“I am the worst thing since Elvis Presley/ To do black music so selfishly/ And use it to get myself wealthy” — Eminem (more…)
“I am the worst thing since Elvis Presley/ To do black music so selfishly/ And use it to get myself wealthy” — Eminem (more…)
He’s Gonna Step On You Again (aka Step On)
Artist: John Kongos
Album: He’s Gonna Step On You Again
Released: 1971
Sampling is such a staple of modern music that it has become almost an overused nuance—unless, of course, you’re Kanye West. While the origins of sampling are blurry, largely because of the intensive legal confusion that arose during their early use, the Guinness Book of World Records recognizes “Step On” as the first song to ever use sampling. While that fact is hotly debated—and has incidentally been denied by the artists—the introduction of sampling to popular music allowed for a blossoming of creativity through the rejuvenation of past beats and lyrics.
Fa All Y’all
Artist: Da Brat
Album: Funkdafied
Released: June 28, 1994
Da Brat proved that Hip hop wasn’t just a man’s game when her solo album, Funkdafied, went platinum. Following in the footsteps of hip-hop duo Salt-N-Pepa, Da Brat proved that girl power was more than enough to make it to the big leagues. As for “Fa All Y’all,” it perfectly encapsulated Da Brat’s style: Fun, funky, and fierce.
“Believe”
Artist: Cher
Album: Believe
Released: October 19, 1998
Cher is a queen. She also just happened to be the woman that brought auto-tune into pop music. “Believe” was a groundbreaking song for the music industry and remains one of the best-selling singles of all time. Now autotune is getting constant facelifts, and depending on how it’s used it can either make (Kanye West: God) or break (T-Pain: Failure) careers.
Maggie’s Farm
Artist: Bob Dylan
Album: Bringing It All Back Home
Released: March 22, 1965
Even though Dylan had released the semi-electric Bringing It All Back Home four months prior to the 1965 Newport Folk Festival, those in attendance were hardly ready to accept the folk icon’s new stylistic choices with open arms. The opening licks of “Maggie’s Farm” marked the first time that Dylan had performed publicly with an electric guitar across his chest, and many fans took it as an act of unimaginable betrayal. The refrain, “I ain’t gonna work on Maggie’s farm no more,” is just right for a song whose legacy is tied to an act of defiance towards the close-minded members of his fanbase.
Walk This Way
Artist: Run-DMC ft. Steven Tyler
Album: Raising Hell
Released: May 15, 1986
Hip hop had been around for a while, but during the mid-’80s it was increasingly looked at as a fad as opposed to a serious musical genre. That viewpoint changed when Run-DMC’s third album, Raising Hell, went triple-platinum and proved that Hip hop was here to stay. Beyond solidifying rap as a true form of popular music, “Walk This Way” also introduced the new genre of rock-rap to the music industry by successully covering an Aerosmith classic.
Heebie Jeebies
Performed by: Louis Armstrong and his Hot Five
Album: Heebie Jeebies
Recorded: February 26, 1926
If you google “Heebie Jeebies,” one of the first options that will come up is a discussion on whether the song is racist and representative of the oppression black artists faced in the early 20th century. Yet, putting aside the murky history of America’s treatment of black professionals, “Heebie Jeebies” is representative of a much larger achievement on behalf of jazz musicians. Louis Armstrong became jazz’s first dominating soloist, and he transformed the genre by introducing scat for the first time in this 3-minute recording.
Sharing a one-bedroom apartment with four emotional young Brits for two and a half hours as they push through the most difficult part of their lives does not sound like an ideal night out, but the fluid direction and engrossing emotion of TNC’s Look Back in Anger make it a soirée you will not want to walk out of. (more…)
I wish that the Knicks master the triangle offense and the Zen Master brings in a competent partner for over-used Melo; for the Red Bulls to convince superman Thierry Henry to stay on board until he’s 50; and for the Giants to stop being associated with the terms “losing streak” or “downward spiral.” —Nicholas Jasinski
My rather lofty wish is for my beloved Toronto Maple Leafs make the playoffs on the back of stellar goaltending from Jonathan Bernier, moulding him into dark horse contender for the Vezina. And if that’s not possible, I want the Leafs to draft Connor McDavid and develop him properly (because the Leafs have a horrible track record of ruining decent prospects or trading them away before they get good—Tuukka Rask anyone?) —Nicole Spadotto
For as long as I can remember, it has been very little fun to cheer for Toronto sports teams. My wish for 2015 is simple: That Drake–the obvious key to the Raptors’ recent success–is named Global Ambassador for all of Toronto’s franchises, immediately putting each team on the path to glory. —Wyatt Fine-Gagné
I wish for the Buffalo to beat the Patriots during their last face-off of the season. But I’m not a little girl anymore. I know not all dreams come true, so instead all I want is for them to lose by 10 points or less. —Morgan Alexander
I wish for Adam Lind to be bullied by Ryan Braun and the rest of his new teammates on the Milwuakee Brewers until he comes running home to his real fans in Toronto. Sorry Jonathan Lucroy, I know you’re a nice guy deep down. —Elie Waitzer
I wish for rumours of beef between Marshawn Lynch and the Seahawks team to be put to rest. I wish the beautiful, doe-eyed Russell Wilson improvement in his passing game. I wish Seattle the best of luck in San Francisco this Thursday and send Doug Baldwin Jr. my love and best wishes this holiday season. —Jess Fu
All I wish for in the new year is for the Brooklyn Nets to finish above .500 and make the playoffs in the atrocious Eastern Conference. I’ve decided that having low expectations is the only way to be satisfied with the performance of the most expensive team in basketball—the Nets have taught me that money doesn’t buy wins or happiness, only injuries and disappointment. —Mayaz Alam
Written by McGill alumnus Dane Stewart and directed by Patrick Neilson, How Exile Melts is the latest production by the McGill Department of Drama and Theatre. It follows the story of four siblings as they reunite at their old home in Nova Scotia to visit their ailing father, only to dredge up hidden demons, old and new. (more…)
Last Wednesday, the Students’ Society of McGill’s (SSMU) Ballroom hosted the Market Cooperative’s Holiday Bonanza, one of the four such markets hosted throughout the year. (more…)
Senate addresses budget cuts
McGill Principal Suzanne Fortier addressed various concerns regarding the impact of provincial budget cuts on the university’s budget and services at last Wednesday’s Senate meeting. The Quebec government announced in the middle of November that $4.8 million would be cut from McGill’s budget, in addition to the original $15 million cut announced at the end of this summer.
“Obviously it is very hard for us to absorb these cuts, particularly as we’re more than halfway through our financial year,” Fortier said. “The government is also projecting cuts for next year. This is all in trying to achieve a balanced budget in two years from now.”
The Students’ Society of McGill University’s (SSMU) VP University Affairs Claire Stewart-Kanigan and Arts Senator Jacob Greenspon raised a question asking which particular services would be cut or reduced, which was answered by Provost Anthony C. Masi in an official Senate document.
“Austerity is not a strategy for the longer term, but at the present time McGill will have to adopt certain efficiency measures,” Masi wrote. “While we are exploring our options, the University has not targeted specific student services for elimination as a way of reducing costs. However, some services may have to be offered at a reduced level and all services will have to be studied.”
Masi, whose office is responsible for budget issues, was not present at the meeting to further answer any of the Senators’ questions during the open discussion period. Fortier answered supplemental questions in his absence.
“There will be consultation with the students on any of the services currently offered that might be affected by the cuts,” Fortier said. “As far as I know, there is no plan to eliminate services. The level of service may be affected, but we’re not yet at this level of detail in our analysis of the impact of these cuts.”
Fortier did not say when these student consultations might take place.
Open discussion on learning outside the classroom
The Senate held a discussion on undergraduate research opportunities as the first of many upcoming sessions on learning opportunities outside of the classroom. The main concern in this discussion was whether or not research should be credited, paid, or given other recognition.
One key issue in the discussion concerned how students can use their undergraduate research to further their goals, whether for graduate school, a career, in a competitive market.
“[Students] want credentials to reflect their activities,” Dean of Students André Costopoulos said. “I think in that case, then they are responding to a real-world pressure.”
SSMU President Courtney Ayukawa said she supported undergraduate research to be both credited and paid to increase financial equity.
“I do not want any […] students […] to not be able to do research opportunities they may be incredibly passionate about—with some of the best professors and researchers in the world—because they cannot afford to,” Ayukawa said.
Not all senators shared Ayukawa’s sentiment that a university should be supporting outside endeavours such as research or internships.
“I think it’s important to realize that maybe not everything, not all learning should be credited by the university,” Faculty of Arts Senator Professor Catherine Lu said. “You get a specific kind of education by coming to a university, and that’s supposed to help give you certain foundational resources for working or doing research outside the university.”
Motion regarding the creation of an Ad-Hoc Student Engagement Committee
Last Thursday, the Students’ Society of McGill University (SSMU) Legislative Council passed a motion regarding the creation of an Ad-hoc student engagement committee. Sponsored by Arts Councillor Alexander Kpeglo-Hennessy, SSMU President Courtney Ayukawa, and Arts Councillor Lola Baraldi, the motion aimed to find innovative ways for SSMU to engage constituents. (more…)
It’s hard to review a One Direction album without acknowledging the ever-familiar boy-band that created it. (more…)