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a, Arts & Entertainment, Theatre

Back to Bukowski’s future

In an age dominated by tweets and texts, it is quite easy to forget—or at least be distanced from—the chaos and warfare that ravages the world today. Kim Kardashian ‘breaks’ the Internet while Russia breaks international laws. Dresses change from white to blue on Facebook while the situation in Syria stagnates. ‘Tinderites’ incessantly strike out while U.S. drone strikes still affect countless families. Luckily, TNC’s latest production offers a great reality check.

Burning in Water, Drowning in Flame—the lovechild of 1984 and Brave New World—explores the moral, social, and physical complications that plague four war veterans in the year 2045, and is inspired by the work of author Charles Bukowski. By tracing the personal struggles of veterans prior to their military-induced reliance on “ephembrium,” a drug that erases the users’ memories and places them in a state of perpetual present, the play raises much needed awareness for the often-neglected struggles of war veterans, questioning the nature of a contemporary society that can ultimately lead people to surrender choice. Burning in Water, Drowning in Flame, due to an immersive, multi-media set, fantastic acting, and unique writing, ultimately shines and succeeds in generating much needed human empathy in a world that risks losing it.

Upon entering the theatre hall, the play immediately began to break down the gap between audience and actor. A lone actor was onstage to inhabit the veteran care facility while seats were still filling up, the house lights were on, and audience members were free to converse. This allowed director Ali Vanderkuyk to create a sense of inclusiveness with the audience that permeated the entire play. It felt like walking into a real care facility that operates independently of any audience.  

Nicole Coon’s set arrangement also ensured that actors primarily entered and exited through the audience, thus creating a link between the actors—fictional war veterans of the future—and the viewers. Most notably, this immersion was cemented by the incorporation of a large projector screen into the set that often simulated the world beyond the confines of the care facility and even visualized text messages between characters. The set’s immersion, however, is so powerful that it slightly hindered the play by creating moments of awkward uncertainty on whether the acting was actually over. Regardless, the set design forced the audience into having an emotional stake in the play, and by extension, the human problems it tackles.

The production’s great set also houses wonderful actors. The fact that Ali Vanderkuyk wrote the script in conjunction with the cast is evident in how natural each line delivery felt. Ruthie Pytka-Jones’ (Lane) fidgety movements and masterful stuttering are downright hilarious, and, in particular, her close interactions with Jedidah Nabwangu (Haydee), who rarely raises her voice and speaks in closed body language, are impressive acting moments. Nicholas LePage (Marty) and Thoby King (Tate), with their eerie, hollow-eyed addresses to the audience and palpably deteriorating friendship brilliantly conveyed the alienation that permeates the human condition with or without warfare. Ruby Iacobelli (Lola), alongside the more temperate Claire Morse (Chloe), dominated the second act of the play with her assertive line delivery and booming voice.

The highlight of the play lies within the writing. Drawing directly from the works of Bukowski, Vanderkuyk weaves the author’s pervading themes of human isolation, alcoholism, and the frailty of human relationships seamlessly throughout the play. She then makes these themes more accessible to a modern audience through various pop culture references—Rock Band being my personal favorite—and a diverse set of characters that encompass core human archetypes. 

A rare downside was the perhaps intentional gloom and doom of the first act, which dragged on far too long and created a stressful test of mental endurance before the second act. This aside, if you’re looking for an introduction into the lonely world of Bukowski, but with a modern and war-stricken setting that mirrors and addresses many aspects of today’s world, definitely check out /Burning In Water, Drowning In Flame/. 

Burning In Water, Drowning In Flame runs from Wednesday, March 18 to Saturday, March 21 and from Wednesday, March 25 to Saturday, March 28. Performances are at 8 P.M. at Tuesday Night Café Theatre (3485 McTavish). Student/senior tickets are 6$ and adult tickets are 10$.

a, Opinion

Commentary: Reconsidering the legacy of Brian Mulroney

When he left office in 1993, Brian Mulroney had the lowest approval ratings of any Prime Minister since the Second World War. Even today, over 20 years after he stepped down, Mulroney is still regarded negatively by a large majority of Canadians. However, the hostility towards Mulroney is largely unjustified. Far from being one of Canada’s worst Prime Ministers, he was actually one of the better ones. 

When Mulroney was elected in 1984, Canada was in the midst of an economic recession. The previous Trudeau government had bequeathed its successor with the largest peacetime deficit in Canadian history at eight per cent of gross domestic product, inflation and interest rates in double digits, anemic productivity growth, and record levels of unemployment. Rather than merely playing it safe or tinkering around the edges, the new government decided to implement a bold set of reforms to get to the heart of Canada’s economic malaise.  

Industries ranging from oil and gas to finance were opened up to greater competition. Mulroney was able to both improve the efficiency of the tax system and sharply reduce individual and corporate income tax rates by introducing the GST. The centrepiece of this bout of radical change was the Canada-U.S. Free Trade Agreement of 1987, which exposed Canadian industries to greater competitive pressures and gave Canadian exporters unfettered access to the world’s largest economy.

These reforms took time to yield benefits. There is no doubt that the adjustment process was painful for many who lost their jobs or whose businesses went bankrupt. However, these reforms were a necessary remedy for an ailing Canadian economy.  In 1999, the International Monetary Foundation  concluded that almost all of the stellar economic performance Canada enjoyed could be attributed to the restructuring that the Canadian economy had undergone in the 1980s. Despite the fact that the reforms cost him political popularity, Mulroney showed that he had a keen sense of the national interest by staying the course.

Mulroney also succeeded in improving Canada-U.S. relations. Under Trudeau, relations with Americans had deteriorated dramatically. Mulroney, on the other hand, struck up friendships with Presidents Reagan, Bush, and Clinton. Because of this, many in Canada accused him of being nothing more than a lackey to the United States. However, this perception is again unfair. Though Canada emphasized areas of close cooperation on many files that ranged from defence to trade, Mulroney was unafraid to diverge from U.S. foreign policy when he felt it was in Canada’s best interest. Under Mulroney, the Canadian government would not try to create false differences or distance itself from the U.S. simply to appease an immature and shortsighted sense of Canadian nationalism. 

In 1991, Mulroney finally reached an agreement with the U.S. in which the U.S. promised to sharply reduce sulphur dioxide emissions in order to curb the acid rain that industrial pollution in the U.S. was causing in Canada. The agreement, which was sought by many of his predecessors, continues to bring environmental benefits to Canadians today. 

Mulroney was far from perfect. His forays into the national unity debate with the Meech Lake constitutional settlement proposals were in many ways foolhardy. The proposals went too far for English Canada but were too timid for many Quebecers and unfortunately stoked further secessionist sentiments in Quebec. After crusading against patronage and other forms of soft corruption as opposition leader, Mulroney happily dispensed favours to many of his fellow Conservatives after taking office. Yet in spite of all this, Mulroney actually had a very respectable record as prime minister. His actions in office, while unpopular, resulted in long-lasting benefits. The economic reforms of the 1980s were pivotal in revitalizing Canada’s stagnating economy and improved relations with the United States allowed Canada enhanced global influence. The greatest testament to Mulroney’s legacy may be the endurance of the policies he brought in. Upon gaining power, his political opponents, who once called for a reversal of his reforms, left them in place.

a, Basketball, Sports

March Madness Preview 2015

  • Cinderella Picks

    Wofford

    Although they’ve appeared in the tournament three times in team history, the Wofford Terriers have never escaped the first round. This is a tough, physical team that is a perfect candidate for catching a high seed off guard. During its last tournament appearance in 2010, Wofford gave the heavyweight Wisconsin a scare, losing by just four points. It doesn’t hurt that the Terriers are a 12-seed—since 1985, 12-seeds have held the best record out of any seed lower than 10, winning 37.6 per cent of first-round match ups. If Wofford is going to succeed, it will rely heavily on senior guard Karl Cochran, who led the team in scoring while jacking up 256 three-pointers this season.

    — Wyatt Fine-Gagné

     

    Valparaiso

    Boasting a 28-5 record and top spot in the Horizon League, Valparaiso has the tools to upset traditional NCAA powerhouses. It ranked 47th in the nation in defensive efficiency and shot an excellent 38 per cent from the three-point line this season. It has excellent rebounding in Alec Peters and Darien Walker, and can move the ball around well on offence. They have the profile of every sound Cinderella pick: Good discipline, high basketball IQ, and a high pressure, persistent defence. Watch out for Peters, who is averaging 16.7 points per game this season on 49 per cent shooting and 46 per cent from distance. On defence, expect some huge plays from centre Vashil Fernandez, who controls the paint with three blocks per game.

    — Zikomo Smith

     

    SF Austin

    The Lumberjacks pulled off the unthinkable last season, nailing a four-point play to upset VCU in the first round. This year, three of SF Austin’s five starters are returning players and the team looks poised to improve after a second-round exit to UCLA last year. They face off against the Utah Utes in the first round, a team that hasn’t been in the tournament since 2009, and has won just three of their last seven games. If the Lumberjacks can upset the Utes, they’ll likely match up against the Georgetown Hoyas and Duke Blue Devils, two perennial chokers. The Lumberjacks have a potent offence loaded with veterans, and could quickly become this year’s Cinderella story.

    — Aaron Rose

     

    Belmont

    Sneaking into the tournament as the 15-seed after clinching the Ohio Valley Conference with an upset win over Murray State in the conference tournament, Belmont has the potential to go far if it can get past its first match up against Virginia. This team’s defence doesn’t stack up well against Virginia or any elite team in the tournament, but it does have a roster of deadly shooters and an offence heavily dependent on the three ball. This is an offence that can go red-hot or ice-cold at any time. If the defence can be at least average, Belmont has a shot at the Elite Eight.

    — Elie Waitzer

     

     

  • Players to watch

    1. Jahlil Okafor (C) – The next Tim Duncan? That might be high praise, but the Duke star is a double-double machine with lethal post moves.

     

    2. D’Angelo Russell (PG) – The stars seem to always shine brightest in March. The Ohio State guard has a deadly shot and great ball handling skills.

     

    3. Frank Kaminsky (PF) – After a Final Four appearance last season, the senior big man is back and looking for a championship. He’s already won Big Ten Player-of-the-Year honours, and he’s the favourite for the Naismith College Player-of-the-Year award.

     

    4. Karl-Anthony Towns (C) – The entire Kentucky roster is essentially made up of ‘must-watch players,’ but Towns is a defensive stud. If you’re into shutdown defence, Towns is your guy.

     

    5. Kyle Wiltjer (SF) – Gonzaga is an offensive powerhouse and Wiltjer is the centrepiece as a versatile scorer with a deadly stroke from deep.

     

     

  • Legendary NCAA coachecs

    1. John Wooden – Won a record 10 national championships at UCLA, including seven consecutive ones from 1967 to 1973. Arguably the greatest legend in college hoops history, and one of the greatest coaches in sports history.

     

    2. Bobby Knight – Knight won 902 Division I games over a 42-year career, but his success was trumped by his temper. Sportswriter Bob Ryan said he never met anybody who cared less about what other people thought than Bob Knight.

     

    3. Mike Krzyzewski – ‘Coach K’ played for Knight at Army, and has since led Duke to four national championships, won several Olympic gold medals as Head Coach of Team USA, and been inducted twice into the Hall of Fame.

     

    4. Dean Smith – The legendary Tar Heel made North Carolina a household name in his time, guiding the team to 11 Final Fours and two national titles over his 36-year coaching career.

     

    5. Adolph Rupp – Kentucky has won more college basketball games than any other school in NCAA history and Rupp is largely to thank for that. He led the Wildcats to four titles over his 41-year career.

     

     

  • All-Name teams

    Best names in the NCAA in 2015

     

    1. Four McGlynn (Towson Tigers)

     

    2. Staats Battle (NC State Wolfpack)

     

    3. Ya Ya Anderson (Radford Highlanders)

     

    4. Pookie Powell (Memphis Tigers)

     

    5. Scoochie Smith (Dayton Flyers)

     

    Best names in NCAA history

     

    1. Scientific Mapp (Florida A&M)

     

    2. Chris Porn (Elon Phoenix)

     

    3. Daddy Ugbede (Drake Bulldogs)

     

    4. Cookie Belcher (Nebraska Cornhuskers)

     

    5. God Shammgod (Providence Friars)

     

     

a, McGill, News

Hundreds gather in Montreal to protest proposed anti-terrorist legislation Bill C-51

Hundreds of Canadians came together in Montreal and other Canadian cities last Saturday to take part in the Canada-wide day of action against Bill C-51, a proposed federal anti-terrorism bill.

Bill C-51 encompasses a wide range of proposed changes to Canadian legislature, in particular to the Criminal Code. It will affect disclosure of crime-related information and evidence within the government and criminalize the expression of terrorist-related ideas. 

The bill was introduced by the Conservative government in January and is currently being reviewed by the House of Commons. It passed its second reading in the House on Feb. 23 with a vote of 176-87. The bill will still need to undergo four more stages, including a Committee stage and a third reading, before it can be passed.

The bill also broadens the scope of police powers as they would be able to arrest a suspect if they believe a terrorist act may be carried out, whereas without the bill, sufficient proof was required. Consequently, many Canadians fear that the bill will violate their civil rights and liberties, namely their right to privacy. Elizabeth Viatkin was one such protester who expressed this view.

“I value my privacy, I don’t think that’s necessary information for the government to have,” Viatkin said. “They’re trying to rush [the bill] through [Parliament] right now. I think this is the kind of bill that you should think about a bit more before just trying to rush it and [hope] people won’t have time to protest.”

Protester Mariah Gillis, a Concordia student, expressed concerns about what C-51 defines as a terrorist act. 

“I really think that C-51 is terrible,” Gillis said. “The part about how if you disrupt natural resource extraction, you could be considered a terrorist—that’s pretty scary. Also, all of the spying and everything—it’s just pretty draconian.”

The Montreal march began at Parc Jarry and ended outside the office of Liberal Party of Canada Leader Justin Trudeau, who has said he supports the bill. 

Dozens of protesters placed tape over their mouths and held signs bearing messages that read “Stop Harper” and “C-51 is an act of terror” while chanting: “Harper terrorist, Trudeau complicit.”

New Democratic Party of Canada (NDP) leader Thomas Mulcair, who is also leader of the official opposition, has argued against Bill C-51 as well. He joined the Montreal march and gave a speech reiterating his intentions to oppose the bill.

“C-51 is a bill that could seriously endanger our right to protest peacefully, to stand up against a government or an infrastructure or an economic policy,” he said. “Mr. Harper has never been able to give a single example of why this bill is necessary.”

Viatkin agreed with Mulcair’s statement, suggesting an ulterior motive for the bill’s implementation. 

“Honestly, I don’t think we have that much of a problem with terrorism here,” she said. “We have maybe more of a problem with xenophobia.”

Gillis shared her hopes that the protest would help more Canadians become aware of the issue. 

“I think it’s important that we voice our opposition and that we make it really clear that a majority of people are really against this,” she said. “If more people see others voicing their opinions about it, they might start to think about it more and might start to get involved. Obviously, this march is not going to change everything, but I think it’s a small step towards something better.”

a, McGill, News

AUS SNAX sit-in raises awareness about MoA negotiations with McGill

Last Wednesday, members of the McGill community participated in a sit-in organized by SNAX, a food-retail outlet managed under the Arts Undergraduate Society (AUS). The sit-in aimed to raise awareness and support for SNAX in light of McGill’s recent stipulation that SNAX would not be able to sell sandwiches. This stipulation was mandated in AUS’s memorandum of agreement (MoA) with McGill, but has only recently been enforced.

Deputy Provost (Student Life and Engagement) Ollivier Dyens previously addressed AUS Council in January, stating that McGill chose to enforce its MoA clause with SNAX due to liability issues. 

“As you know, we’re very, very conscious about food safety,” Dyens said at the time. “If somebody gets sick while going to SNAX, people aren’t going to go after SNAX or AUS, they’re going to go after McGill […] and it’s going to have ramifications for the university.”

SNAX Manager Hasan Nizami explained that SNAX had responded to McGill’s concerns regarding food handling and safety protocols at SNAX. 

“[McGill] raised a concern about liability issues […] and as a response to that, we got all employees certified and trained in food handling and safety by [the Quebec ministère de l’Agriculture, des Pêcheries et de l’Alimentation],” he said. “The admin appreciated that stance of ours, but [there was] still nothing from [the administration’s] side.” 

The current MoA is for 2010 to 2015, and negotiations for a new MoA started in December 2014. Nizami expressed his frustrations with the current state of MoA negotiations, highlighting the current proposed MoA draft sent by McGill to AUS in December 2014. 

“What I see in that draft is that whatever we proposed for in the negotiations is just not there,” he said. “It seems like we are missing from the picture.” 

Ali Taghva, U1 Arts, stated that he attended the sit-in so he could express his stance against the administration’s decision.

“Right now, we have a situation where students are taking up an initiative to provide an option to the student body,” Taghva said. “Seeing so many people from different sides come in and help is a great thing [….] The best thing it’s doing […] is connecting people. Even if this doesn’t work today, you have a larger network of people who tomorrow are [going to] sit down, talk, and make sure it happens.”

Taghva also explained that he enjoyed how accessible SNAX is.

“Yes, we have a billion businesses on campus providing food, [and]snacks,” he said. “[But] not all of them are affordable, not all of them provide for vegans or vegetarians.” 

Nizami echoed Taghva’s opinion, stating that he was happy with student turnout at the sit-in.

“Once we made the Facebook event, people just came out themselves. We didn’t really have to approach anyone,” he said. “This shows that people are frustrated.”

Nizami also explained that SNAX is not seeking to expand its retail presence on campus and underscored that AUS’ negotiations with McGill served to represent student issues on campus.

“All we want is what we had before [….] Let us try to provide the service we have been providing to students at a cheap rate,” he said. “This sit-in is […] not to have an aggressive stance against the administration [….] I believe that this issue is not just about sandwiches—it’s about the general representation of students in policy making.”

a, Science & Technology

Will it ever end?

Nothing about this winter has seemed particularly remarkable. There were no freak snowstorms, no -30 degrees Celsius days—yet, dejection towards the weather remains pervasive throughout campus. By February, checking the weather forecast simply becomes a measure of insanity: Why check when you know that it will produce a nearly identical forecast as the day before?

“I think the primary contributor to the misery this year is persistence,” explained Chair of McGill’s Department of Atmospheric and Oceanic Sciences, professor John Gyakum.

Instead of the news-catching days of extreme temperatures, streaks of cold patterns have made this winter one for the books.

“During the months of January and February, we had a sum total of [only] three days in which the temperatures got as high as zero degrees Celsius or above,” Gyakum said. “Three days, out of 59 days. That has not happened since records were beginning to be taken.”

The overwhelming pattern of cold days spurred an investigation of the winter’s temperature variations. Standard deviation—a measure used to quantify the distribution of data points—can be applied to understand the temperature variability of this past season. For January and February, the standard deviation of temperature values was only 4.1 degrees Celsius, compared to previous wintertime standard deviations averaging in the double digits—indicating past years have had more variation in temperature.

“We have times where we’re stuck in a warm pattern and we have a ton of warm days, and then the next winter, we have a cold pattern where we’re stuck with a lot of cold days,” explained McGill Atmospheric and Oceanic Sciences associate professor Eyad Atallah. “Previously, we would expect that pattern to oscillate. But the last few winters […] have generally been exhibiting this characteristic where we have more persistent weather regimes.” 

Despite Montreal horror stories—including ones of temperatures reaching -30 degrees Celsius—record-breaking low temperatures have not been recorded since 1994. Historically, Montreal’s winter climate has been characterized by variability and sunshine. But lately, the weather, or flow, patterns have been noticeably stagnant.

“Overall, the flow pattern is slowing down,” Atallah said. “The speed of the pattern is essentially driven by the difference in temperature difference between the equator and the poles. Now, since the polar regions are warming more quickly than the tropical regions, the difference is actually decreasing over time.”

With anthropocentric climate change, many weather processes are being altered due to increased global temperatures. Though it might be hard to believe in the midst of winter, global temperatures are causing a rapid breakup of Arctic sea ice.

“The quality of [Arctic] ice is substantially diminished since it’s less thick, [leading to] openings in the ice to allow heat to be transported from the ocean into the atmosphere,” explained Gyakum.

The melting sea ice sets up a positive feedback loop mechanism: More sea ice lost means more heat transported into the atmosphere, which means more sea ice lost—a dangerous cycle. In other words, the Arctic basin is warming much more quickly than other areas of the world, a phenomenon known as Arctic amplification. Because we’re observing increased temperatures at the poles, the temperature difference between the Arctic and tropical waters is decreasing.

The decrease in extreme global temperature variation is having a dramatic effect on previously well-established weather patterns. With the Arctic warmer than it has ever been, it is no longer always the coldest region in the winter, shifting global wind patterns.

“Three or four decades ago, much of the source region for our bitterly cold air masses that were responsible for getting us well below [-30 degrees Celsius] were initiated in Siberia,” explained Gyakum.

So then why are we not experiencing a warmer winter if we’re receiving warmer Siberian winds? This is due to a ridge of high pressure that is redirecting winds north over Alaska.

“Our winds are persistently directed at us [this winter] from the northwest instead of from the west, and it’s colder because it’s coming from a region of the globe that is ice-locked and has had very little solar radiation this winter,” explained Atallah.

The ridge of high pressure developing over the West Coast of North America began as a consequence of unusual ocean temperatures.

“The pattern we have in the Pacific right now is very reminiscent of something that’s called a Pacific decadal oscillation,” Atallah said.

The Pacific decadal oscillation is a natural phenomenon that has occurred in the past causing the water to be warmer than normal from Mexico to Alaska, and colder than normal in the centre of the Pacific through to Japan. With the oscillation swinging toward its positive side, there has been an increased frequency of warm and dry weather along the West Coast of North America.

“The Pacific decadal oscillation is something we have observed in the past and has a natural oscillation,” Atallah said. “Now you combine that with an increased frequency for the patterns to slow down and for things to be more persistent, and then you have this sort of synergistic feedback between anthropocentric global warming and these natural patterns.”

It’s impossible to derive a single origin or reason for particular weather events. It will always be a complicated marriage of natural phenomena, but with the introduction of the human element in atmospheric manipulation, predictions become even more complicated. Atmospheric scientists use ensemble climate models to make predictions on cold weather patterns.

“The pattern that we’re in right now looks like it will be more common in the next 50 to 100 years,” Atallah said.

Predicting the same high and low temperatures during a specific weather pattern is easy—it’s predicting the beginning and end that is difficult. 

What will this new pattern of persistent temperature regimes mean for our day-to-day lives?

“The problem with having persistent patterns [is] if you’re in persistent wet patterns, you’re dealing with floods; if you’re in a persistent dry pattern, you’re dealing with droughts; so the variation [not offered in persistent weather regimes] is key,” Atallah said.

Extreme weather events are more likely when variation is not in the forecast. Without changes in the weather, ecosystems are quickly thrown out of balance as dry spells become longer, and wet seasons turn into floods.

 “What [this] means is that the chance of being in a flood or a drought is going to increase, and neither of those things are good,” explained Atallah. 

At this point, we have very little control over the short-term weather, but it looks like we should expect more boring persistent winters to come. Consider us lucky, suggest Atallah and Gyakum: The damage of this winter was mostly on our psyche; but for other parts of the world, economically damaging weather patterns are likely in their future. 

a, Student Life, Student of the Week

Student of the Week: Andrea Boza

Andrea Boza, a U2 double Economics and Psychology major, is interested in international development. Boza elaborated on her desire to study human economics and its influence on society.

“This type of research in human economics is something I [want] to further study,” Boza said. “I would love to help people by producing environments that lead to motivation, more engagement, and the belief that you can change […] For example, I was quite intrigued by a recent study [that showed that by] placing the fruits in a cafeteria a tiny bit higher, the consumption of the apple is improved by 30 per cent.”

Boza was recently enlightened by R.H. Thaler and C. R. Sustein’s book Nudge: Improving decisions about health, wealth and happiness, which focuses upon psychology and behavioural economics, two fields that Boza is highly interested in and would like to pursue in her future career.

“There are so many things in our daily life that we go about doing but don’t stop to think about,” she said. “This book really sheds light on how we are influenced by libertarian paternalism and choice architects without our awareness.”

Boza’s desire to improve the living conditions of communities in Latin America has inspired her to start a case competition and conference, the SLASummit.

“I’m one of the co-chair and co-founder of the SLASummit, a social entrepreneurship conference and case competition,” Boza said. “We want to give students the opportunity to implement sustainable, development projects in Latin America communities while raising awareness.”

The SLASummit is unique amongst other case competitions since it results in the real implementation of a project.

“We wanted to bring about a different model of case competition that was much more tangible,” Boza said. “Thus, we are bringing hundreds of students from Harvard, MIT, UPenn, McGill, and others, and will give them three very specific studies on communities in Mexico, Peru, and Ecuador. They will then have to come up with a project, compete in a case competition,  and the winner is allocated $5,000 to make the project happen.”

Boza is an open-minded individual who is not afraid to stand up for her own opinions. Whereas most of her friends and family back home in Barcelona want bCatalonia’s independence from Spain, Boza deviates in her position.

“It’s tough because everyone back home is constantly trying to make me change my views and join the separatist movement, and I understand where they are coming from,” Boza said. “I think the problem is that the issue is very much tied to the whole idea of language. Culture’s impact on identity [is] making people take the issue very personally. Furthermore, in the past, the government has been very obstinate and hasn’t listened to these voices, which has simply fuelled the movement along.”

Boza explained how her living in Quebec has influenced her opinions.

“Coming to Quebec and seeing how the issue is being dealt with here has led me to take a different perspective, and I believe that Spain and Catalonia can still benefit from their union,” she said.

Boza wants to use her knowledge in human economics and interest in international development to look for sustainable ways for individuals to pursue engagement and innovation within communities.

“I would like to find effective ways to help people by producing environments that lead to motivation and more engagement,” she said. “I find the beauty of the summit and case competition lies in the little restriction the participants have, since I believe fewer limits promotes creativity.” 

 

McGill Tribune: What is the best Place on earth?

Andrea Boza: La Costa Brava, a rocky coast. 

MT: What is your favourite food?

AB: Chocolate

 

MT: Which TV series would you like to star in?

AB: Friends

 

MT: Do you have any hidden talents?

AB: I’m a really good multi-tasker.

a, Arts & Entertainment

Album Review: Joel Plaskett – Joel Plaskett & The Park Avenue Sobriety Test

In “Lightning Bolt,” the opening track from his previous album, Scrappy Happiness (2012), Joel Plaskett  sings, “This is our only chance/ For some happenstance.” Now, on the verge of turning 40, the Nova Scotian rock veteran has decided to keep the temporal meditations coming on his latest album, Joel Plaskett & The Park Avenue Sobriety Test

With the lyrics “Pressure’s on/ Pressure’s on” in the first soft-toned track “Illegitimate Blues,” Plaskett introduces and contextualizes this major album theme. The following track “On a Dime” abruptly breaks the sombre mood created by the opener with the nostalgia-evoking lyrics and the the inclusion of a fiddle, and the upbeat rock tone continues with “Alright/OK.” Halfway through the album, the listeners get to dive into softer acoustics with tracks like “When I Close My Eyes” and the wonderful “Captains of Industry.” However, the inconsistent shifting between genres can be confusing for first-time listeners, as it is difficult to comprehend Plaskett’s style.  

The album’s strength lies in its lyrics. By paying close attention to them, the album begins to take shape and Plaskett’s overarching themes give it some unity. Overall though, it makes for fairly easy listening and would be a good accompaniment for a relaxed drive along the highway on a beautiful, sunny day.

 

 
 
 
 
 
 
a, Arts & Entertainment, Film and TV

Iran gets spaghetti westernized in latest film

Director Ana Lily Amirpour is billing A Girl Walks Home at Night Alone as Iran’s first vampire spaghetti western, as though vampire spaghetti western is a popular genre in Hollywood. While entirely in Farsi and featuring an Iranian cast, the film was shot in southern California, which barely passes for Iran. The film is more than just a blend of western and horror though; it has all the superhero vigilantism of The Dark Knight (2008)—without all the explosions. Whenever a film looks at the awkwardness of human-vampire romance, it’s impossible not to think of Twilight (2008), but it is the hauntingly beautiful images and intricate sensory details that make this film a truly unique viewing experience. 

The film opens on Arash (Arash Marandi) looking like James Dean in dark sunglassess and a tight white t-shirt as he smokes a cigarette and leans against a dilapidated wall. He then hops around the wall and produces a fluffy cat, which he cuddles as he walks away. Any sense that we’re dealing with a hard-boiled tough guy has evaporated, and for much of the film, his too-cool look is an ironic contrast to his innocent and timid disposition. He is a boy just trying to get by. He struggles to take care of his heroin addicted father and pay his father’s debts to the drug dealer. Yet despite his lonely, hopeless existence, he works hard to afford himself a sole luxury: His pristine 1950s automobile.

Then enters the stranger to the ghost town. Instead of riding in on a horse, the anonymous Girl (Sheila Vand) patrols the nighttime streets of Bad City on a skateboard, her chador flying behind her like a superhero cape. To select her prey, she shadows and sometimes interrogates those who wander alone at night—and then she becomes a ‘moral authority.’ Those who are criminals get eaten, yet she is not entirely just in her killings. At one point, she snaps the neck of a homeless man, who appears innocent. 

Despite the barren mood and sense of hopelessness that permeates the film, Amirpour also brings a subtle, ironic sense of humour. When Arash meets the Girl on his way back from a costume party, he is dressed as Dracula and struggling to speak through his phony plastic fangs. In the intimate scene that follows, they embrace, and Arash’s costume no longer seems to be a disguise, but rather a point of similarity for himself and the Girl. 

The true power of the film comes from the focus on the auditory and visual details that make the realistic equally as disturbing as the horrific.The hiss of heroin boiling in a bent spoon manages to be just as chilling as the the crunch of a finger between the girl’s fangs. The camera indulges and lingers on the tragic, beautiful images of Bad City. The shots of oil drills moving in a robotic back and forth rhythm and a mangy dog limping through the desert show the truth of Bad City—it is isolated and hostile to love and hope. 

There is not a whole lot of dialogue in the film, so Amirpour relies on images to tell the story, and she does so exquisitely. In the long take of Arash and the Girl moving in slow motion through her apartment, not much happens physically; he gets up from the bed and rests his head on hers. This simple movement is laced with suspense and meaning. Each of Arash and the Girl’s tiny movements enthralls us, as the soundtrack repeats over and over, “This fear’s got a hold on me”—another humorous nod to the Girl’s vampire existence. Here are two people alone and unloved with no one watching out for them. They have made mistakes yet they struggle for justice. And despite the incompatibility of an anonymous vampire and a naive youth, they find a connection.  

A Girl Walks Home Alone at Night will be shown at Cinema du Parc (3575 Parc) until Thursday, March 19 at 9:15 p.m. Student admission is $10.

a, Recipes, Student Life

Making the Simple Exquisite: How to make tomato sauce

A key accessory to making many great meals is a simple and easy tomato sauce. While many resort to buying canned sauce, a homemade tomato sauce is not only cheaper, but can also be adapted to specific tastes and built upon to make classic dishes. In the summer, try using fresh tomatoes that are in season instead of canned. You will need to buy a large amount of tomatoes (15-20). Recipe makes around 8 cups of sauce.

Ingredients:

1 tbsp extra virgin olive oil

2 cans diced tomatoes

2 cans San Marzano tomatoes (substitution – 2 cans of whole plum tomatoes)

1 onion (diced)

½ head of garlic (minced)

1 tube tomato paste 

Seasoning to taste: Salt, pepper, oregano, parsley, red pepper flakes, 1 bay leaf

In the summer, try using fresh tomatoes that are in season instead of canned. You will need to buy a large amount of tomatoes (15-20).

Steps:

1: Place a large pot over medium heat.

2: Heat olive oil and add onions, garlic, and seasonings. 

3: Cook until onions are translucent.

4: Add tomato paste to onions and cook for approximately 5 min.

5: Add cans of tomatoes or fresh tomatoes (chopped and cored).

6: Bring sauce to a boil over medium heat and then reduce to low.

7: Allow sauce to simmer for at least half an hour, making sure to stir every 15 minutes. 

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