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a, Arts & Entertainment

Album Review: The Tallest Man on Earth – Dark Bird is Home

 
 
 
 
 

Standout tracks: “Dark bird is home” “Timothy”

The Tallest Man On Earth—otherwise known as Kristian Matsson—is no stranger to creating deeply personal records in which he reflects on his own experiences, incorporating them into the music he creates. Halfway through his new album, Dark Bird is Home, during the lone piano ballad “Little Nowhere Towns,” he muses, “I must have been pretty gone/ When I went through these towns like a cannonball.” This is an observation that encapsulates the mood of his earlier music: Frantic fingerpicking, wild strumming, and endearingly raspy vocals that evoke images of a freewheeling troubadour zooming through pastoral landscapes and big cities with equal aplomb.

Those qualities don’t disappear completely on Matsson’s latest album. Instead, as the title would seem to affirm, the album is a collection of songs circling the thoughts of a perpetual traveler who’s finally ready to rest. After recently going through the death of a close family member and a divorce, Matsson spends the majority of the album’s 10 tracks reflecting on the pain and mistakes of his past while looking onward to the process of healing and of wanting to be back on the road. Dark Bird also features the most instrumentation of any Tallest Man on Earth release by far. It’s the type of addition that Matsson certainly didn’t need to add to his forceful acoustic guitar-based songs and though it isn’t his best work, it makes for an impressively cohesive listen.

To see the positive effect of a full band on a Tallest Man on Earth track, look no further than “Timothy,” which is built around an orchestral riff and layered on a variety of well-arranged string instruments. It’s the type of song that couldn’t sound nearly as good with just a single guitar. At one point, Matsson even makes a veiled reference to his broadened instrumentation, singing, “It only takes a gravel road/ In Missouri light/ Rolling to the way back when/ Simple was alright.” Unfortunately, the same trick isn’t executed quite as successfully on “Darkness of the Dream,” which doesn’t have nearly enough substance supporting the bland mandolin and overly-emphatic drums to merit its understated production.

One of the best qualities of Dark Bird is that it packs in a lot of variety while managing to remain cohesive. Matsson’s vocals are steady throughout, guiding the listener through a mixture of tempos, volumes, and intricate phrasings. Various musical aspects such as the rich percussion in “Sagres” or the vibrant chorus in the bluegrass-infused “Beginners” stand out, but Matsson saves the best for last. The beautifully crafted title track closes the album and provides poignant personal lyrics sung gently over a guitar that complements the theme perfectly. The last lines we hear him sing are, “But now I need to go/ Oh, fuck.” With any luck, he’ll return again—back from the boundless possibility of the open road, wisened by experience and teeming with new ideas.

Travel

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a, Baseball, Sports

Noah Syndergaard’s MLB debut in perspective

New York Mets top prospect Noah Syndergaard made his highly anticipated Major League debut last Tuesday night in Chicago, coming away with a loss. The former Blue Jays prospect’s devastating potential and lack of experience was clear during his debut. He held the Chicago Cubs scoreless through five innings, demonstrating blazing speed on his fastball and nasty movement on his breaking pitches. His lack of control, however, led to an elevated pitch count. This, and several defensive lapses by Mets fielders, finally caught up with the budding star in the sixth inning. He gave up three runs, including a two-run homer, before he was taken out, throwing a total of 103 pitches in his debut. Opposite Syndergaard, Jake Arrieta (4-3) threw a great game for the Cubs, going eight innings and allowing only one run, while striking out 10 batters.

Syndergaard was dealt by the Jays as part of the R.A. Dickey trade with the Mets in 2012, having been drafted in the first round by the Blue Jays two years earlier. Since then, the Jays have received steady output and a reliable 200 innings pitched (IP) every year from Dickey, one of the game’s few true knuckleballers. Unfortunately, he hasn’t been the Cy Young pitcher that the Jays hoped for when they pulled the trigger. In fact, no other pitcher in the Majors has allowed more home runs than Dickey since he landed in Toronto.

Since the trade, Syndergaard has blossomed into an exciting prospect, and is now ranked inside the top 10 overall prospects by MLB.com and Baseball Prospectus. Scouts love him and it’s easy to see why: Syndergaard stands 6’ 6”, 242 lb., brings the hammer with a 98 MPH fastball that makes batters look foolish, and above-average secondary pitches that are dizzying.

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(GIF courtesy of Rich MacLeod / MLB.com)

His greatest challenge in the big leagues will be limiting his walks and not relying on his fastball too much. He has to be aware that big-league hitters will eventually learn too time his heater, and that to succeed at this level he’ll need to keep them off balance by mixing his pitches well and commanding the strike zone.

During his debut, Syndergaard’s control issues came primarily against left-handed batters. He walked four, all lefties, (one intentionally) to go along with his six strikeouts in his 5.1 IP. His inability at points to get ahead of batters in the count hurt him twofold—it put runners on base and also kept him in innings longer than necessary, pushing his pitch count up.

Syndergaard rebounded well in his second start against the Brewers on Sunday, striking out five and walking just one over six strong innings to pick up his first Major League win. While he did plunk Carlos Gomez in the helmet with a 97 MPH fastball, it seemed like an aberration in an otherwise solid performance.

But one start for a rookie pitcher with command issues is nothing to get too excited about. The Chicago White Sox’s Carlos Rodon, another top prospect, impressed in his debut only to walk five in a disastrous outing his second time around. Syndergaard has already proven that he has big league stuff, though he hasn’t yet shown that he knows how to pitch like a big league pitcher. He’ll have to step up his game a bit to prove he belongs in the Majors.

Zedd True Colors album artwork
a, Arts & Entertainment

Album Review: Zedd – True Colors

 
 
 
 
 

In a recent interview with Mashable, Russian-German EDM artist Zedd was quoted as saying, “To me, certain things sound a certain colour,” and when listening to True Colors, an album of many flavours, this perception becomes obvious. However, the variety and breadth of musical styles has culminated in an incoherent piece of work, particularly in its second half. While the diversity of the album allows most of the songs to stand on their own, they don’t mesh with each other, and the result is disjointed.

One of the highlights of Zedd’s wildly successful debut album Clarity (2012) was its fluidity, and the 25-year-old producer has seemingly lost this aspect with True Colors in an effort to cover multiple styles within the EDM genre. The best example of this is the grunge-influenced song, “Transmission”, featuring rapper Logic and alternative rock band X Ambassadors. This experimental track doesn’t fit well with the album’s electronic vibe, and is awkwardly sandwiched between the EDM anthem, “Beautiful Now”, and a signature Zedd track, “Done With Love,” leaving the listener disoriented after what was initially a promising start.

However, despite the album’s shortcomings it is impossible to ignore the superb marriage of vocals and musical arrangements in each song. The standout tracks, “True Colors”, followed by “Daisy”, are both breath-of-fresh-air moments, but the latter is supremely short-lived, clocking in at less than three minutes long. On the other hand, “Bumble Bee” highlights the mediocrity of the album as the experimental progressive house collaboration featuring Botnek doesn’t come close to the quality of Zedd’s previous work.

Though it’s unable to live up to Clarity, True Colors is a decent album within 2015's music scene. Fans of Zedd will undoubtedly find a few treasures within; for the album’s mix of colours, however, it’s hard to feel anything other than one confused, unmemorable shade.

a, Opinion

The violence of labels in the Baltimore Riots

Before implementing a citywide curfew aimed at alleviating the violence that erupted in Baltimore on April 27, the city’s Mayor Stephanie Rawlings-Blake said, “It is very clear there is a difference between what we saw over the past week with the peaceful protests […] and the thugs who only want to incite violence and destroy our city.” During a press conference, U.S. President Barack Obama also condemned the “thugs” who had been ransacking the city.

Rawlings-Blake has since apologized for referring to the protesters as thugs, claiming in a tweet that she used the word out of frustration and did not mean it. Multiple activists joined in condemning the use of the word, including Questlove, Baltimore City Councilman Carl Stokes, and Reverend Jamal Bryant. Stokes went on to argue that “thug” is the new n-word.

As with the Ferguson protests, peaceful demonstrations in Baltimore turned violent when local police responded defensively and armed with military grade weapons; the presence of riot gear and SWAT cars is enough to put anyone on edge. Images such as the photos of a burning police car or looters running out of a CVS have been widely circulated. The media has an undeniable weak spot for urban scenes marred by a smoky haze and interrupted by the silhouette of a man with a bandana over his face. These images of rioting are the most prevalent, the most eye-catching, and the most effective at influencing the public’s view of what is occurring in Baltimore. By promoting these images, the media has effectively allowed vitriol concerning the acceptability of rioting to overshadow the goals of the peaceful protestors.

Referring to the Baltimore rioters as “thugs” removes all legitimacy from the protesters’ cause. It brands the rioters as people who seek only to destroy and cause grievances, denying their rationality, their frustration, and the motivations behind their actions. By saying there is no excuse for the escalation of the protests, the media portrays the excuse they have—that police are unnecessarily aggressive and not held accountable for their actions—as not enough.

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This is not to justify the rioting in Baltimore, only to shed light on the fact that anger manifests itself in multiple ways; dismissing part of what transpired in Baltimore as petty and disgraceful discredits the entirety of the situation. As the media conflated the protesters’ cause with the aggression of the riots, their grievances were muted.

It is necessary to note that “thug” is not a blanket term for rioters; it has been overwhelmingly linked to race. Protesters in Baltimore confronted police injustice, while the Ferguson protesters reacted against racial discrimination. Yet, the media referred to groups and individuals in each situation as thugs—something they had also done with Michael Brown, Trayvon Martin, and Eric Garner.

On the other hand, the predominantly white Penn State University students who tore down light poles and flipped over broadcast vans in reaction to the firing of former Penn State Head Football Coach Joe Paterno were described as “upset” by the New York Times. During the 2014 World Series riots in San Francisco, the initial celebrations culminated in the injury of three people, two from gunshots and a third from a stabbing, as well as widespread arson throughout the city. One media outlet described the rioters as “rowdy,” and focused more on the excitement following the victory rather than the extensive damage caused by the riots.

Referring to the Baltimore rioters as “thugs” removes all legitimacy from the protesters’ cause. It brands the rioters as people who seek only to destroy and cause grievances, denying their rationality, their frustration, and the motivations behind their actions.

In reflecting on the Baltimore riots and its impacts, another issue has emerged. Many columnists from primarily conservative blogs have justified the use of the term “thug” by saying it only applies to a certain type of person, one who riots for his or her own gain and is separate from those protesting for change and reform. While this claim is appropriate in its condemnation of the violence, the consequent overshadowing of the widespread oppression and physical and judicial mistreatment of African-Americans by the police is a further injustice.

The protests have been over for almost a fortnight, and the media has moved on to more pressing matters, such as the truth behind deflategate. However, considering the ongoing trend of racial injustice and police brutality in the United States—which found some justice following State Attorney Marilyn Mosby’s charge of six officers with Gray’s death—protests are likely to continue and increase as frustration grows. Rising emotions will inevitably lead to unmitigated outbursts by outliers, but while representing these events the media must elucidate, not shroud, the underlying cause for protest and riots. When taking a stand against systemic discrimination and marginalization, the average protester is not overreacting. They are activists fighting for change—they deserve to be referred to as such.

 

a, Opinion

Upholding McGill’s student refugee responsibility

The Student Refugee Program (SRP) at McGill is one that few students are aware of. The SRP funds refugees from around the world to come study in Canada. The McGill undergraduate student body currently helps fund two students per year through the program, with a Students’ Society of McGill University (SSMU) fee of 50 cents per student per semester. However, the financial stability of the program is at risk as the current fee is not sustainable to maintain SRP’s costs.

The SRP provides access to higher education for refugees with little to no educational alternatives. Even at a time when student fees face increasing scrutiny, a program that embodies the highest principles of the McGill community is well worth the investment. The SRP deserves the full support of the McGill student body, which is why it’s time to raise the fee.

Headed by the World University Service of Canada (WUSC), the SRP is the only program in the world that links refugee resettlement to education. Since refugees are prohibited from attending universities in their host country, the SRP is one of the few avenues through which young refugees can attend university. WUSC’s representatives on the ground select candidates for the program through a long and rigorous process of interviews. Those accepted into the program receive funding for their first year tuition and living costs. Once they arrive in Canada, they lose their refugee status and gain permanent residency, allowing them to apply for student loans at the end of their first year.

While in Canada access to higher education is widespread, for refugee students a university degree is incredibly difficult to obtain. U1 pharmacology student Robert Ishmwe is one of the two McGill students from the SRP. Robert was born in Rwanda one year before the 1994 genocide. He grew up as a refugee living in the Dzaleka camp in Malawi, where he was one of the lucky few to get a spot in the SRP. Many refugee students are motivated to attend high school just for the chance to apply to the program. Thousands of students apply for a handful of openings. The challenges that students like Robert face just to attend university underline the importance and profound impact of the Student Refugee Program.

Unfortunately, the SRP does not have sustainable funding. Currently, WUSC McGill draws on funds accumulated in the 1990s before the program was actively supporting refugee students, funds that are quickly running out. WUSC McGill has been working closely with the WUSC head office and McGill’s financial office, and explored all possible solutions to its funding problems. The club has determined that the only way to ensure the sustainability of the program is through the student fee.

The current 50-cent fee is no longer enough. Based on current levels of funding, WUSC McGill projects that within the next five years it will be forced to cut down the program to a single student. According to Sujaya Neupane, a club executive, the club needs the fee to be raised to at least cents 75 cents to be able to continue funding two students. However, the club faces a dilemma—the group can either choose to risk its revenue by putting the fee up for a referendum, or cut down its coverage to a single student. For an institution that prides itself on its international reputation, the McGill community should have a more robust commitment to a program that personifies its core values. The community needs to match its principles with action, by contributing more to WUSC McGill and strengthening the SRP program.

Other Canadian universities are already setting the example. Mount Allison University’s student fee is 8$ with a student population of only 2,400. McGill has over 30, 000 students. University of Toronto, a similarly sized university, sponsored eight students last year. McGill can and should stand shoulder to shoulder these other universities. If the fee were raised to 5$, it could fund 10-11 refugee students through their first year.

Higher education is a right that should be made available to everyone. Raising the fee isn’t about charity or goodwill, it’s about access to education. The SRP reminds students of the extremely difficult challenges that refugees around the world face just to gain access to higher education, and the McGill community should do what it can to mitigate those challenges.

Video

Goals – New Apple Watch Commercial

https://www.youtube.com/watch?v=5t21_e7_-cQ

This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

All your supporting arguments must be communicated with simplicity and charm. And in such a way that the reader will read on. (After all, that’s a reader’s job: to read, isn’t it?) And by the time your readers have reached this point in the finished copy, you will have convinced them that you not only respect their intelligence, but you also understand their needs as consumers.

Video

NASA Space Photos Compiled Into Time-Lapse

This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

World

U.S. presses Afghanistan on militants

Sample Caption
This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

All your supporting arguments must be communicated with simplicity and charm. And in such a way that the reader will read on. (After all, that’s a reader’s job: to read, isn’t it?) And by the time your readers have reached this point in the finished copy, you will have convinced them that you not only respect their intelligence, but you also understand their needs as consumers. (more…)

Sport

Preparations for Preliminary Draw underway

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This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

All your supporting arguments must be communicated with simplicity and charm. And in such a way that the reader will read on. (After all, that’s a reader’s job: to read, isn’t it?) And by the time your readers have reached this point in the finished copy, you will have convinced them that you not only respect their intelligence, but you also understand their needs as consumers.

As a result of which, your entry will repay your efforts. Take your sales; simply put, they will rise. Likewise your credibility. There’s every chance your competitors will wish they’d placed this entry, not you. While your customers will have probably forgotten that your competitors even exist. Which brings us, by a somewhat circuitous route, to another small point, but one which we feel should be raised.

Long copy or short – You decide

As a marketer, you probably don’t even believe in body copy. Let alone long body copy. (Unless you have a long body yourself.) Well, truth is, who‘s to blame you? Fact is, too much long body copy is dotted with such indulgent little phrases like truth is, fact is, and who’s to blame you. Trust us: we guarantee, with a hand over our heart, that no such indulgent rubbish will appear in your entry. That’s why God gave us big blue pencils. So we can expunge every example of witted waffle.

For you, the skies will be blue, the birds will sing, and your copy will be crafted by a dedicated little man whose wife will be sitting at home, knitting, wondering why your entry demands more of her husband‘s time than it should.

But you will know why, won‘t you? You will have given her husband a chance to immortalize himself in print, writing some of the most persuasive prose on behalf of a truly enlightened purveyor of widgets. And so, while your dedicated reader, enslaved to each mellifluous paragraph, clutches his newspaper with increasing interest and intention to purchase, you can count all your increased profits and take pots of money to your bank. Sadly, this is not the real copy for this entry. But it could well be. All you have to do is look at the account executive sitting across your desk (the fellow with the lugubrious face and the calf-like eyes), and say ”Yes! Yes! Yes!“ And anything you want, body copy, dinners, women, will be yours. Couldn’t be fairer than that, could we?

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