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a, Arts & Entertainment, Film and TV, Music, Theatre

What’s Happening In Montreal

MUSIC—Current Swell

These Vancouver indie rockers should play lots of material from their latest album, Ulysses (2014), which means Classics and English Lit majors won’t want to miss out.

Wednesday, Oct. 8, 8 p.m., Petit Olympia (1282 Amherst). Tickets $15.

THEATRE—The Drunken Show: Over The Limit

Pay $20 and watch drunk comedians get collectively drunker and potentially funnier

Friday, Oct. 11, 8:30 p.m., Theatre Sainte Catherine (264 Rue Sainte Catherine Est). Tickets $21.25

MUSIC—Blank Bullets and Play 4 Keeps

The official event for these two local bands is called “Did You Wipe?” and promises funk, rock, and toilet paper—encouraging you to BYOR (Bring Your Own Roll).

Tuesday, Oct. 14, 9 p.m., Petit Campus (55 Prince Arthur East). Cover $5.

MUSIC—Lights

Expert performer at an excellent venue, relatively inexpensive at around $25, worth it.

Friday, Oct. 18, 7 p.m., Le National (1220 Rue Sainte Catherine Est). Tickets $25 advance.

FILM—Au Contraire Film Festival

Featuring various jury-selected films from around the world that look to explore and change perspectives towards mental health, this will be very worthy of the walk west on Sherbrooke.

Wednesday, Oct. 22 to Saturday, Oct. 25 at various times, Montreal Museum of Fine Arts (1380 Sherbrooke Ouest). Tickets start at $10.

NIGHTLIFE—Montreal Zombie Walk

A Montreal classic: Zombies, make-up, and method stumbling all for free Halloween fun!

Saturday, Oct. 25, 3 p.m., Place Des Arts Metro, free.

a, Science & Technology

Money talks, researchers listen

If art is the exploration of questions, science is the pursuit of answers. (more…)

weezer's new album
a, Arts & Entertainment, Music

Album Review: Weezer—Everything Will Be Alright in the End Republic

The quality of Weezer albums have always relied on their sincerity, and on that front, the new album Everything Will Be Alright in the End is a success—sort of.

With impeccable production by Ric Ocasek, the album sounds better than a mid-to-late-period rock band typically does. If anything, it shows that the band hasn’t lost its ability to craft a perfect pop song: Choruses are catchy in an infectious, sing-along way, and there’s a sense of fun in the album that the band hasn’t really shown since The Green Album (2001). The album seems to exist, however, as though the last decade and a half never happened, and it’s hard to care when the sound—bearing few traces of the irony that shows up on other Weezer albums—is refreshingly happy.

Lyrically, though, the album is a mess. It seems that after Pinkerton (1996) was initially derided by critics and fans, Rivers Cuomo resolved to never write an interesting lyric for the rest of his career. He’s given interviews saying that he wants to explore deeper topics like his relationship with women and his father. Instead, the album plods through ‘heavy topics’ like a checklist, resulting in lyrics that are maddeningly unspecific and add no real insight. Content ranges from cringingly undercooked “Don’t want to be mass consumed/ I’m not a happy meal,” to faux-profound “Don’t want my ideas polluted by mediocrity/ Don’t want my sentiments diluted,” often in the course of the same song. Perhaps that’s why the mostly-instrumental three-song suite that closes the album is by far its best stretch of music.

a, Arts & Entertainment, Music

Deep Cuts: Eclectic echoes—Shattered melodies and broken

Life in a Glass House

Artist: Radiohead

Album: Amnesiac

Released: June 5, 2001

“Life in a Glass House,” begins slowly and thoughtfully: Thom Yorke’s voice rings hauntingly to the forefront, carrying deep melancholy as a clarinet and trumpet float in the periphery. As the piece progresses, these instruments become bolder, finally pushing aside the vocals in the final chorus and losing all pretense of structure to reflect the raw lyrical emotion. “But someone’s listening in,” laments Yorke, bringing an end to the chaotic piece.

Shit Catapult

Artist: Iiro Rantala New Trio

Album: Elmo

Released: April 30, 2008

A guitarist, a pianist, and a beatboxer make up the Iiro Rantala New Trio, the best Finnish jazz band of which you’ve never heard. Feeling less like an actual song and more of a musical battle between three utterly distinct styles, “Shit Catapult” practically defines eclectic. Nyman’s distorted guitar and Zenger’s beat-boxing are both grounded by Rantala’s rapid-fire piano strokes. The song, starting off with an introduction of the three musicians as they each take turns shooting out jumbled notes, quickly collapses together into a joyous, instrumental masterpiece.

Turnin’ on the Screw

Artist: Queens of the Stone Age

Album: Era Vulgaris

Released: June 12, 2007

“Turnin’ on the Screw” is easily the most ‘broken’ of these songs, but in the best way possible. Starting with an almost pseudo-Gregorian chant, “Screw” quickly descends into a hodgepodge of clockwork percussion and guitar riffs, with the distortion turned up to 11. “It puts the lotion in the basket,” drones Josh Homme, foreshadowing the lunacy that’ll quickly follow. Indeed, this song is probably the closest one can get to temporarily experiencing insanity as we are treated to nonsensical solos and indistinct groaning, making this a truly abstract beauty.

Schizophrenia

Artist: Young the Giant

Album: Shake My Hand EP

Released: August 18, 2008

Ironically the most coherent of the bunch, “Schizophrenia” is representative of an early period for Young the Giant, back when they were still known as The Jakes and before the release of their first album. The song features Sameer Gadhia on vocals, breaking out with possessed fervor as he speeds through the lyrics until they become indistinguishable. This quickly becomes the tone of the piece, fully embracing its mantle of “Schizophrenia.” Wild distortions and glitches are added to the audio, unraveling the music without losing any structure under the faint, colliope-esque organs which provide the crux of the melody.

Jamie T's new album cover
a, Arts & Entertainment, Music

Album Review: Jamie T – Carry On the Grudge Virgin

It’s been five long years since London-born singer-songwriter Jamie T released his second record Kings & Queens (2009) to critical acclaim, solidifying his place in the English indie rock scene. Known for his witty and clever lyrics, Jamie T has provided classic, well-written songs portraying a “normal person’s” critique of society. It’s what he does and he does it well—so naturally, his third album, Carry On the Grudge, sees him continue where he left off in 2009—but bringing just a little bit more experience to the mix.

Opening with “Limits Lie,” the album showcases a fuller sound, resulting in a much more direct and immediate listening experience. He questions, “Who knows where your limits lie,”—a clever double-entendre to the word ‘lie.’ Where do our limits lie, as in, where are they situated? Or where do they lie, as in, mislead us? Or is there a difference?

This general confusion continues for Jamie T over the span of the album’s 12 songs. “Don’t You Find” discusses a familiar love scenario: “Don’t you find, some of time there’s always someone on your mind that shouldn’t be at all?” before he replaces “someone” with “something” in the second verse, adding to the general lack of understanding of anything in the world. Lead single “Zombie” echoes this love theme: “I’m a sad, sad post teen caught up in the love machine,” he sings over a rather generic guitar strum and beat.

This generality, though, persists through the album. Lyrically, Jamie T covers the same topics he does in his previous works, while the music side of the work actually represents a step backwards for him. As opposed to the immediately arresting, brutal honesty and multi-layered instrumentals that made his proceeding albums such a joy to listen to, Carry On the Grudge is a relatively neutral experience.

“The Prophet” encompasses the overall feeling of the album, with lyrics describing typical teenage life: “She blames the poverty on her parents’ generation [….] I don’t know what to do now… I’ll just sit back and brew with the Coca Cola communists.” Thematically, it’s good. Musically, it’s just not that interesting. He proclaims, “I don’t ask the questions, I don’t write the rules [….] I’m up for suggestions and will follow you through.” Well, Jamie T, perhaps a little shake up next time around would do you good.

The Arts Lounge of AUS McGill
a, McGill, News, SSMU

AUS VP Internal resigns, by-election scheduled at AUS Council

Vice President (VP) Internal of McGill’s Arts Undergraduate Society (AUS) Leila Alfaro formally announced her resignation from her position at the AUS Council meeting on Oct. 1, citing uncertainty regarding her attendance at McGill in the upcoming semester.

Alfaro will remain in her position as the VP Internal until the by-election is over and her replacement is elected.  The nomination period will span from Oct. 9 to 17, the campaign period will take place from Oct. 23 to 30, and the polling period will run from Oct. 28 to 30. 

“I decided to resign because, while still unsure, I might not be at McGill next semester,” Alfaro said. “I wanted to have enough time to think my decision through, and I didn’t want to jeopardize the efficiency of AUS operations by suddenly resigning when so much had to be done and without enough time to have a proper transition with the next VP Internal.”

Duties of the VP Internal include overseeing all departmental associations operating under the AUS, managing the Arts Lounge, and presiding over First-Year Council (FEARC), the Equity Committee, and the AUS Environmental Council (AUSec). 

The AUS President, Ava Liu, does not foresee internal operations being interrupted by the resignation. 

“I plan to ensure a smooth transition going forward using my knowledge of the AUS,” Liu said. “As the VP Internal will be here for the rest of the term and for her transition with the incoming candidate, I foresee a strong institutional memory being preserved within the VP Internal role.”

Alfaro’s resignation comes just weeks after the AUS Council appointed Li Xue to replace the former VP Finance, Kateryn Kim, by a closed ballot vote of 25 for, 15 against. Kim cited personal and familial reasons in her official resignation from her position on Sept. 3. 

“I would say that [the transition] was very smooth,” said Xue. “[Kim] was incredibly patient and thorough in helping me navigate this new role.”

Kim trained Xue for the duties of the VP Finance, which included bookkeeping, counting and depositing revenues, writing and processing cheque requisitions and invoices, handling payroll for AUS employees, and keeping financial records.

“The VP Finance has settled well into her position and into her role on the team,” said Liu. “I hope the same will be true for the incoming VP Internal.”

a, Editorial, Opinion

Editorial: Bilateral tuition needs upward adjustment to counter underfunding

The Quebec government has had a bilateral agreement with the French government since 1978 to provide discounted tuition for students studying at the other country’s universities.
(more…)

a, Student Life

Crossword Corner: Chocolate bars

Find the full crossword in this week’s issue of the McGill Tribune.

Answers:

1. Skor
2. Twix
3. Wunderbar
4. Bounty
5. Aero
6. Crunchie
7. KitKat
8. Toblerone
9. Mars
10. Hersheys
11. Reeses

a, McGill, News, SSMU

Third annual Community Engagement Day encourages students to get involved

Last Thursday, the Social Equity and Diversity Education Office (SEDE) held its third annual Community Engagement Day (CED). Around 45 organizations with 54 projects were present at the event, which drew about 550 attendees.

According to Lina Martin-Chan, CED’s communications coordinator, the event aims to bridge the community-campus divide and provide students with the resources to create lasting relationships with community organizations. 

“One of the goals of CED is thinking about how this school exists in the city and how we all participate in the school and our communities and to debunk this myth of McGill as a bubble,” Martin-Chan said.

Although many of the activities were only open to McGill students, faculty, or staff, public talks were held throughout the day at the Y-intersection. One talk featured a panel discussion of speakers from the Quebec Community Groups Network and a speaker from McGill’s own Career Planning Service.

The panel discussed career opportunities in the community-action sector and hoped to demystify jobs that focus on community support. Students who attended the event saw it as a good introduction to the potential for working in community organizations.

“I’ve always been interested in Non-Governmental Organizations, but I’m studying history so it wasn’t something I was thinking of specifically,” said Mab Coates-Davies, a third-year student at Concordia University. “I think it’s important to be looking into.”

New to CED this year is SEDE’s collaboration with The Yellow Door, a Montreal community organization that aims to provide services for the elderly population while fostering youth involvement in their activities.

“CED aims […] to integrate McGill students into the normal, day-to-day operations of the organizations,” Sunny Sun, project facilitator for The Yellow Door, said.

Sun also stressed the importance of creating long-term relationships between students and the community.

“It isn’t meant to be a day of activism, where participants can go home and feel like they did a good deed, and then never think about it again,” Sun said. “We want to start a dialogue between the student participants and the community organizations. We want students to think about the social forces that created the social issues that these community organizations are trying to address.”

Another group present at CED was Cactus Montreal, a local group that works with drug abusers, sex workers, and transgendered people. Cactus Montreal coordinates two syringe clean-ups each year. This year, their syringe clean up corresponded with CED and volunteers learned how to safely dispose of needles while learning about the organization itself.

In its third year, CED has continued to grow and evolve, according to CED Program Coordinator Adam Finley.

“This year, instead of trying to boost the number of people [attending], we focused a lot on […] making the activities not only a good introduction to these organizations but [making sure] that what people are actually doing is useful,” Finley said. “The first year, there were 23 activities for about 200 people. Last year, there were about 40 activities for about 600 people. We found actually that that was enough because it’s quite a bit of work to organize that stuff.”

Finley added that the response to CED has been positive.

“We’re really happy with how this year has turned out,” he said. “It’s been a lot of work but we’re super happy with the direction the project has taken over the past few years.” 

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