Latest News

a, Science & Technology

The changing face of space

On Oct. 1, space enthusiasts addressed the evolution of the Canadian space program as part of the International Astronautical Congress (IAC) 2014. The IAC theme this year, Our World Needs Space, hosted discussions that explored the way space inventions could be used on Earth. The panelists—some of the most respected names in Canadian planetary science—highlighted the spectrum of possibilities.

The talk welcomed over a thousand space aficionados to join Bill Nye, the Planetary Society CEO; Elizabeth Howell, senior writer for Universe Today; Gordon “Oz” Osinki, industrial research chair in Planetary Geology from the University of Western Ontario (UWO); and Canadian astronaut, Jeremy Hansen.

The topics focused on Canada and working in space with the Canadian Space Agency (CSA). The talk highlighted the fact that anyone from British Columbia to Nova Scotia has the opportunity to get involved in space science.

Hailing from Ottawa, Howell stated that her love for space dates back to the Apollo 13 movie she watched as a teenager. It was then when she decided she wanted to become an astronaut. Unfortunately, she realized that her strengths were geared more towards being a writer than astronaut, but she didn’t let that stop her from her love of space. Following a string of dead ends, she decided to pursue a masters in space studies at the University of North Dakota.

“A person with any sort of [previous] degree can do this,” she said. “I came in on the journalism side, which was definitely interesting, but I learned some technical things like engineering principles and how commercial launches work.”

Using this knowledge, Howell made some risky choices—including spending money to attend expensive shuttle launches and leaving other careers—but ended up where she wanted. Today, because of her position, Howell is able to learn and write about all of the cutting-edge events in the space world.

Osinki’s research focuses on meteor impacts, and he is also interested in developing technologies and techniques for human and robotic surface operations on the moon and Mars. His work is interdisciplinary and reflects the multifaceted nature of working in planetary science.

“The space program exists [to] show us how Earth works,” Howell said. “[It] can measure environmental changes or even how ships move across the ocean.”

It’s results like these that make it that much more important to continue studying space. While immediate uses for instruments on Earth that were initially invented for space-only use are sometimes unclear, developments have always been made as a result of demands in planetary science.

“It’s just like any sort of high-level technology—you can’t predict what the payoff will be,” Howell said.

For example, computers were miniaturized to enable them to be brought onto aircrafts. Today, mechanical arms used to collect samples from planets are being used in medical studies to search for tumours. Studies done by Professor Richard Hughson from the University of Waterloo on astronauts recently returned from space are showing connections between anti-gravity and aging by observing muscle atrophy and the effects of balance.

Howell also stated that humans one day landing on Mars is a very real possibility.

“There are projects like Mars 2025 that are already planning on sending people [to Mars,]” Howell said. “NASA has always had plans to put men on Mars as a long-term goal. [But] there’s always an issue of money and how friendly it would be for humans.”

Modern day rovers such as Curiosity, which NASA sent up in 2011, detect radiation and determine specific Martian climate and geology. Opportunity, which was sent to Mars in 2004, has been taking readings for 10 years, 40 times its designated lifespan. Regardless of whether or not these environments are conducive to life, the research to find out is quickly progressing.

As companies like SpaceX, Boeing, and Sierra Nevada privatize space travel, it will be interesting to see how progress shifts.

a, Arts & Entertainment, Theatre

I like it better when we’re not wasted

The Drunken Show is exactly what it sounds like: A group of comedians who get inebriated and go on stage to perform their acts, with the audience heavily encouraged to get drunk as well. So naturally, with the aim of getting the ‘full’ experience, that’s exactly what I did—for artistic purposes, of course.

One Caipirinha, two vodka shots, and half a bottle of white wine later, I arrived at Theatre St. Catherine in the proper condition for a night of inebriated comedy. At 9:30 p.m., the MC took to the stage and one thing became readily apparent: Everyone was just too drunk.

Ultimately, the very gimmick designed to draw in crowds was the show’s fatal flaw—formatting a stand-up show around such a premise is at odds with the very nature of stand-up. For the most part, such comedy requires a very rigorously structured format: Every joke is carefully crafted to provide the biggest effect, which is why hecklers can be so infuriatingthey break that structure and cause the comedian to improvise. However, in this case, the alcohol served the role as heckler, crippling the performers and destroying all coherence.

Throughout the entire show, there was an underlying feeling that the drunken format would be better suited for an improv, or even traditional theatre. Stand-up can be far less forgiving since the entire performance depends on a single person on stage trying to make an audience laugh. One-by-one, the comedians stumbled on stage and proceeded to ramble and yell at us for fifteen minutes at a time, losing all sense of consistency and structure to their act beyond, “Damn, I’m fucked up, whoooo!” While momentarily endearing, it quickly lost its charm as the realization that this was going to be the whole show set in—a whole show with a $20 admission, I should mention.

This would be less problematic if it wasn’t maddeningly obvious that all these comedians were genuinely funny people. The few—and I should stress few—times they would focus on their acts and enter into a practiced ‘bit’ were some of the funniest moments of the night, with clear talent behind those jokes. Unfortunately, these quickly fell by the wayside to more shots and slurs. It was very reminiscent of open mics, with groups of amateurs going on stage with good material only to struggle under the pressure as they stutter and forget their acts. For a group of professional comedians—some of whom claimed to have performed at Just For Laughs—this was less than amusing.

That isn’t to say that there weren’t a few standouts among the performers: One comedian with a gavel and another being pushed hectically about in a wheelchair offered consistent chuckles, but this was more due to their props than anything else, and still left me with the feeling that they would have been much funnier had they been sober.

Ultimately, if you’re ever considering going to a future Drunken Show, my advice is to save yourself 20 bucks, grab a group of friends to share a bottle of whiskey with, and go to an open mic at Burritoville or McLean’s—you’ll probably get a better experience out of it.

Information on future instalments of The Drunken Show can be found at theatresaintecatherine.com.

a, Martlets, Men's Varsity, Sports

The week that was for McGill Athletics: Oct. 15

Beyond the Box Score

MARTLET GOLF: The Martlets began the finals of the Quebec University Golf Circuit in second place, only a few points ahead of Laval. Montreal had won all four previous rounds and had a firm grasp on first place. With McGill placing ahead of Laval in round five on Sunday, and Laval bettering McGill in round six on Monday, round seven on the last day would decide which team would punch a ticket to Nationals. Laval has qualified every year since the CIS National Championships started in 2005. Led by the trio of Alice Hwang, Juliette Pollet, and Valentine Bougaud, the Martlets secured their first ever entry to the championships. McGill finished first on the final day, beating Montreal by nine strokes and Laval by 13–another first for the Martlets. In the individual standings, three Martlets placed in the top seven, with Pollet finishing second overall en route to taking home the RSEQ Rookie-of-the-Year award.

REDMEN GOLF: After a topsy-turvy season, the Redmen approached the finals with a positive attitude. Entering the finals as the eighth seed, team members and the coaching staff were confident that solid play in the finals could see their standing improve a few positions. A fourth place finish in Sunday’s round was McGill’s best during the finals. Benoit Miquel’s 77 and Will Eberlee’s 78 led the McGill squad. With the exception of a fine 74 by Justin Smith, Monday’s round was subpar, and the Redmen ended with a fifth-place finish. The final round was not much better, salvaged only by Eberlee’s score of 77. The team was sixth on Tuesday, and ended the season in fifth–a jump up three spots from the start of the finals. A reasonable ending to the season after a disastrous ninth and 11th place results in the first two rounds of the circuit.

MARTLET RUGBY: Reigning Athlete of the Week Caroline Suchorski delivered once again for the Martlets (4-3), scoring a game-high 13 points in a playoff spot-clinching victory on Friday against Sherbrooke (1-6). Rookie fullback Carla Massaro was another bright spot on the day, scoring two tries as McGill poured it on from beginning to end, winning by a score of 43-0. With 91 points on the season, Suchorski currently holds an 18-point lead over Laval’s Anne-Charlotte Beaulieu in the race for the RSEQ scoring title. With one game left on Laval’s schedule, it seems likely that Suchorski will take home the hardware, marking the fourth consecutive year that a Martlet player has captured the crown. McGill will begin its playoff run with a sudden-death game against the division champions, University of Ottawa, at Matt Anthony Field next Sunday, Oct. 18 at 6 p.m.

By the Numbers

3 – McGill golfers who have been awarded a major RSEQ award, including the recently minted Rookie-of-the-Year Juliette Pollet

4 – Penalty kicks hit by Concordia’s Yannick Fortin as the Redmen rugby squad battled the Stingers to a draw on Friday at Molson Stadium

15 – First pitch strikes recorded by Redmen pitcher Ryan Kramer against Carleton as McGill won the opening game of the Canadian Collegiate Baseball Association Northern Division playoffs

a, McGill, News

McGill to launch ‘Wellness Portal’ to address students’ mental health

Last Tuesday, McGill University announced the creation of the McGill Wellness Portal, a website that will aim to address students’ mental health. (more…)

amber rose and wiz khalifa
a, Arts & Entertainment, Music

Pop Rhetoric: Bound 2 falling out of love: The plight of celebrity romance

On Sept. 21, news broke that Wiz Khalifa and Amber Rose were getting divorced after 14 months of marriage, citing “irreconcilable differences” as cause for their separation. Since the announcement, the web has been abuzz with rumours of cheating and betrayal on both sides, while internet forums are reveling in rewriting lyrics from Kanye West’s My Beautiful Dark Twisted Fantasy (2010)—which was penned after West’s public split from Rose in 2010—to mock Khalifa’s current situation.

Unremarkably, the public isn’t interested in aspects of the divorce concerning custody of the couple’s one-year-old son, Sebastian Taylor Thomaz, or anything else relating to how Rose and Khalifa are handling their new separation and the legitimate causes behind the divorce. As with the majority of celebrity break-ups, scandal is the only thing that matters, and any shock that arises among the public is typically linked to who did what, not the fact that the couple separated at all.

Why is it that the sanctity of marriage has failed to extend into the realm of Hollywood? It seems that for famous people, long-term monogamy—which by no means is an ideal that everyone has to subscribe to, but it is one that people are committing to when they decide to get married—simply does not apply to them. And even when it does, the public never believes it will last. Take Jay-Z and Beyoncé: In the midst of their world tour, the press pounced on the couple’s relationship, claiming that Jay-Z was cheating with multiple women and that Beyoncé was ready to call it quits the second their tour ended. This depersonalization of celebrities is such a common occurrence that the direct effect tabloid claims could have on the individuals’ personal lives is rarely considered. While it is true that to be in the public spotlight, one needs to be able to grow a thick skin and brush off what people claim, having strangers consistently make wild assertions about infidelity would lead to insecurity among even the most confident of people.

While in Beyoncé and Jay-Z’s case, the masses are on a hunt for scandal, in other situations, basic incredulity at the entire concept of celebrity commitment rules the conversation. When Kim Kardashian and Kanye West announced that they were having a baby—only to follow up with the announcement that they were engaged to be married—people lost their minds in angst-ridden disbelief. From South Park’s joke about Kardashian being a hobbit to consistent quoting of the “Gold Digger” lyrics whenever West mentions his commitment to his new family, it seems that people have narrowed down KimYe’s relationship to nothing more than a short-form publicity stunt.

Obviously, some of the disbelief regarding the lasting potential of KimYe has a sound basis—Kanye West isn’t exactly known for his deep-hearted commitment to anyone beyond himself and his late mother Donda West. After all, stating “She asked me what I wish for on my wish list / Have you ever asked your bitch for other bitches,” on a track dedicated to your new wife isn’t exactly a promising sign of long-lasting love. Additionally, Kardashian became pregnant with the couple’s child, North “Nori” West, little more than a year after filing for divorce from her then-husband of 72 days Kris Humphries—yet another unstable foundation on which to base a relationship.

Despite all this, is there good reasoning for the baseline assumption that celebrity relationships are of predictable deceit and short-lived lust? If we believe the tabloid refrain that celebrities are in fact, just like us, then it should be of no surprise that having your personal life defined by mistrust on the part your community—however anonymous—would create a long-lasting rift in your relationships both present and future. Unless we lose our interest in watching celebrity lives implode before us in multi-page magazine spreads, then they will keep happening, no matter how negatively it will impact the people involved. As far as Amber Rose and Wiz Khalifa are concerned, hopefully they will focus on what’s really important—keeping a loving and supportive environment for their young son, not letting the drama of the press and the public keep them from moving past this break-up.

McGill Martlet Rugby
a, Martlets, Sports

Martlets hold off Carabins in topsy-turvy contest

McGill Martlets
23

Montreal Carabins
21

“I think it was a little too exciting today,” said Martlet rugby Head Coach Matthew Stephens  following an exciting contest as McGill (3-3) overcame the Montreal Carabins (3-3) 23-21 in a must-win game on Saturday at Molson Stadium.  (more…)

a, McGill, News, SSMU

Second annual conference held addressing mental health

The second annual Students in Mind conference took place on Sunday, Oct. 5, and aimed to address the stigmas and concerns surrounding mental health. Through a series of workshops, panels and speakers, the event, which was attended by around 80 people, aimed to create an environment where mental health could be discussed openly and without fear of judgment.

According to Danny Jomaa, student and head of sponsorship at Students In Mind, the conference aimed to address mental health on three levels: The individual level, which was the main target, the peer level, and across campus.

“Many people know it’s good to have a strong mental health, but when it comes up in conversation, people don’t like to talk about it,” Jomaa said. “So this conference is to get it out in the open. We want to tackle the personal stigma that people have, as mental health tends to be a taboo subject, so it’s therefore not given a lot of attention.”

Jomaa described how this issue was addressed following a 2013 study conducted by Manager of Student Assessment Lina Di Genova and Manager of Counseling Dr. Vera Romano, which highlighted the prevalence of anxiety and thoughts of suicide amongst McGill students. This study is seen by the student committee as a huge step towards improving student well being.

A panel discussing mental health within a campus context included four panelists: Dr. Nancy Low, assistant professor in the Department of Psychiatry; Elizabeth Cawley, PhD student in the Department of Psychiatry; Claire Stewart-Kanigan, VP university affairs of the Students’ Society of McGill University (SSMU); and Tanja Beck, access services advisor at the Office for Students with Disabilities (OSD). All panelists believed that McGill places a higher pressure on students due to its reputation as a highly competitive university and its status as a research-based school. The expectations associated with this perception creates a norm of unhealthy habits, such as all-night sessions in the library and substituting healthy food for coffee during exam periods.

Stewart-Kanigan acknowledged McGill’s recent improvements on the subject of mental health, but noted some structures that restrict the university’s capability to address it.

“There are some exam policies that say it’s all right to have three exams within a 24-hour period before you can declare a conflict—and that’s not a reasonable expectation,” Stewart-Kanigan said. “We’re trying to do a lot of work on more academic advocacies. When you are going through things like that, bring your testimonies to us because we can push [for] these changes.”

Stewart-Kanigan also noted that it was not just structural changes that need to be made, stating that there is also a strong competitiveness amongst students with regards to study hours. She emphasized that students need to make each other more comfortable and consistently remind themselves of how their study patterns are affecting them.

As a keynote speaker, Anthony Di Cintio described his own account of struggling with depression, explaining that opening up was the first step to recovering. He stated that counselling, written reflections, and having a mental health crisis protocol helped immensely.

“Never allow yourself to say ‘I don’t have the time’ […] because it’s precisely in the moments you say this that you should be making time,” Di Cintio said. “You should recognize and appreciate all that you have accomplished thus far. It’s important to remind ourselves not just to look for [praise] outside, but remind ourselves of our accomplishments and that we chose to be here.”

While addressing the stigma associated with mental health issues, Di Cintio admitted to fearing backlash in his professional career from speaking out, but hoped that his openness on the topic would encourage employers to look beyond the stigma, and see the strength it takes to discuss it.

“When it comes to public advocacy for anything, there’s always a risk of it shooting back in your face, but if no one speaks up, then no one will talk,” Cintio said. “I like to believe that if anyone’s going to choose me out there for a job, they’re going to see how powerful and encouraging it is that someone had the guts to do this.”

Laura Heath, a first-year master’s  in psychiatry student at McGill, praised the efforts of the conference, and encouraged others to attend similar events in the future.

“I think the conference itself has been helpful. I like how the [Self-Care Workshop] focused on working on you as an individual,” Heath said. “In terms of the campus, though, I feel like the [Student Strategies for Mental Health] panel brought up key insights of the stressful nature that McGill [has]. You can see there are people trying to create a better culture on campus in terms of mental health.”

McGill Mental Health Services is available to all McGill students and is located in the Brown Student Services Building.

a, Features

The changing face of internet anonymity on campus

There is no shortage of anonymous online communities on a university campus, whether it be the updates of ‘spotted’ individuals engaging in out-of-the-ordinary behaviour, the online personas or usernames that mask real names on forums and discussion groups, or mobile applications like Yik Yak, an anonymous feed of posts from other students on campus. (more…)

a, Art, Arts & Entertainment

Post-modernism emerges in a new light

For post-modernist painter David Simpson, light is both a pastiche of past artistic traditions and a peek into the future of its essential nature. The monochromatic paintings that greet you upon walking into his current exhibit at the Parisian Laundry gallery are defined by light, as the interference pigments of his paintings reflect and play with each ray. It makes for an almost interactive experience, where every tilt of the head offers the possibility of making a new discovery in his work, and you are immediately introduced to just one of the artist’s many creative nuances.
Simpson, who was present for a special event at the gallery when I visited, is charmingly sincere and traditional in his techniques and approach to art. The gallery itself is a beautiful, open second-floor space with large windows and old wooden floors, with the paintings simply mounted on floating white boards, creating an inner square of empty space. The entirety of the experience was incredibly authentic and genuine, built by a team of sensorial experiences including the artwork, the gallery, the artist himself, and the audience’s positive reception of the exhibit.
The Giverny Capital collection, owned by François Rochon, presented the exhibit and chose to do so in an intimate setting—a table of champagne glasses welcomes what the modest Simpson deems the “few disturbed people” with the desire to see his magical pieces, as Rochon enthusiastically interacted with those present. Early on the gallery was fairly empty, but it quickly filled up with the chatter of contemporary art enthusiasts. The rainy day and subsequently dim lighting lent the paintings delicate and silver-toned hues, and one can only imagine the “dangerous” brilliance they would have exuded with direct sunlight. The simplicity of the venue synchronized with that of the works of art to create a bewitching sense of harmony in the space.
The simplicity in the artworks is distinguished by Simpson as “reducing the work to its essential” as opposed to the minimalist idealists of recent years. He expressed to me very eloquently that he does not consider himself Avant Garde, nor is he pushing to find a new art form. His work is that of a post-modernist, drawing from past traditions, with gratitude for how Vermeer “swept up” the mess of the past, but also for the expression of light in the older works of Fra Angelico. He finds inspiration in the natural sunlight of his home and studio in Berkeley, California, which he begrudgingly left to come to Montreal—begrudgingly because Simpson is very reluctant to leave his artwork, and finds the most valuable use of his time spent in front of his hand stretched canvases. It is this kind of dedication and devotion to his medium that makes Simpson so engaging and endearing. His paintings speak for themselves, but one word from Simpson adds an entire other dimension to his work.
The authentic, and somewhat traditional approach to art taken by Simpson feels like a breath of fresh air in an art world commandeered by growing digital technologies and corporatization of our present day reality. This man grew up in the depression, teaching him to appreciate life in it’s simplest form. He rejects fame and riches on principal, and insists that the “battle is in the studio,” not in the incessant self-publication taking over the world of arts today with social media. Simpson’s redefinition of monochrome painting as he plays with light, colour, and texture gets down to the gritty, essential and inexpressible truths of the world, making for an all-consuming experience that is unshakably down-to-earth.

“A Tribute to David Simpson” is running until Oct. 11 at the Parisian Laundry gallery (3550 St. Antoine West).

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