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SSMU executive interviews

SSMUExec_Courtney_LACourtney Ayukawa, President

What have you done this summer?

I’ve been getting used to my role and the responsibilities and getting to know SSMU really well. I’ve also worked with our human resources advisor to draft and implement a Mental Health Policy for our permanent staff, which is really exciting.

[Furthermore,] the sustainability coordinator position was cut [last year]. Our policy really relies on this position, so in my mind this policy is out of date. I’ve initiated a research project on sustainability with our Political Attaché, Julien Benoît [….] He is making a “best practices” document and is looking into sustainability structures at other universities. I want there to be research done and a report made that recommends changes that can be made in the policy.

What concrete goals do you have?

I do hope for the University Building Fee to pass this year. Last year, I didn’t feel like students were able to make an informed decision because of the lack of a “yes” committee, the lack of a campaign and the lack of general awareness [raised] around this question. Now we are running it a second time. We’re going to be putting out information that is going to be quite neutral about the effects of having this fee and not having this fee. Hopefully with that, people will  [make] an informed decision.

When people get this information, if there is still backlash, I think it’s valid and people can feel unhappy that they need to pay more, since tuition and everything else is already so costly. But I think it’s important for people to realise that without this fee, SSMU’s financial situation is so unstable.

[As well,] SSMU is currently being audited [and] once our audited financial statements are complete, they get presented to the executives and that information is made public on the website—I think that is something that could be better publicized.

What obstacles do you foresee?

I really want [the sustainability policy] to be founded in intense surveying and consultation of all students on campus, not just small communities. Getting that feedback can sometimes be really challenging. Last year, Katie [Larson, former SSMU president] brought a motion to make an ad-hoc committee on sustainability, which I’d like to continue this year.

SSMUexec_david(?)_NEAL.onlineDaniel Chaim, VP Internal Affairs

What have you done this summer?

I was working on frosh and orientation week, and I used what I knew from having planned frosh in the past to start afresh and take notice of everything I needed to do for frosh this year. All in all, it was a good experience and I’ve learned a lot.

What concrete goals do you have?

My coordinators and I took it upon ourselves to collaborate with all the [faculty] froshes a lot more, to try to facilitate them talking to each other and working with each other.  It’s also really helped out smaller faculties, [such as] Music, which for the first time, are coming to beach day and the concert. Mac Campus is [also] going to be much more involved in frosh this year, they’re coming to beach day and the concert as well.

We also created a new task force—the community relations taskforce. We came up with a commitment to the Milton-Parc area and the community of Montreal. We met the Milton-Parc Citizens’ Committee (MPCC) and discussed how we could make the community more safe and liveable. We made a commitment to also supply street teams to the area, who tried to quiet noise, make sure people weren’t drinking in the streets, and diffuse situations that could be potentially harmful.

What obstacles do you foresee?

Without having a frosh budget from last year that was actually concrete, it was difficult for us to make a budget. I’m really hoping that there’s no deficit this year, but I think it’s really important to understand that when you run an event and you’re scheduled to break even, you’re never going to break even. You may make a bit of money and lose a bit of money, but it’s very naïve to think that you’re going to get exactly zero. We have been budgeting cautiously, and looking at last year’s expenses.

What other aspects of your portfolio are you working on?

McGill has created an app, which we hope to immigrate our SSMU calendar idea into. The event organizers from all the faculty associations have also offered their support in making one centralized app for all the events, especially with a singular ticket buying feature.  

We are raising the prices for Four Floors—I believe we’re going up to $20 from $15. There’s a massive demand for 4Floors tickets and the increased price will go towards increased security costs, maybe getting better entertainment [and]  hiring better sound equipment and lighting.

SSMUexec_stephan_LA.onlineStefan Fong, VP Clubs & Services

What have you done this summer?

[In] June I threw myself into my research project, which is phase one of the Club Hub.  I’ve been calling universities across Canada to chat about clubs and to see if there are any common issues that [SSMU deals] with and what solutions they have for those problems and […] if those solutions would work over here in our club structure.

I also went to the [Student Union Development Clinic] Summit, It was a gathering of executives across Canada to talk about voter turnout, sustainability […] and a lot of really cool things.

I’ve been training my staff which has been really fun. This year we have not one but two Activities Night coordinators. It’s too much of a job for one person to deal with so I had to hire somebody else so that we could have more coverage, more planning, a smoother event. They’re now more responsible for Rez Activities Night, as well.

What concrete goals do you have?

It’s the 50th year of the [Shatner] building. I’m working on a full building renovation plan for the next 10 years. It depends on how and when we get the money to pay for it. We had a lot of projects that were pending because the lease had been pending and without an actual lease its very hard to plan ahead. Now that we have a lease we can start doing that. We’ve struck a subcommittee of our building committee to discuss the future of the Shatner Building and what we want to do with it.

What obstacles do you foresee?

[The co-curriculum record] is the university’s attempt to recognize extracurriculars on campus for students and translate that into [an] actual non-academic transcript. You would be able to print it out as a transcript that has the official McGill signature […] to show to your employers. I definitely think that would be insanely valuable for students.

The problem is that there are a lot of legal considerations, so the university has purchased an off-the-shelf called myInvolvement. It is by a company called Collegiate Link, which has issues with data storage. We also have issues with administration not being separated between McGill and SSMU, so if we put all of our information there then [McGill] has access to all of our groups and their finances, and [SSMU] has access to all of [McGill’s] groups and finances. So there are a lot of legal jurisdictional issues that need to be worked out.

SSMUexec_amina_LA_onlineAmina Moustaqim-Barrette, VP External Affairs

What have you done this summer?

The summer has been great. After training, it was a bit of a learning curve, just getting used to the office and all that. I think we have all hit our strides now, and it has been really good. I have been preparing for September—a lot of event planning, a lot of meeting with other student unions, trying to figure out now that we are independent, how lobbying is going to look like. So it has been a lot of travelling around, meeting other people, and having that conversation, making those connections.

For community events, I have been planning Community Engagement Day (CED) events and I have been working with [VP Internal Daniel Chaim] a lot to make Frosh as community-friendly as possible. I have been meeting with the Milton-Parc Citizens’ Committee [MPCC ….] We have fostered a really good relationship over the summer [….] We are going to have street teams this year, which will hopefully work out well.

I have [also] been planning a lot of campaign events, we are having a couple of big events in September for Divest McGill [….] Usually there is an annual campaign where all the student associations get together behind one cause and campaign around it, and I think the talk has been that the annual campaign this year is going to be around climate change.

It has been a lot of communicating with different organizations and getting that all together [….] It has been a lot of stuff, a lot more than I thought it would be […] but it’s been good.

What obstacles do you foresee?

I think it will get really busy, and I guess, with my position, the nature of my job is being prepared for whatever happens. If the government throws out a policy that is not good for students, then [my job] is reactive. I see that being challenging. It is an interesting balance between being reactive and proactive. In the past, [the portfolio] has been especially reactive […] but I really want to foster this culture of politics and political awareness at McGill, and I want to really be proactive in that.

Last year, SSMU voted to disassociate from Table de Concertation Étudiants du Québec (TaCEQ). Can you tell us a little about that process, and how you have been involved in consolidating SSMU’s voice after that?

It all happened really quickly. This summer I have been working really hard on assessing what the situation is now, and what I have been doing is writing a report on our current situation so that in September, we can move forward with something. I have been meeting with different student federations, going to the Fédération Étudiants  Universitaire du Québec (FEUQ) conferences, meeting with Association pour une Solidarité Syndicale Étudiante (ASSE) executives […] talking to them about their affiliations, how they like it, and what they do not like about it.

Basically I am putting this in one report for council […] and I will have a better idea, or at least get a suggestion of what SSMU should do, or what is inadvisable and advisable. I definitely want to have some kind of consultative process in which I sit down with students and ask them what they see SSMU’s affiliations with different federations to be, because I think students do have opinions on CFS, FEUQ, [and  other student federations].

SSMUExec.claire_online_LAClaire Stewart-Kanigan

What have you done this summer?

The first annual cross campus mental health week is being planned [….I] consulted with the student groups who made the original plan [to change the week to November] and we decided together to enhance cross-campus collaboration.

There’s [also] been a lot of work done on the sexual assault policy. Myself and the working group that developed the policy proposal last winter have been meeting regularly throughout the summer time to develop a draft of the policy.

What concrete goals do you have?

The annual Dean of Students Forum on Safer Space discussed in the Media Relations Office (MRO) has been replaced by a week-long Consent Campaign planned for October. Multiple student groups, such as the Sexual Assault Centre of the McGill Students’ Society (SACOMSS) and SSMU […] Rez Life, and Healthy McGill, are currently involved in planning the week under the leadership of the Sexual Assault Response Coordinator (SARC) [….] The SARC has consistently focused on actively including students in developing her projects, and with such strong multi-level campus collaboration, I am confident it will be a strong first year for the campaign.

What obstacles do you foresee?

The next step is taking the [sexual assault] policy [draft] that we have and meeting with the Dean of Students to get his feedback [and then] take that back to the working group. I anticipate that that kind of cycle is going to go on for a while. It’s going to depend on the level of resistance that we encounter from higher-ups. One of the largest arguments that we run into is the fact that there is already a sexual harassment policy, so why do we need a sexual assault policy [….] There are a lot of things that are lacking in the harassment policy that warrant an additional policy.

What new initiatives have you taken on as VP UA?

The working group of the Subcommittee for the Equity for First Peoples last year that I was a part of [and I are] developing a traditional territory acknowledgment policy that we’re hoping to see adopted by the university. Many peer institutions in Canada have similar policies and practices whereby the traditional territory of the land on which the university is situated is announced or acknowledged at the beginning of many major presentations or major events.

I’ve [also] been co-planning […with] the Indigenous education coordinator […] a panel for Indigenous Awareness Week discussing community accountability within Indigenous studies programs.

kathleen.jshen.onlineKathleen Bradley, VP Finance & Operations

What have you done this summer?

Right now I am working on a couple of bylaw revisions to restructure the [club] funding structure for funding committee, which was something I was intending to work on for my platform. So we are looking at working on an advanced schedule semesterly for funding. Applications for theWinter semester would be reviewed in the Fall, for example, and then have instalment funding, so groups would get a percentage of their funding approved at the beginning of the semester and they’d get the remainder once they’ve submitted their receipts, because right now there’s no accountability for funding, so we’re often overfunding groups and not sure where the money’s going.

I’ve also been doing a lot of hiring, just finalizing the Financial Ethics Research Committee (FERC) hiring positions, so I’m working on an Ethical Purchasing Policy this year, which will largely be the role of the ethical purchasing commissioner position.

I’ve also been helping the mini-courses personnel; they’re getting ready for the registration starting in September, so I’ve been working on room bookings, budget stuff, getting their promotional material organized for frosh, and just making sure they have the necessary resources they need.

Lots of people just email me because they have no idea how student accounts and student billing works at McGill, so I’m sort of their main touch point with Student Accounts and navigating Minerva if they can’t get in touch with someone at student accounts. I also [receive] a lot of questions about ASEQ, the health and dental plan, from incoming students and their parents, so lots of answering emails and problem solving.

What obstacles do you foresee?

[The budget limitation from the lack of the building fee] hasn’t been hard for me because I don’t really use the budget, I make the budget [….] It hasn’t really affected my budget revision—having or not having a lot of money doesn’t really affect that process, it’s just what you can do with that money.

[The reduced building hours are] already operating. We’re currently working with similar building hours for September but if the building fee question doesn’t pass there will be no access to the building past 5 or 7 p.m. on weekdays or [at all] on weekends, which is really limiting to a lot of our clubs and services, as a lot of them need the space in the evening and weekend hours.

What concrete goals do you have?

Our divestment has pretty much reached the maximum as what we can primarily divest from, so my platform was to switch to the financial ethics research commissioner’s portfolio, [and] to focus more on the ethical purchasing of SSMU, which is an equal part of the FERC. In previous years it was more focused on divestment, but as I said we’ve reached the limit for how much we can divest without eliminating the purpose of the investment portfolio, which is ultimately to generate interest for SSMU’s operating budget. We’ve currently divested from all primary activities related to tar sands and environmental humanitarian concerns, and there is not a very good reason to divest from secondary resources, because that is pretty much the entire investment portfolio. Once the [commissioner] position is filled, we’ll be working on an ethical purchasing policy and strategy for SSMU to be selecting ethical suppliers and purchasers we can use for major things like napkins, coffee cups, t-shirts, things  that we use on a year-to-year basis, to ensure that we are a leader in ethical purchasing.

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no-smoking sign outside mclennan library
McGill, News

McLennan-Redpath smoke-free terrace well received by students

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a, McGill, News, PGSS

Quebec Superior Court to decide on court-ordered PGSS referendum regarding CFS membership

Last Thursday and Friday, the Quebec Superior Court heard an injunction filed by Ge Sa, a graduate student at McGill and internal affairs officer of the Post-Graduate Students’ Society (PGSS), against the Canadian Federation of Students (CFS). (more…)

Construction along McTavish street
McGill, Montreal, News

Work on McTavish Street water pipes to continue through October

With the city’s construction on McTavish Street to continue until October, provisions have been made to facilitate students’ usage of the SSMU Building in the upcoming months. (more…)

Science & Technology

McGill researchers spotlight Polypterus fish

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Seven myths about university

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Bands playing at Osheaga
a, Arts & Entertainment

Osheaga’s local acts

Osheaga is over, and with the the end of one of the most anticipated festivals of the summer, Montreal seems to have settled down before the hectic frenzy of back-to-school season. But while most international bands have returned to their homes, sometimes an ocean away, much of the talent at the eighth installment of Osheaga included up-and-coming local acts whose work you will likely be able to follow closely and see in concert throughout the school year. Here’s our list of four Montreal bands to keep on your radar:

1. Jimmy Hunt

One of this year’s few francophone Osheaga acts, Jimmy Hunt kept festivalgoers dancing with an energetic performance that showcased his impressive vocal range and his ability to make both soulful shoegaze tunes as well as lively pop-rock. The Quebec City native has been gaining traction in the national folk scene, with recent nominations for the SOCAN Songwriting Prize and the 2014 Polaris Music Prize. Though Hunt’s arrangements are fundamentally simple, he manages to keep an upbeat energy on live shows that is both intriguing and refreshing.

2. Kaytranada

The scorching early afternoon sun couldn’t keep people from dancing to Kaytranada’s smooth hip hop and lounge beats. The Montreal DJ and producer brought his atmospheric and electronic beats to the Piknic Electronik stage of Osheaga, including a funky tribute to Michael Jackson. Kaytranada, who made a name for himself by posting his music for free on streaming sites and recently signed with renowned UK label XL Recordings, has been rising in the electronic scene, giving fans a chance to simultaneously watch him gain fame and experience his music .

3. Joëlle Saint-Pierre

Joëlle Saint-Pierre’s Osheaga debut highlighted her training as a classical percussionist, mixing the francophone singer-songwriter’s mellow vibraphone arrangements with her soothing vocals. Saint-Pierre’s music, reminiscent of Coeur de Pirate, translates to an intimate, calming live acoustic act and perfectly manicured recordings. Stay tuned for her upcoming album, due to be released sometime before the end of 2014.

4. Half Moon Run

After playing festival stages such as Lollapalooza and Glastonbury in 2013 and Governors Ball earlier this summer, as well as touring with Mumford and Sons, the members of Half Moon Run are no stranger to performing for large, enthusiastic crowds. Still, coming home to Montreal infused their show with the energy of playing in the city where their musical journey took off. Playing the main stage of Osheaga just a few hours before the headliners, the trio played a heartfelt set to an eager crowd of longtime fans. The band has announced that it plans to spend the next few months dedicating itself to a new album still in the works, so live appearances may become sparse once it submerges itself in the recording process.

The Just For Laughs festival is a Montreal summer staple
a, Arts & Entertainment

Just for Laughs roundup

Since its founding in 1983, the annual Just for Laughs event throughout Montreal has been bringing in show-stopping comedians and joyfully tearful tourists from all over the globe. This year, the Tribune invaded the largest comedy festival in the world to observe and interview four of the comics featured.

Adrienne Truscott

Adrienne Truscott
(adriennetruscott.com)

Adrienne Truscott may be new to the world of stand-up comedy, but the performance artist is evidently familiar enough with the medium to make it the message of her show, “Asking For It”.

The show, featuring Truscott in just a shirt and shoes, was a pointed commentary about rape jokes in comedy, with critical barbs directed at several male comics who made rape jokes—including a particular rant aimed at TV personality Daniel Tosh, who made headlines in 2012 for his rape joke as a response to a heckler. Two main points to keep in mind throughout Truscott’s set: she is a performance artist through and through—every tense moment is designed to prove a point—and, as eloquently stated early on in the performance, “rape is rude”. With these two concepts noted, the show can be analyzed as what it is: not just a comedy show, but also a critique of the comedic landscape.

Despite the heavy subject matter and calculatedly awkward atmosphere, her comedic chops still shined through in spades. Truscott swiftly followed up every awkward silence with a self-referential joke, which sliced through the tension with a roar of laughter, and her projections of male faces superimposed on her bare vagina were incredibly creative. Most importantly, the show got the audience’s mental gears churning as to what was wrong with the current pop culture landscape, from the six male comics whose rape jokes served as lambasting fuel for Truscott’s performance to Flo Rida’s pop-rap hit “Whistle”, a thinly-veiled plea for oral sex.

By bringing these misogynist nuggets of pop culture into focus, Truscott really demonstrated how messed up the current landscape is—even before the show began, “Blurred Lines” was played as background music while audience members filed into the cabaret space. By the end of the night, the song was a reminder of how embedded invocations of rape or lack of consent are in society. Truscott’s performance used humour and over-the-top ironic embracing of the topic to deftly highlight a pervasive, difficult-to-discuss issue with a unique flair.

Matt Bobkin

Paul F. Tompkins

Paul F. Tompkins
(paulftompkins.com)

Paul F. Tompkins, host of what Rolling Stone called the best “Comedy Podcast of the Moment” in 2011, was the emcee of “Paul F. Tompkins & Friends Real and Imagined”. This act featured stand-up from Tompkins as himself and two different characters, interspersed by sets from two up-and-comers. Tompkins’ set as himself found the tuxedo-clad comedian riffing heavily with the audience, and his charismatic performance was both charming and hilarious.

Prone to fits of spontaneous yelling, Tompkins brought his show to a great start before ushering to the stage Australian comedian Demi Lardner. Lardner’s delivery was muted and conversational but her stealthy punchlines caught the audience unaware several times, and the 20-year-old proved that while her comedy career was younger than Tompkins’, age was no issue with regard to humour on a professional scale.

Tompkins returned as a caricaturized Andrew Lloyd Webber, complete with cape and top hat. As a stereotypical British gentleman, jokes were made about Canada’s maintained observance of the British monarchy before giving way to a set about Webber’s musicals. While Tompkins stayed in character, the set felt drawn-out and even laughter from those who understood the jokes about musicals waned by the end of the set, which featured a hypothetical musical featuring several of Webber’s characters.

The second “real friend” of the night was Ontario’s Mark Forward, whose awkward, sparse mumbling earned numerous waves of laughter from the audience. Forward has a real talent for mining silences, but his best moments were when he abandoned his initial persona and actually began telling jokes. His observations about parenting in 2014 were smart and well-executed, and his punchlines landed well.

Tompkins finished the night as the Cake Boss, an imitation of television personality Buddy Valastro. While this initially came off as another trite impersonation, the bit really took off when he introduced the character’s quirk of being able to see into the future. Improvising outlandish scenarios based on audience suggestions, Tompkins finished the show off with a fresh take on what could have been another rehash of a specific celebrity niche.

Matt Bobkin

Ari Shaffir ft. Greg Proops, Bright Okpocha, and TJ Miller

Ari Shaffir
(laughstub.com)

Ari Shaffir’s webseries-turned-Comedy Central show “This is Not Happening” features comics telling personal anecdotes based on a common theme, and the night’s theme was family and youth. Shaffir kicked the night off with a story about his once-wealthy family’s fall from financial grace, juxtaposing his father’s incarceration with eight-year-old Shaffir’s selfish desire for a video game to success in the form of raucous audience laughter.

The rest of the comics didn’t disappoint: Greg Proops, the self-proclaimed “Smartest Man in the World” waxed poetic about the drug-addled world of pizza delivery in the 1970s, and his verbose turns of phrase were hilarious and helped to propagate his moniker.

Nigerian-born Bright Okpocha, also known as Basketmouth, delivered a set about growing up in Nigeria in a hilarious deadpan that garnered tons of laughs while also carrying an undercurrent of seriousness regarding the trivialities of the other comics’ life experiences. Equal parts hysterical and thought-provoking, Basketmouth delivered a great set to keep the show rolling.

TJ Miller, fresh off the success of the first season of HBO comedy Silicon Valley, brought his simultaneously wild yet laid-back persona out as he rifled through several stories from his youth, including a charismatic and entertaining story about his first time drinking. Finishing off the night was Daily Show correspondent Al Madrigal, who recounted a tale centred on family from the perspective of being a parent. Detailing his attempt to watch his daughter’s dance recital dress rehearsal, Madrigal’s exasperated delivery and creative story closed the show out on a high note.

Matt Bobkin

Nikki Glaser

Nikki Glaser
(nikkiglaser.com)

The Just for Laughs festival picked an interesting stage for Nikki Glaser to perform on last week. On one hand, the Katacombes venue is known for its underground Goth, punk, and metal scenes. Contrast this with Nikki Glaser’s wide-smiling, happy-go-lucky stand-up, and you’d have felt like Hades invited a female Dionysus for a soirée.

“This guy held the door for me […] and he was like, ‘stay beautiful’. And then […] he just left,” she noted. “I was like—is that a threat?”

And cue the laughter. Her quirky, ridiculous humour had her audience wrapped around her finger. The show played on the “I KNOW WHAT YOU MEAN!” branch of humour, but regularly took one of Glaser’s signature turns for the unexpected.

“It’s hard to babysit, because it’s like you’re their mother—but you don’t love them!” she continued.

Online dating, eating Subway (“because I’m a foodie”), and at one point, explaining why high school pregnancy frees up more time following university, the material continued to entertain.

Glaser is in her figurative 20s, hails from Cincinnati, Ohio, and has starred in programs such as Jay Leno’s The Tonight Show, CONAN, Last Comic Standing, and the MTV programs that she hosted, Nikki & Sara LIVE and the You Had to be There podcasts.

There were a few slowed pauses in her performance when she seemed to be searching for her next topic, but it would consistently return to her familiar rhythm as if nothing had slowed her down at all. With consistency, Glaser’s unique interpretations and everyday observations commanded the audience’s full allegiance throughout the show.

What was exciting was Glaser’s refreshingly unique stage presence. Her persona of “innocent, classy liberal arts graduate” made all the raunchy things she was saying that much funnier.

Her style jumped from story to story, intermingled with her characteristic one-liner quips that transcended the knee-slapper:

“I’ve been single forever—I was born that way,” she joked.

But following her show, she opened up about her time at MTV and how she moved on from there.

“[Working at MTV was] a lot of work,” she said. “It was so fun because I was working with my friends and we were having a great time [….However,] it was more important for MTV for us to look pretty and perfect than for us to be funny […,] It wasn’t my sense of humour, like I had to censor myself a lot, so I felt a little stifled in that sense.”

Stifled? Stifled no more. There was not a trace of that in her performance on stage, nothing “holding her back” from telling you, the audience, every thought that runs through her mind—such as how her Match.com profile read “I support puppy mills” because men don’t pay much attention to women’s online descriptions anyways.

Glaser’s show kept striking on-beat. She punched unique style and taste into every bit of raunch that few other comics get away with.

Most of us cannot see the world in the same way as her, which is why fans go see her show. She’s funny, and charming enough to get away with it all.

Gregory Frank

Outkast
a, Arts & Entertainment

“Can You Feel that B-A-S-S Bass?”

“Is it possible for me to fairly review the Outkast reunion?”

This thought had been lingering in the back of my mind ever since I knew that I’d be covering the first night of Osheaga, when the famed, deeply strange Atlanta hip-hop duo would be bringing their 40-stop reunion tour to Montreal. Could I fairly assess the experience of seeing a group whose work I had spent countless hours of my teenage years listening to and obsessing over? Would I be able to judge, with any sort of accuracy, the quality of the musical performance in this show which once seemed, if not impossible, at least highly improbable?

The answer—which I knew the minute the duo, comprised of André3000 and Big Boi, walked on stage and the opening synthesizer sounds of “B.O.B.” came through the massive main-stage speakers—was a resounding “no”. I wouldn’t be able to separate what was happening onstage from my prior relationship with this much beloved tag-team of southern hip-hop weirdos; so, I’ll do my best to convey what the experience was like for me.

To start, I couldn’t shake the feeling that the festival setting was wrong for the event. This is hardly a problem limited to Osheaga, since all of the tour stops—outside of a few dates in their hometown of Atlanta at the end of September—are at festivals. For a few reasons, settings like these simply can’t do justice to a show like this one.

First, and possibly foremost, the perennial auditory problems that plague outdoor performances were present in full force throughout the set. The hook on “The Way You Move” fails to grab you with its maximum potential when you can’t distinguish the funky guitar bends that introduce it from the thundering bass or the dull roar of crowd disinterest. The live band was a nice touch, and the horns in particular added an extra dose of grittiness to boisterous songs like “Ghettomusick”, but their contribution was often difficult to discern. The nuances present throughout the work of a group as detail-obsessed as Outkast can’t be conveyed when they’re being blasted through speakers loud enough to be deafening even to those nowhere near them.

Another frustrating issue was much of the audience’s failure to appreciate the moment. About a quarter of the way through the hour and a half long set, the girl standing next to me turned to me and said, “They need to play ‘Shake it like a Polaroid picture!’” Though I didn’t conduct extensive research among the audience, my sense throughout the set was that this was the typical level of familiarity with Outkast’s work. Everyone seemed happy enough to be there, but nothing—even pop culture icons such as “Ms. Jackson”—garnered the level of enthusiasm that you’d expect at these live performances.

Before I sink too deeply into the throes of curmudgeonliness, I want to be clear—this is fine. There’s nothing wrong with a bunch of people getting together to drink, dance, and have a good time, all to the tune of a smattering of artists representing a wide spectrum of the current pop music landscape. Yet I can’t help but feel that Outkast deserves more than this. I’m glad that they’ll be greeted by a crowd solely composed of their faithful when they finally play in Atlanta, but their body of work is impressive enough that they merit that sort of adoring fandom wherever they go. Their music warrants people shouting out all of the words to “Player’s Ball”, not a collective “Aque-meh-ni.”

But still. There’s no way to express the magic of seeing tens of thousands of people obey as Andréinstructed them to “throw your hands in the air” during the “ATLiens” hook. Even if all of these people were equally happy to do whatever Skrillex had told them to do, it was hard not to crack a smile while watching them play along with Outkast’s shtick. If there’s a scenario where dancing to a tune as irresistibly groovy as “Rosa Parks” with a huge crowd isn’t fun, I don’t want to imagine it. Moments like these are why I knew, from the moment the Outkast reunion was announced, that I wouldn’t dare miss it, even if it couldn’t possibly live up to my hopes.

Was it a great performance? Probably not. But it didn’t need to be. Sure, there was undoubtedly more that could have been gleaned from the reunion of one of the most important hip-hop groups of all time. Still, seeing André3000 and Big Boi play a set filled with the tunes that gave them their reputation in front of a crowd that felt as big as “The Whole World” was more than enough to ensure that the show would end feeling like it had been something special, and it’s hard to argue with that.

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