales are left over after all expenses are paid by the business. For example, if a company has a 20 per cent profit margin, it’ll get $0.20 for every dollar of revenue earned. In that year, Pfizer, Hoffmann-La Roche, AbbVie, GlaxoSmithKline and Eli Lilly—five of the largest pharmaceutical companies in the world—all had a profit margin of 20 per cent or more.

Nevertheless, Schwarcz highlighted that pharmaceuticals use most of their profits to fund research on newer drugs. 

“They are not philanthropic enterprises,” Schwarcz said. “Pharmaceutical companies need to have a chance to make money, because if they don’t then there’s not going to be any research.”

In an interview with Bloomberg TV, Shkreli justified increasing the price of Daraprim.

“We needed to turn a profit on this drug," he said. "The companies before us were [basically] giving it away.” 

Schwarcz disagreed with Shkreli’s reasoning, stating that insurance coverage would not completely absorb the increased costs of the drug.

“A raise to that extent is absolutely ridiculous," Schwarcz explained. "[Shkreli] argues that it’s insurance coverage anyway. [But] so many people don’t have insurance coverage [in the U.S.].” 

Financing the pharmaceutical industry remains a complicated issue.

“It is a question of how the drugs are paid for,” Schwarcz said. “And to make sure that someone who [doesn’t] have the means to pay can have access to the same drug. It’s government responsibility.”

a, Martlets, Men's Varsity, Sports

The week that was for McGill Athletics: Sept 28

In this week's edition of the week that was for McGill Athletics the McGill Tribune Sports team looks at Rob Sedin and Rebecca Green, our athletes of the week, Redmen Lacrosse and Redmen Baseball, and our weekly edition of by the numbers.

Beyond the box score

REDMEN LACROSSE

McGill came back from a two goal halftime deficit to beat Queen's 13-8 at Molson Stadium on Friday. Attackman Spencer Bromley netted four times in the game and midfielder Connor Goodwin scored six goals. Co-captain and defenceman Paul Rakoczy was key in shutting down Queen’s top scorer, Corey Wright, as midfielder freshman Alex Beckes continued his excellent faceoff form, winning 54 per cent of his opportunities.

REDMEN BASEBALL

McGill capped off a perfect Sunday by beating the Ottawa Gee-Gees three times in one day at Gary Carter Field. McGill also defeated Concordia and Montreal on Sept 23. and Sept 25., respectively. Sedin recorded a four hit shutout against the Carabins which followed up Adriano Petrangelo's excellent pitching performance against Concordia where he allowed only one run and six hits for the game. The Redmen are now third in the CCBA Northern division with a 6-3 record.

Tribune Athletes-of-the-Week

Rob Sedin

Starting Pitcher, Redmen Baseball

Sophomore – Management

 

 

After losing back-to-back games against the Montreal Carabins earlier in the season, the sophomore righty took matters into his own hands on Friday night, striking out seven in a four-hit complete game shutout victory over the Carabins. Sedin threw 65 per cent of his pitches for strikes, and walked only two. He also drew a walk and scored a run batting from the leadoff spot. After stumbling out of the gates to a 1-3 start, the Redmen (6-3) have reeled off five straight wins to move back above .500.

Rebecca Green

Forward, Martlet Soccer

Senior – Science

 

 

Less than a minute after Laval took the lead on a goal in the fifth minute, the Martlet soccer captain responded with an unassisted strike to give McGill new life. The Rouge et Or would eventually take the game, but Green’s outstanding play is a big reason why the Martlets currently own a winning record in one of the toughest divisions in the country. In her final year with the team, Green already has three goals and an assist through six conference games.

By the numbers

Hover over the numbers to learn more. If you're on mobile all you have to do is click!

33

 

 

 

 

Consecutive regular season games won by the Redmen lacrosse team.

 

 

 

 

 

 

 

 

99

 

 

 

 

Number of pitches Rob Sedin needed to secure his complete game shutout.

 

 

 

 

 

 

 

 

2006

 

 

 

 

Last time the Redmen football team started the season 2-0 at home.

 

 

 

 

 

 

 

 

 

(Photos courtesy of McGill Athletics)

a, Men's Varsity, Sports

Football: Redmen blunt Acadia Axemen to move to .500 on the season

 

 

 

 

 

 

 

 

 

McGill Redmen
45

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Acadia Axemen
15

 

 

 

 

 

 

 

 

 

There was a dreamlike quality to McGill’s seamless offensive game plan in their 45-14 victory over the No. 10 ranked Acadia Axemen (2-1) at Molson Stadium on Saturday. The Redmen (2-2) were successful on three of seven attempted third down conversions and were a perfect 4-4 in the red-zone. Running backs Luis Guimont-Mota and Nicolas Khandar flourished, rushing for a combined 279 yards and three scores.

“I have confidence in these young men […] we wanted to compete and we will be aggressive when we need to be aggressive,” Head Coach Ronald Hilaire explained. “On third-and-one I think we have a very good offensive line [that] I trust […] to get the first down for us.”

The equally impressive Redmen defence held the Axemen to just six points after three quarters. McGill recorded one sack—a brilliant loping edge rush from defensive back Charles William Tremblay that forced a fumble in the third quarter—and terrorized opposing quarterback Cody Cluett’s into several overthrows—he completed a nightmarish 42 per cent of his passes and was pulled in the third quarter. Tremblay led the way for McGill with eight tackles, a sack, and a forced fumble.

“We are an aggressive defense, we come with different packages, different fronts and we try to confuse protection,” Hilaire said. “We knew we had an advantage number if we attacked them on the running backs side and that is exactly what we did and we were successful.”

The Redmen also held explosive Axeman running back Thomas Troop to 56 yards; he rushed for 243 yards in his previous two games. McGill only allowed Acadia to muster 17 first downs, most coming in the final quarter with the game out of reach.

“We knew that they had a great ground attack,” Hilaire commented. “So we figured [that] if we come out and […] play physical and stop them on first down we would have some opportunity [to be successful] on second down.”

The team does have multiple areas to grow: They fumbled a worrying number of punts—though they recovered them all—and still seem susceptible to big plays.

“I expect the second and the first string playing at the end to limit the big plays,” Hilaire explained. “They got a couple at the end and we’ll fix that and we will be better.”

McGill can celebrate after their most complete victory in a long time. The green shoots of improvement for this team are everywhere to be seen.

Stat of the game

Khandar rushed for 153 yards on eight carries for an astonishing 19.1 yards per carry.

Play of the Game

Khandar’s excellent night continued—he delivered a booming hit on the Axeman kick-off returner at the start of the second half to dislodge the ball. Linebacker Karl Forgues recovered the fumble.

Sound Bites

Ronald Hilaire on Guimont-Mota’s impact on the team: “He is awesome. He was a big loss for us last year and to […] get him back is awesome. He has a great energy and attitude and he brings that energy to […] our offence. To have him run and to run hard is exactly what we need.”

This article was corrrected on September 29, 2015. The Tribune regrets this error.

Alexander King of McGill Redmen Soccer
a, Men's Varsity, Sports

Soccer: Redmen fall to Rouge et Or, move to sixth in RSEQ

 

 

 

 

 

 

McGill Redmen
0

 

 

 

 

 

 

 

 

 

 

 

 

Laval Rouge et Or
3

 

 

 

 

 

 

The McGill Redmen (1-4-0) soccer team fell to the Laval Rouge et Or (1-3-0) 3-0 on Friday night in a match that was fought largely in midfield. The match ended with possession distributed evenly between the two teams, but the visitors were far more purposeful with the ball at their feet. Laval’s attacks were more deliberate, their passing more precise, and their shot selection more ambitious. On defence, McGill was frequently caught scrambling and backtracking. On a number of occasions only fortuitous bounces prevented the score from being more lopsided. Overall, it was an uninspiring display from the Redmen, who fell to sixth place in the RSEQ standings.

“The problem was quality,” third-year Head Coach Marc Mounicot said. “We didn’t generate anything.”

The match started out with an even mix of possession in midfield but no real chances for either side. McGill goalkeeper and captain Max Leblond had a couple of solid early saves, drawing cheers from the crowd. By the middle of the first half, Laval picked up the pace of the match and pressed further and further into the Redmen half. Finally, in the 26th minute, Laval forward Marc-Olivier Kouo-Dibongue found the back of the net with a sliding shot from the middle of the box, putting the visitors up 1-0. McGill failed to respond convincingly for the rest of the half, bogged down in midfield much to Mounicot’s frustration

Unfortunately for McGill, Laval seemed to go up a gear in the second half of the match. The Laval defence dispossessed McGill attackers before they could even get a decent look on goal, let alone a shot. Afterwards the Rouge et Or sent waves upon waves of counterattacks. Each shot by the visitors seemed more and more likely to go in and eventually Laval struck twice in a row in the 64th and 65th minutes, putting a dejected McGill side down by three. McGill’s best chance of the match came in stoppage time with a one-on-one between the Laval goalkeeper Alexis Pacquette and McGill forward Conor O’Loughlin. The shot came too low and was punched out for a corner by Pacquette. The match, McGill’s second goalless game this season, ended without any fanfare as the team headed dejectedly to the locker room before preparing for Sunday’s away match against the Montreal Carabins. (3-1-0)

Sound Bite

McGill Tribune (MT): “What do you think we did well tonight?”

Coach Mounicot (CM): “Nothing.”

MT: “Well maybe you could tell me what went wrong then?”

CM: “Everything.”

Moment of the Game

Laval’s first shot on goal of the match came in the fourth minute, a screamer off of a set piece by eventual goal-scorer Kouo-Dibongue. The shot came just below the bar on the upper right corner of the goal but was masterfully fisted away by Leblond, saving what could have been a disastrous start to the match.

Stat of the Game

Leblond, the Redmen captain, saved four of the seven shots he faced while Alexis Pacquette turned away all three of the shots he faced.

McGill Martlet Soccer
a, Martlets, Sports

Soccer: No. 1 ranked Rouge et Or overpower Martlets

 

 

 

 

 

McGill Martlets
1

 

 

 

 

 

 

 

 

 

 

Laval Rouge et Or
3

 

 

 

 

 

The Laval Rouge Et Or (5-0-1) overpowered the McGill Martlets (3-2-1) 3-1 on Friday night at Molson Stadium. The Martlets struggled to execute offensively in this tough matchup and fell to fourth place in the RSEQ.

“This game is always such a difficult one,” junior goalkeeper Cassandra Fafalios said. “They’re the best team, technically, that we play every year.”

The 2015 CIS rankings confirm Fafalios’ statement. Laval won last year’s National Championship and have maintained their No. 1 ranking, beginning the season undefeated.

From the starting whistle, Laval dominated possession. Without the steady presence of veteran sweeper Zoe Fasoulakis—who was sitting due to a concussion—the Martlets’ defence was spread thin. After a quick attack down the wing towards the byline, Laval sent a cross into the box, which was deflected by a McGill defender. The ball trickled out and was smashed in on the rebound by Laval’s Cynthia Turcotte, her first goal of the season, which put Laval up 1-0.

The Martlets got off to a slow start, allowing Laval to control the ball in the midfield and pressure the McGill zone early on. From the sideline, Head Coach Jose-Luis Valdes urged his players to press Laval’s back line to force a mistake and win possession.

The hosts responded with a greater sense of urgency and soon equalized. In the sixth minute, fifth-year forward and captain Rebecca Green scored an unassisted equalizer, blowing by the left side of the Laval defence before slotting it away.

The Rouge Et Or came back with an explosive counterattack, narrowly missing on a myriad of scoring opportunities. McGill relied heavily on Fafalios to keep the scores level going into the break.

In the second half, the Rouge et Or proved to be too much for McGill. Striker Lea Chastenay-Joseph scored in the 51st and 64th minute to put the game out of reach. McGill’s only good chance came in the 62nd minute when Sophomore science student Audrey-Ann Coughlan, hit the crossbar with a free kick, narrowly missing a chance to tie up the match.

Valdes was pleased with his players despite the outcome.

“Right to the last second, everybody on the field was going all out,” he said. “That’s the type of energy I’m very happy with.”

Fafalios was was superb once again on Sunday against the Montreal Carabins (3-0-3), making 13 saves to salvage a 0-0 tie and maintain McGill’s second place position in the division. 

Moment of the Match

Green’s goal evened the score early, which rallied a strong defensive performance from the team for the rest of the half. Inspired play kept Laval from breaking through until the second half.

Stat of the Match

Fafalios recorded 10 saves in the match, the most by a McGill keeper this season. None was more impressive than her leaping stop in the second half to keep a shot out of the top left corner.

Sound Bite

They had six players with me at the World University Games this summer. We only have one. That gives you an idea of the talent pool that they have.”  Head Coach Jose-Luis Valdes on Laval’s talent. 

Memphis Depay
a, Soccer, Sports

UEFA Champions League Matchday 1 review

The UEFA Champions League is back! This week marked the beginning of the group play, and all 32 teams left in the competition have completed their first matches. There was plenty of drama and goals to discuss and analyze. Here are the important takeaways from the first match day's biggest games.

Group A

Two of Europe’s biggest and richest clubs, Real Madrid and Paris Saint-Germain (PSG), both took care of their opponents handily this week. PSG, quarter-finalists last year, improved its squad by signing Argentine winger Angel Di Maria. Madrid made it a step further to the semifinals in 2014-2015 before losing to Juventus. Both clubs should top the group, with Madrid as slight favorites to win the group outright.

Group B

Despite qualifying for the group stages with ease, Manchester United lost its first match against PSV Eindhoven. United’s new signing, electric winger Memphis Depay, scored first for the Red Devils against his former club. It soon, however, fell apart for the English squad. Not only did the heavy favourites cough up a lead to lose 2-1, they also lost starting fullback Luke Shaw to a freak double leg fracture for the rest of the season. United can still qualify for the next round, but they have an uphill task.

Group D

Given their strong start to the domestic season, Manchester City looked surprisingly weak in their home loss to Juventus. Despite being Champions’ League runners-up last time around, Juventus lost key players this off-season such as Carlos Tevez, their top goal scorer last year, and box-to-box midfielder Arturo Vidal. City are now in the hole from the get-go, and will have to drastically improve if they want to survive the group, let alone win it.

Group E

The goal of the competition might be settled after just one match: Roma fullback Alessandro Florenzi lobbed FC Barcelona goalkeeper Marc-Andre ter Stegen from the middle of the field to help Roma draw 1-1 with the reigning champions. Barça are favourites to repeat their Champions League victory. They should still win the group easily despite this disappointing result. Look for them to take out their frustration on Bayer Leverkusen when the Bundesliga side visit Spain next week.

Group F

Arsenal outdid themselves in their 2-1 defeat to Zagreb, and not in a good way. Their decision to  rest key players in preparation for the weekend’s league match against Chelsea  backfired as they lost both in Croatia and at Stamford Bridge. Arsenal cannot afford to do the same against Olympiakos next week; They will need three points heading into their clash with European superpower Bayern Munich.

Pagans in Vegas Metric
a, Arts & Entertainment

Album Review: Pagans in Vegas – Metric

 
 
 
 
 

Metric is a band that has yet to make a misstep in their 17 year career, and they have become known as founders of the Canadian indie-rock scene. Their latest album Pagans in Vegas, the band’s sixth overall and first in over three years, attempts to follow this trend. Frontwoman Emily Haines evokes comparisons to Debbie Harry of Blondie: Blonde and bored, backed by a gang of indistinguishable white guys, emoting aggression and listlessness with an interesting, rather girlish voice. After all these years, Haines has even been granted some of the do-no-wrong idolatry bestowed on the aforementioned Harry. A tone of confidence is present throughout Pagans in Vegas and sonically the album is more electronic than ever. In “Letter to You,” an open letter to fans published on Metric’s official site, Haines discusses the album as homage to the great British new wave artists of the ’80s like Depeche Mode. She conveys the band’s desire to participate in the “next wave of electronic music.”

Pagans’ 8-bit production certainly evokes an exaggerated Jetsons-style future sound. Lead single, “The Shade,” opens with a riff appealingly identical to a Pac-Man game. “Cascades” takes this one step further, distorting Haines’ voice into a robotic recitation of the advice, “just keep going strong.” Lyrically, Haines’ vague, self-righteous critiques often come across as irrelevant. “Holding off your freedom of speech / Rage against the dying of the light,” she sings, after making a comment about how an indistinguishable “you” lobotomized and commodified her,  which could be compelling if it didn’t sound so contrived. At other times, however, her lyrics get an emotive burst. On “Fortunes” she sings, “she cracked right on the dance floor/ but I won’t.” Haines promises in a forlorn attempt to get the listener to “stay / to soften the blow.” Unfortunately, these moments don’t last long.

Overall, Pagans in Vegas reveals that Metric’s status as a ‘modern classic’ is at odds with its desire to stay provocative and relevant. In “Letter to You” Haines described the album as “a gift, a burden, a time capsule, an escape, an alarm, a question, and a call with no answer, leave a message at the tone,” but even that leaves some serious questions: Mostly the glaringly obvious, ‘what does that even mean?’ After listening to Pagans In Vegas, it’s hard to know for sure if she even knows herself.

Mac Miller GO:OD AM
a, Arts & Entertainment

Album Review: GO:OD AM – Mac Miller

 
 
 
 
 

It’s always darkest before the dawn, and while the slew of mixtapes, EPs, and two studio albums leading up to Mac Miller’s latest release, GO:OD AM, might not constitute darkness, it’s been a long-winded journey for the 23-year-old rapper. While his debut album Blue Slide Park was generally perceived as lackluster and repetitive its successor, Watching Movies With the Sound Off, captivated its supporters with innovative, psychedelic production. On GO:OD AM, Miller returns with an adolescent swagger now tempered with a healthy dose of self-reflection; however, it is Mac Miller the producer that ultimately elevates GO:OD AM to his best executed work yet.

Opener “Brand Name” sets the stage accordingly; a lush sax introduction gives way the sort of crisp, calculated beat that speaks to the rapper’s experience as a producer. Stylistically, the album jumps around. “Rush Hour,” “When In Rome,” and the Chief Keef-aided “Cut the Check” take cues from Drake and his mainstream ilk. The songs feature bass-heavy minimalistic beats and monotone hooks, which isn’t a necessarily a bad thing. “Cut the Check” stays dynamic thanks to its constantly shifting pace, while “When In Rome” fuses tightly viscous flow with a club-ready beat. Comparatively speaking, these are the weaker points of the album. The more melodic cuts are the true gems. On “Two Matches,” Miller muses on the continuum of life while muted horns swell in and out. “In The Bag” marries pure swagger—“I don’t know bout you but I’m important,” Miller crows with sax punctuations. “100 Grandkids,” the album’s first single, is an earworm so deftly produced that you really don’t mind having it stuck in your head all day.

Lyrically, the Pittsburgh native doesn’t stray far from the content his audience has come to expect. He likes to drink, he likes to party, and to quote “100 Grandkids,” he “may be a little arrogant.” All this is articulated with trademark wisecracking wordplay in “Perfect Circle/ God Speed: “I know that life is a bitch / I thought we’d put her in a cab by now.” Now and again, however, he drops bars that approach the genuine and near vulnerable. Mac Miller still remains juvenile, but maturation and experience have injected self-awareness into his music. If his career thus far has been the weekend bender that never ends, then GO:OD AM is that first morning you wake up without a hangover—renewed, focused, and aware.

 

Bob Moses Days gone By
a, Arts & Entertainment

Album Review – Bob Moses / Days Gone By

 
 
 
 
 

Deep house is always a somewhat difficult genre to analyze. With its steady beats and minimalist instrumentation, it’s meant to set an atmosphere rather than move and inspire. Armed with a laptop and sound equipment, making mediocre deep house isn’t terribly difficult, and these days it seems like everyone is doing it. Thus, making truly creative and complex deep house that stands out for its artistic value is certainly a challenge. On Days Gone By, Brooklyn duo Bob Moses shows off depth and emotion with an innovative blend of electro-pop and deep house.

The electro-house group is comprised of Jimmy Valance and Tom Howie. Valance and Howie first met in high school in Vancouver, and after pursuing separate music careers in Brooklyn they formed Bob Moses in 2012, naming their band after New York City’s infamous urban planner. After producing several EPs, their first full-length album was released earlier this year. Their previous sound has been rhythmic deep house with subtlety beautiful vocals and on Days Gone By, Bob Moses stays true to their roots.

Days Gone By gets off to a good start with “Like it or Not,” which begins with swelling synths, sharp percussive beats and ominous piano chords. The reflective swells of the production put the listener into an almost infinite dome of sound. Electronic effects mimic the sound of water and paint a lush, dreamy rainforest as this song’s musical universe.

With pulsating beats and wandering synth rhythms, “Keeping Me Alive” is another standout track. While much of the album works with long and smooth house tracks, the duo veers into the pop realm in this song. Though much of Days Gone By is permeated with themes of loneliness and loss, “Keeping Me Alive” is an oasis of passion and love.

Throughout the album Bob Moses explores themes of loss and being lost, of possibility and of missed chances. “Before I Fall” changes things up by opening with classic guitar riffs and Howie’s layered, almost choral vocals bringing raw emotion and pain. The poetic lyrics encapsulate a sense of vulnerability and loneliness, which resonates through the rest of the album.

Yet for parts of Days Gone By listeners are given music with little substance. “Touch and Go” is a relatively boring track with 7.5 minutes of simplistic beats and inane, repetitive lyrics. Bob Moses has proven that deep house doesn’t need to be boring, but “Touch and Go” loses creative energy and innovation and settles for mediocre house music.

On Days Gone By Bob Moses shows that deep house can have all the beauty and intelligence of any other genre of music, while still staying true to its minimalist style.

Pop Montreal
a, Arts & Entertainment, Music

Pop Montreal 2015 round-up

Orbiting the musical enormity of Stars of the Lid

Stars of the Lid combined creativity, classical composition, and raw musical power to create soundscapes that are simply incredible. The two composers—Brian McBride and Adam Wiltzie—remained mostly in darkness for their performance at the Ukrainian Federation. The quartet of accompanying string musicians were slightly illuminated; however, the visual aspect of this show was not directed towards the performers, instead it took the form of patterns projected across the stage.

The excellent acoustics of the space allowed the subtle resonance of their music to hush the audience. Stars of the Lid took simple melodies and built and layered them until they shook the crowd to the core, physically and emotionally. Their closer, “December Hunting for Vegetarian Fuckface,” evolved from a simple yet beautiful melody into a tidal wave of sound before descending back into simplicity in a glorious resolution. Stars of the Lid, who have not released an album since And Their Refinement of the Decline (2007) performed both on the last Saturday and Sunday of the festival. No other artist was given two headlining performances, and it’s not hard to see why Stars of the Lid was given the honour.

Braids bring intimacy and intensity to Rialto

Beneath a strange lobby lined with bean bag chairs and Monster sponsorships, a late night of female-fronted acts filled a small dance hall as part of POP Montreal. The headlining performance came from Braids, an ambient rock trio initially from Calgary, Alberta. The bandperformed songs from their recent album Deep in the Iris with gusto; the percussion from Austin Tufts gave a backdrop of urgent energy to the lyricism of Raphaelle Standell-Preston.

The enthusiasm of Braids was visible even before they arrived on stage—it was possible to see the band psyching each-other up for the performance in the backstage area. This enthusiasm bled into the crowd, who cheered and danced enthusiastically to tracks such as “Blondie” and “Taste.” Preston’s voice was powerful and ethereal, filled with character that fleshed out the subtle nuances of the deeply personal album. Long-time fans of Braids got a taste of their older, more ambient flavour in the interlude leading to “Warm Like Summer.” To close the show, they played the fiery and feminist “Miniskirt,” an anthem which combines personal tragedy with defiance of gender roles. Overall, this show had the audience and the performers share a fun space of excellent musicality.

Tim Hecker challenges the concept of a ‘Concert’

Tim Hecker’s performance at the Phi Centre was simultaneously a show and a contemporary art installation. In a room filled with scented fog and dimly lit in changing colors, Hecker’s overwhelming sounds roared and resonated. Eager fans trying to slide closer to the front of the room would have been surprised to learn that there was no “front.” Hecker performed from behind a glass screen, probably unseen by most of the audience, who formed a circle with no real central point to focus on. Some people closed their eyes, some sat down on the floor, but everyone seemed quiet and overcome by the multi-sensory assault of Hecker’s creation.

Those familiar with Hecker’s repertoire could hear aspects of many albums in his catalogue, which gained new power in the uncommon setting. The show concluded with relentless high pitched vocal sounds coordinated with a blast of more and more fog, until you could barely see your hand in front of your face. As the short 45 minute set came to a close, with a quick “gracias” from Hecker, it was difficult to gauge the reaction of the audience. Ultimately, this show felt like an intriguing way to give music new meaning and a practical joke at the same time—a feeling one would hope the artist himself intended.

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