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a, McGill, News

Subcommittee on Persons with Disabilities promotes universal design for classrooms and residences

by Arden Li on

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The Office for Students with Disabilities (OSD) and the Senate Subcommittee on Persons with Disabilities are joining efforts to promote wider accessibility on the McGill campus, pushing for universal design as well as more education around the topics of mental health and impacts of stereotypes.

Arts Senator and member of the Subcommittee on Persons with Disabilities Kareem Ibrahim spoke on the need for universal design, which would conceptualize accessible structures from the onset of planning. This could allow people with disabilities to have the same experience as anyone else in terms of obtaining resources and services.

“Whether it’s accommodating students with different learning styles, learning disabilities, or physical disabilities—it’s making it so that the spaces in which we live and work and the services that we provide are accessible to everyone without students having to request additional accommodation,” Ibrahim said.

Although there is little disagreement over the merit of universal design, Ibrahim explained that budget constraints are an obstacle that the subcommittee is working to overcome.

“I’ll be spearheading an application to the Sustainability Projects Fund in order to bring universal design elements into the classroom,” he said. “We want to show the administration that this isn’t just a fruitless endeavour; it has a lot of worth to students.”

The OSD is also collaborating with Student Housing and Hospitality Services (SHHS) on an ongoing project to identify accessibility barriers in McGill residences. Cameron Butler, a recent McGill graduate, and Xindi Li,  U3 Arts student, developed an audit template through which they assessed the McGill residences, interviewed SHHS staff, and consulted student focus groups.

“We ended up breaking the project down into three main areas: The first being the physical buildings themselves, the second being the programming and events that happen in rez, and the third being communication.” Butler said.

Their findings revealed limitations to both physical and mental accessibility in all three areas of the audit. According to Butler, insufficient colour contrast between walls and floors, unclear signage, a shortage in accessible washrooms, and inaccessible entryways were the major issues that posed problems for navigating the physical spaces of residences.

Regarding programming and events such as Rez Fest, Butler mentioned another set of challenges.

“[Barriers] to Rez Fest [include] its placement at the top of the hill, its loud, active nature, and its requirement of lots of physical activity and an outgoing personality,” Butler said. “Students in the focus group voiced that it was difficult to participate when they were experiencing social anxiety.”

Butler then offered some recommendations to make Rez Fest a more inclusive activity.

“Events should be more balanced to allow better accessibility—if there’s a major drinking event one night, there should be a quieter event that follows,” he said.

As for interactions between students and staff, one concern was a lack of comfort around language that describes disabilities.

“[It] was clear that there’s a strong desire to be furthering initiatives around disability, but there was hesitancy when it came to finding the right words.” Butler explained. “There would be a pause between saying ‘disabled student’ or ‘student with disabilities’ and not knowing which one to use or why.”

In the upcoming months, this project will be handed over to a working group, which will be briefed on Butler and Li’s findings and seek to begin implementing changes. Butler acknowledged that although several successes have been achieved regarding accessibility—such as Mental Health Awareness Week and the creation of an online Accessibility Hub—long-term developments require time.

“The plan is to formally start the working group, meet with them and go through report, flesh out the recommendations, and build a finalized plan for how they will be institutionalized within SHHS,” Butler said. “We want to make sure that once our work finishes in April, all our momentum will be carried forward.”

a, Student Life

Crossword: Holiday edition

by Cory Goldstein on

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Across

1. Eve’s companion

5. Klaus Teuber’s board game

10. Light in colour

11. Make amends

12. Response to a criminal charge

13. Slang for mother and father

14. Nun

16. A collection of objects

17. Narrow opening

19. America’s health agency

22. Phobia

24. Crazy Eights, sort of

25. Dispense liquid

28. Offspring

32. Supportive undergarment

33. Kate Winslet in Titanic

34. 5h30m ahead of UTC

35. Anthropod’s paired appendages

Down

1. Found on mobile devices

2. Artist of “The Persistence of Memory”

3. Malted barley beverages

4. Butcher’s inventory

5. Stephen King novel

6. Dined

7. A lot

8. A forced bet

9. Home of avian creatures

15. Film starring Will Ferrell

18. Type of dance

19. Young animal

20. Genetic instructions

21. Snake or beer

23. Bird or sidekick

26. Bear, in Latin

27. On a scale of one to 10

29. Charged molecule

30. 5h00m behind UTC

31. To perceive

World

This fierce blizzard has made February Boston’s snowiest month ever

on

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This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

All your supporting arguments must be communicated with simplicity and charm. And in such a way that the reader will read on. (After all, that’s a reader’s job: to read, isn’t it?) And by the time your readers have reached this point in the finished copy, you will have convinced them that you not only respect their intelligence, but you also understand their needs as consumers.

© Image: KIERAN KESNER FOR MASHABLE

a, McGill, News

Black Students’ Network holds vigil in memory of Michael Brown

by Shrinkhala Dawadi on

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The Black Students’ Network (BSN) organized a vigil on Lower Field at McGill on Tuesday, Nov. 26, held in memory of Michael Brown, who was shot and killed by police officer Darren Wilson on Aug. 9 in Ferguson, Missouri. On Nov. 24, Robert McCulloch, prosecuting attorney for St. Louis County, Missouri, announced that the grand jury presiding over Wilson’s indictment hearing for Brown’s death had decided not to indict Wilson.

The grand jury’s decision was met with controversy throughout the United States and internationally, leading to protests in Ferguson and around the world. According to Richenda Grazette, BSN internal coordinator, the vigil was organized to bring together McGill students affected by this decision .

“[The vigil] was important to organize for us because we were greatly disappointed by the verdict, and we knew that a lot of other students and members of the community were likely feeling the same emotions as us,” Grazette said. “We were trying to send a message of support and solidarity, both with one another and with other ongoing protests across North America.”

The vigil itself was sombre and moving, according to Blare Coughlin, U3 Arts, who attended the event.

“There was just a very palpable feeling of mourning and apprehension,” Coughlin said. “This is about a black boy who was murdered, the refusal of the American government to acknowledge that black lives matter, and the institutional racism that permeates our lives.”

Grazette echoed these views, stating that the presence of attendees to the vigil was very powerful.

“I can only really speak for myself, but I found the vigil incredibly moving and positive,” she said.

Coughlin also spoke to the role of non-black allies in the discourse surrounding this case.

“Speak out, definitely,” Coughlin said. “But don’t speak over.”

In light of these recent events, last Thursday, the Students’ Society of McGill University (SSMU) Legislative Council passed a motion to work with BSN in standing in solidarity with those affected by police brutality.

Going forward, Grazette highlights the importance of continuing discourse about institutionalized racism.

“The most important thing is to not forget or stop talking about these issues, and especially not forgetting the names of lives lost,” she said.

a, Montreal, News

Thousands march in Montreal and Quebec City against provincial austerity measures

by Cece Zhang on

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Tens of thousands of protesters participated in a march against the Quebec government’s proposed austerity measures on Saturday, Nov. 29. According to the organizers of the protest, the Collectif Refusons l’Austerité, over 125,000 people participated in both Montreal and Quebec City.

Protesters included representatives from student unions, employees of the public sector, and members of various social service groups. They marched in response to the Quebec government’s plans to cut $4 billion from the provincial government budget. The cuts would affect programs and services such as healthcare, daycare programs, and education.

Brian Leclerc, a member of the Canadian Union of Public Employees (CUPE), said he was unhappy with the government’s decision to slash social programs.

“We’ve made years and years of social progress in Quebec that this government is eliminating slowly but surely, and we’re going to be collectively in a situation of vulnerability if people don’t rise up,” Leclerc said. “Every social program there is, whether it be daycares, parental leave, healthcare, or education—these are all social programs that we’ve fought hard for and paid through the nose for [….] I hope it passes a clear message to this government that people won’t take this lying down.”

Stefanie Bergeron, a McGill graduate student and member of the Post-Graduate Students’ Society (PGSS), said she participated in the protest as a way to give feedback to the government on its actions, which she felt were not representative of the population’s demands.

“As a student, I’m directly affected by austerity measures,” Bergeron said. “I also work with women’s groups, and we’re […] more affected by austerity than men. I would like the government to realize that being elected doesn’t mean you have full power [….] The voice of your people matter.”

Representatives from the Students’ Society of McGill University (SSMU) and PGSS also attended the protest. The student bodies of both unions have previously taken a stance against austerity measures made by the provincial government at their respective general assemblies.

“Many students went to the protest in small groups of their own,” PGSS External Affairs Officer Julien Ouellet said. “In the future, we hope to find a way to create a single ‘McGill contingent’ with SSMU.”

Ouellet said that PGSS would encourage its constituents to better understand how austerity cuts impact them.

“I think it is important to adapt the message so that all the members of our diverse population realize how this might affect them, whether it be cuts in the variety of journals offered by our library system, or the university’s ability to cover the indirect costs of research,” Ouellet said. “We will do our best to make sure that our members understand that austerity is not an abstract economic concept but something that has a very direct impact on the quality of their degree, and the support they get while at McGill.”

Moving forward, Ouellet stated that McGill student unions will take more action to provide a unified stance against austerity measures.

“PGSS and SSMU are planning to hold a joint council meeting to identify the ways in which to fight austerity, as well as the trickle-down consequences it might have for our students within the university,” he said.

a, Arts & Entertainment, Theatre

Pop Rhetoric: Christopher Nolan and the cinema of abstraction

by Chris Lutes on

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Christopher Nolan used to make movies about people. The director, along with his script-writing brother Jonathan Nolan, have made some of the best genre films of the past decade, including Memento (2000), Insomnia (2002), The Prestige (2006), and two-thirds of the Dark Knight trilogy. His recent movies—particularly his latest film, Interstellar—have confirmed a shift away from this trend. They have become increasingly lifted from their rooting in character and human motivation and more about vague concepts. In the past, he never backed away from touching on weighty ideas—magic, self-delusion, nihilism, rivalry, and scientific discovery—but those ideas used to come from how people related to them. Now, they’re mostly just afterthoughts, jumping-off points for ideas and mouthpieces for expository dialogue as he moves further into abstraction.

The backlash from some of his early fans started popping up around the time of Inception (2010)—the movie that has been the Rosetta Stone for all of his flaws as a writer and a director. You can see him struggle through the first hour of the film, as he has to create dozens of definitions and answers so the audience can get to a point where it’s not completely confused by the plot. The same thing happens in Interstellar, where the plot doesn’t really get going until a third of the way through the nearly three-hour movie. Since you have nothing real to hold onto character-wise except for some clunky and generic backstory, the eventual tearful goodbyes before launching Matthew McConaughey and Anne Hathaway into space doesn’t feel as propulsive and final as it should. If this sort of thing were to happen in one of his films, it would be an outlier, but the reality is that it’s becoming a pattern.

Compare his films from Inception, The Dark Knight Rises and Interstellar to any of his others. Before, he was able to blend concept and character in a way that made sense. He was able to find a path between his dogma and the characters in a way that seemed honest on a level both inside and outside of the world of his films. Memento communicated the dangers of misplaced anger and delusion not by being especially brilliant or groundbreaking on a philosophical level, but by making the main character a vehicle for these ideals while simultaneously keeping motivations and emotions in the foreground. The Prestige did the same thing with rivalry and Pyrrhic victory.

The turning point was The Dark Knight. It’s like he saw the positive reaction to the film and came to the conclusion that what people liked about it was its nihilistic ideology, psychological thought experiments, and everything about ‘living long enough to see yourself become a villain’—but this is only part of the truth. Those parts worked because they were tied to something real—all of the ideological conflict in the film came from the real-life conflict between Batman and the Joker. I don’t inherently care about nihilism, honour, or vigilantism just because they’ve been tacked onto celluloid—I care about them because the characters do, too.

After The Dark Knight, you can see his camera move further and further from the characters themselves as his lenses get wider, his shots encompassing more physical space but losing their grounding in the here and now. They’ve become increasingly maudlin and calculated, where the most lively character in Interstellar is an actual robot. As running times have ballooned from film to film, he paradoxically seems to put less content into each one, his creative talents seemingly more consumed with creating a world of physical spectacle than a world of personal effect. The results are films with all the energy of watching somebody puzzle through a Rubix Cube in real time.

Thus, nearly every character is treated as a silhouette – instead of taking the time to shade in character detail, he shades in plot points, which makes the impact of the movie suffer. An intelligent character, for instance, in his earlier work would have had the time to flesh out just what makes him so brilliant in the first place (see Nikola Tesla in The Prestige). In his recent movies, he’s relied on big-name actors to do the emotional heavy-lifting. The shading is gone and what we get instead is Michael Caine in Interstellar wearing a tweed jacket under a blackboard with a bunch of equations on it. “Take my word for it, he’s smart,” Nolan implies with these shots. “You don’t need to know how or why, or even what makes him interesting, but trust me on this, okay?”

A lot of this comes from what seems to be his desire to be the next Steven Spielberg, but he just doesn’t have the emotional touch necessary to make big-budget genre films work in the way that Spielberg does. Interstellar would have worked so much better if Nolan had cribbed some effect from Spielberg and let the characters take a moment to marvel at the wonders of science, or at least quietly contemplate their place in the universe. Instead, they go into space with gritty resolve, work through their mission out of a sense of obligation rather than passion, all while kowtowing to sci-fi tropes that ran out of cultural currency decades ago.

We see these massive wide angle shots revealing solar systems and black holes, and it’s clear that the audience is supposed to be experiencing the emotional wonder and exhilaration instead of the characters. But the truth is that the magic of the CGI’d cosmos is nothing when compared to the beauty of Tesla in The Prestige illuminating an entire field with light bulbs planted in the ground. The cruelty of a silent and airless universe cannot hold a candle to Carrie-Anne Moss’ malice in Memento when she berates and demoralizes an amnesiac just because she knows he’ll forget about it in a couple of minutes. The difference is that the latter examples are real – we can feel them because we’ve all been there in one form or another. The alternative is just computer imaging; it’s meticulous and pretty and well-composed, but ultimately as wide as an ocean and deep as a puddle. It would benefit Nolan to get back to the emotional core that made his earlier films so great, before he wobbles off into infinity.

a, McGill, News

Carbon monoxide leak at ECOLE sustainable housing project spurs implementation of new safety measures

by Jessica Fu on

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A student was hospitalized following a carbon monoxide leak detected Nov. 23 in the ECOLE sustainable housing project, which was launched earlier this semester. The ECOLE project house, located on 3559 University Street, is leased to ECOLE by McGill Student Housing and Hospitality Services (SHHS).

Kareem Ibrahim, a member of the ECOLE board of directors, explained that residents had experienced symptoms of carbon monoxide exposure prior to the leak’s detection.

“One of the facilitators had the initiative to ask for carbon monoxide detectors in some of the rooms because people were feeling a bit lightheaded,” Ibrahim said. “It turns out there was a leak.”

Managing Director (Residence Life and Customer Relations) Janice Johnson of SHHS explained that after receiving notification of the leak, SHHS facilities followed the appropriate procedures to fix it.

“There was a problem with the furnace [in the ECOLE house] that resulted in a carbon monoxide leak in the house,” Johnson said. “So we had to turn off the furnace and get that fixed [….] It [took] about 36 hours to get it completely fixed.”

Ibrahim and Johnson confirmed that one student was sent to the hospital, but that the student is recovering well.

“[The person] is doing great,” Ibrahim said. “It was a brief scare.”

Johnson said that other student residences have tested negative for carbon monoxide. According to Johnson, SHHS will be taking proactive measures to prevent future scares.

“Even though it’s not required by code, we have now put in local carbon monoxide detectors,” she said. “We are now looking into how we can have the detectors centrally monitored.”

a, Arts & Entertainment, Music

Student concert round-up

by Morgan Alexander, Max Berger on

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The Steel River Band and EMPEROR T and the Suspenders

In case you’ve never heard of Barfly (4062 Saint-Laurent) before, here’s what it is in a nutshell: A hole in the wall tucked between Roy and Duluth that hosts a bluegrass night every Sunday,  and is likely to be blasting hard rock or metal on any other night you walk in. Last Thursday night offered a microcosm of the bar’s unlikely dichotomy, as folk rock duo The Steel River Band opened for three-piece rock outfit and fellow McGill students, EMPEROR T and the Suspenders.

The first group, comprised of guitarist/vocalist/percussionist Alex Carey and mandolinist/percussionist Sam Quigley, kicked off the night with a mixture of traditional folk standards and more contemporary originals and covers. Despite boasting only two musicians, their foot-controlled tambourines gave them a richer sound than what their strings alone would have provided, and they had no trouble energizing the crowd, delivering impassioned renditions of Newfoundland classic “The Night Pat Murphy Died” and Johnny Cash’s legendary “Folsom Prison Blues.”

EMPEROR T and the Suspenders certainly kept the energy alive, playing a long set full of brief, uptempo rock/punk/funk tunes. The cohesion between drummer Robbie Rolin, bassist Joey Cowan, and guitarist/vocalist Alex Heymell—whose raspy, powerful voice is reminiscent of Chris Cornell’s—was definitely strong; but for next time, they should focus on quality over quantity, as Heymell consistently forgot lyrics and skipped verses on the band’s covers (“All Along the Watchtower,” “Johnny B. Goode,” “Where Is My Mind?”). However, they played like they were having the time of their lives on stage—and it rubbed off on the crowd—which in the long run, is much more important than a few lyrical gaffes.

— Max Berger

North Country Towers and Soulstice a Cappella

Since 2000, Soulstice a Cappella has been one of the most prominent a cappella groups on campus. Completely co-ed and featuring an eclectic mix of styles from the 1960s to today’s hits, the troupe’s sound is thoroughly relatable with just enough obscurity to keep you interested. Their latest performance, “After Midnight”, with opener North Country Towers, perfectly encapsulated their dynamic but fun style. My only wish was that I had been more awake when I arrived at Le Cabaret du Mile End (5240 Parc) on Sunday night, as the crowd around me was eagerly singing and bouncing in rhythm with the group. Each song was begging for you to sing along, and it is a true testament to the group’s talent that they managed to keep the energy going throughout the concert.

Not enough time is spent supporting a cappella groups on campus; it can’t be denied that the group has talent, so do yourself a favour and head out to their next performance.

— Morgan Alexander

Busty and the Bass

It’s fitting, that a band whose earliest jam sessions took place in the basement of Solin Hall, played the biggest show of their lives—so far—just a few blocks away from the McGill residence, under the bright lights of the Corona Theatre. Hundreds of students made the pilgrimage down to St. Henri to take in the free concert that Busty and the Bass received for winning the nationwide Rock Your Campus contest. It would have felt just like an indoor OAP—with TD providing the corporate presence that Provigo usually occupies—if not for the fact that no alcohol was being served.

Despite that minor setback for those who were looking to get a little tipsy on a Monday, Busty provided its own type of intoxication, mesmerizing the crowd as the band always does. The band was able to get through most of the songs in its catalogue, from the funky tunes like “Sum DrunkFunk” and “PS I’m Pregnant” to the wildly soulful “Mmmhhmmm”—even unveiling a Disney medley arranged by trombonist Chris Vincent. They eventually ceded the stage to the Arkells—veteran Corona Theatre performers who were excellent as usual—but surprised the crowd by coming out to join the headliners for spirited covers of Jackie Wilson’s “Higher and Higher” and Stevie Wonder’s “Uptight” to close out the night.

— Max Berger

a, News, SSMU

SSMU President, Speaker of Council respond to Fall GA J-Board case, deny charges

by Cece Zhang on

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On Nov. 16, Courtney Ayukawa, president of the Students’ Society of McGill University (SSMU) and Rachel Simmons, speaker of the legislative council of SSMU, released an official response to a recent Judicial Board (J-Board) petition filed by Zain Ali Syed and Nadir Khan over the practices of the Speaker at the SSMU General Assembly (GA) held on Oct. 22. The response asks the J-Board to dismiss the case. (more…)

a, News, PGSS

PGSS Executive midterm reviews

by McGill Tribune Editorial Board on

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Brighita Lungu
Ge Sa
Jennifer Murray
Juan Pinto
Nikki Meadows
Julien Ouellet

(pgss.mcgill.ca)

This week, the McGill Tribune conducted midterm reviews of the Post-Graduate Students’ Society (PGSS) executives.
Click on the portraits to learn more.
Members Affairs Officer, Brighita Lungu
Lungu has been working on several projects, including the #ConsentMcGill campaign and mental health initiatives. She acted as a PGSS representative in the Sexual Assault Working Group, acting actively to recruit graduate students to become involved.
Lungu is also currently engaged with a number of mental health initiatives, including organizing a two-day mental health first-aid training for executive officers, commissioners, and graduate students to take part in. She is also working in collaboration with Mental Health Services, Counselling Services, and the Peer Support Network on a video which will include testimonials from students, that seeks to address and decrease the stigma associated with mental health issues. According to Lungu, the project has fallen behind schedule and the video may not be able to be released in February as originally planned.

Internal Affairs Officer, Ge Sa

According to Ge Sa, officer responsible for organizing events for PGSS members, he has had a busy calendar this year, with events such as the Summer Dodgeball League, the Habs ticket sale, and the PGSS Halloween Party. Turnouts at events this semester have been larger than before, according to Sa.
This year, Sa has been trying to organize more family-friendly events to accommodate PGSS members who are also parents.
“We have had, among others, an outdoor movie night […] an apple-picking trip, special ticket deals to the Botanical Garden, La Ronde, and many music or comedy shows,” he said. “We’ll [also] be having a Holiday Movie Marathon Week in December at Thomson House.”
Sa believes that financial support is an area of improvement that his portfolio could benefit from. He is currently working with Pinto to establish an Intramural Sports Grant, with an aim to encourage members to be more physically active. They are also working on a project to improve Thomson House, but both projects will require significant financial support.”

Academic Affairs Officer, Jennifer Murray

According to Murray, there has been an increase in student participation on university committees this year.
Murray worked on the amendments to the regulations and guidelines for graduate student supervision, which were passed in Senate in October. The amendments increased accountability for both the supervisors and the supervisees, and is part of the long term push to improve advising for graduate students.
Also, as part of her portfolio on library improvements, Murray recruited graduate students to sit at feasibility study groups for the library master plan.
Murray, also explained that the transition of over 1,200 graduate students, postdoctoral, and clinical fellows to the new Glen superhospital will pose challenges to PGSS members, and she will be working to support students during the move.

Secretary-General,  Juan Pinto

Pinto’s push for redesigning PGSS’s internal judiciary is one of the main highlights of his work thus far. The Judicial Board—formerly the Board of Appeals—will be restructured so that it will require a law student to deal with procedural issues, and that judges be nominated and approved by councils rather than appointed.
The biggest challenge for Pinto remains pushing a PGSS referendum to separate from the Canadian Federation of Students (CFS). After 5 years of litigation, the Superior Court of Quebec granted a PGSS member the right to ask for a referendum to leave CFS—a step in the right direction for all of PGSS, according to Pinto. However, the main challenge for Pinto and the rest of PGSS remains the referendum itself, and it remains to be seen how the process will unfold.

Financial Affairs Officer, Nikki Meadows

In her first semester on the job, PGSS Financial Affairs Officer Nikki Meadows has successfully amended two major funds under her portfolio. According to Meadows, the process of applying for grants is more streamlined and more transparent, with the selection criteria more clear to applicants. The Post-Graduate Student Life fund was also overhauled. The first major change allows Post-Graduate Student Associations to have more control over the Student-Life fees that are collected from their membership. In addition, the Association of Postdoctoral Fellows will receive 25 per cent of the Student-Life fees from each post-doctorate for the first time. According to Meadows, the lease negotiations for Thomson House with McGill are still ongoing.

External Affairs Officer, Julien Ouellet

As a representative of McGill graduate students to student groups and the Quebec government, Ouellet’s largest project this term has been to continue his predecessors’ work lobbying for revenue neutral health insurance for international students, which he has been successful in doing. Smaller successful projects include his organization of a conference with the president of the Canadian Institutes of Health Research (CIHR), a draft of the new Frais Institutionals Obligators (FIO) policy, and the organization of a GU15 conference—an annual conference between 15 research intensive universities as a way to share and collaborate information.
According to Ouellet, the major challenge he has faced has been austerity measures and the difficulty of implementing a subsidized Société de transport de Montreal (STM) pass for students who are older than 25. As the STM is currently operating under a deficit, Ouellet remains optimistic that he will be able to complete this initiative once the STM has balanced their budget.

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