The McGill Martlets (1-1-0) fell to Sherbrooke Vert et Or (2-0-0) 4-3 Friday night in a thrilling match that was ultimately decided by a goal on a counterattack in the 73rd minute that put the visitors ahead for good. (more…)
The McGill Martlets (1-1-0) fell to Sherbrooke Vert et Or (2-0-0) 4-3 Friday night in a thrilling match that was ultimately decided by a goal on a counterattack in the 73rd minute that put the visitors ahead for good. (more…)
Solin Hall’s Annex building is closed this year and will not house occupants. (more…)
For many incoming and returning students, making sense of McGill University’s large and bureaucratic system of governance may seem daunting. The Tribune is here to provide you with a simple guide to the school’s authoritative bodies.
The Board of Governors is the governing body of McGill with final ruling authority on the actions of the university.
It is comprised of 25 voting members and two non-voting student observers. The voting members consist of a diverse group of representatives, including 12 members-at-large, the principal, and one representative each from Students’ Society of McGill University (SSMU) and Post-Graduate Students’ Society (PGSS). The two student observers are representatives from the McGill Association of Continuing Education Students (MACES) and the Macdonald Campus Students’ Society (MCSS) respectively.
The BoG is comprised of six main committees that oversee many aspects of the University’s function, from the Audit Committee to the Human Resources Committee. One of the duties of the Nominating, Governance and Ethics Committee is creating and reccommending members for ad-hoc committees, which have a term of one year and usually focus on specific issues on campus.
Many of the Board’s meetings are open to members of the public, although some are labelled as closed sessions.
Recent issues that the BoG has discussed include university financing and licensing agreements.
While the BoG exercises an overarching authority over McGill governance, the Senate has jurisdiction over academic affairs at the univerity.
The Senate has 107 voting members who represent the university’s constituencies, ranging from faculty, staff, students, administrators, Board members, and alumni. The Senate also has numerous subcommittees that make up an essential component of McGill’s administration. These include the Ad Hoc Committee to Review the Charter of Students’ Rights and the Ad Hoc Committee to Review the Composition of Senate.
Recent issues the Senate has debated include anonymous grading and exams weighed over 75 per cent.
The Post-Graduate Students’ Society (PGSS) is an association consisting of all graduate students and postdoctoral fellows at McGill. The PGSS Council is the governing body of PGSS, in charge of managing social activities within the society, and the long-term vision of the association.
The Council meets once per month in the Thomson House, where departmental representatives debate and vote on issues regarding PGSS. General members of the public can observe the proceedings in the gallery.
Recent issues that the PGSS Council has discussed include its divestment from the Canadian Federation of Students (CFS) and development of a Mental Health Policy for its students.
SSMU’s governing body is the Legislative Council, which meets every other Thursday in the Lev Bukhman room in the SSMU building. The council has 36 voting members, including the SSMU executive team and 30 councillors who represent the various faculties and demographics of McGill’s undergraduate students. The Council is open to all members of SSMU.
Recent issues that the SSMU council has discussed include the SSMU Building Fee referendum question and drafting McGill’s Sexual Health Policy.
The Shag Shop, a sexual health boutique and resource that was originally located in the Brown Student Services Building, has been temporarily closed at the beginning of this year due to the construction of an accessible ramp for the First People’s House next door. (more…)
Founded in 1936, the McGill Students Outdoors Club (MOC) is among the oldest outdoor clubs in Montreal, specializing in the organization of nature-based outings. (more…)
These days it can be difficult to determine what constitutes truly good photography as we scroll through untiring social media feeds, where powerful photojournalism can be found adjacent to filtered snapshots of Caesar salad. (more…)
When internet trends hit, it doesn’t take long until everyone and their grandmothers are taking part. (more…)
A lot can happen in 10 years. Since the release of Death From Above 1979’s blistering debut You’re a Woman, I’m a Machine in 2004, the bass and drums garage rock duo have broken up, gotten back together, and are finally back with their sophomore effort, The Physical World. While it lacks the firepower of its predecessor, The Physical World has more than enough relentless bass riffage, gut-busting drums, and breakneck tempos to deliver the goods that Death From Above 1979 fans have been missing for oh-so-long.
Above all, Death From Above 1979 are three things: loud, fast, and surprisingly catchy. Bassist Jesse F. Keeler has a knack for crafting gritty yet memorable grooves buried beneath the band’s trademark wall of distortion. The album is at its best when these are paired with Sebastien Grainger’s full-throttle drumming and larynx-shredding vocals on songs such as “Right On, Frankenstein,” “Government Trash,” and “Cheap Talk.” While the album doesn’t depart much from the sound of their debut, its sound remains just as fresh and instantly recognizable.
However, The Physical World isn’t without blemish. On tracks like “Virgins” and “Trainwreck,” the band seems to be copying the garage rock movement they helped to inspire in the first place. The latter adds in generic lyrics such as “I want it all” and “I can’t get enough” to make for an uncharacteristically middle-of-the-road song from such a decidedly innovative band.
Despite its shortcomings, The Physical World is a worthy continuation of the odyssey that is Death From Above 1979. On the title track, another of the album’s many standouts, Grainger shrieks, “I’ve got a feeling this is never gonna end.” Let’s hope he’s right and that we don’t have to wait another 10 years for him to say it again.
Goin’ Home
Artist: Dan Auerbach
Album: Keep it Hid
Released: February 10, 2009
Primarily known as the bluesy yet angelic voice behind the Black Keys, Auerbach uses his classic Animals-inspired strumming and chord progressions on “Goin’ Home.” Opening with a dream-like intro, this classic on-tour-homesickness song strikes a deeper chord than most with its simple lyrics and guitar/vocal melodies that seamlessly intertwine together. Taking a step back from the hardcore blues of the Keys, Auerbach plays to his strengths: His plain yet perfect lyricism and melodies and his heartwarming croon. This is the slowest song on the album, so those looking for more Keys-esque songs will enjoy it as well.
Guaranteed
Artist: Eddie Vedder
Album: Into the Wild
Released: September 14, 2007
Pearl Jam’s frontman has one of the most recognizable crooning voices of the ’90s grunge era. Vedder unplugs for this album, a soundtrack to indie film Into the Wild. Vedder’s haunting lyrics and the simple repetitiveness of the guitar evokes the kind of emotion and free spirit feeling that the movie portrayed. Catchphrases from the likes of Vonnegut (“So it goes” from Slaughterhouse Five) coupled with Vedder’s weighty tone will make you want to run through a field barefoot while listening.
Blunderbuss
Artist: Jack White
Album: Blunderbuss
Released: April 23, 2012
This is the title track from Jack White’s debut solo album, which is one of those albums that you can listen to in its entirety without getting bored. Using a slide guitar, pounding piano melodies, and signature White Stripes arpeggio guitar riffs, this song saunters through a cryptic and lyrically-full half-ballad. With thought-provoking lines like “Such a trick pretending not to be doing what you want to,” this song will resonate with all who listen to it.
Say It To Me Now
Artist: Glen Hansard
Album: Once
Released: May 22, 2007
Glen Hansard, part of the duo Swell Season who starred in the movie Once, goes solo on one powerful song: “Say It To Me Now.” It opens with a slow, beating guitar rhythm, and Hansard’s perfectly imperfect voice breaks through to start the simple and ultimate breakup song. Hansard uses chords that aren’t immediately pleasing to the ear to catch listeners’ attention and lead them to the crescendo, a “Hey Jude”-esque scream. “Say It To Me Now” is a perfect mix of melancholy strumming and desperate furiousness that will leave the listener wanting more.
Moving into a dorm room is a transition most university students will go through—shifting from the comforts of home to the box-shaped rooms that are the norm here at McGill. (more…)