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a, Arts & Entertainment, Music

Lucius – Wildewoman

Rolling Stone nailed it when they referred to Lucius as “the best band you may not have heard yet.” Led by Brooklyn-based vocalists Jess Wolfe and Holly Laessig, the indie-pop act emerged on the scene in 2012 and has been on the fast track to fame ever since.

Wildewoman is absolutely infectious. The harmonies of the lead singers just beg to be sung along to, while the upbeat backgrounds call for dancing, particularly in the song “Turn It Around.” Arrangements aside, the finesse of Lucius rests simply in the fact that these girls can sing. Reminiscent of ‘60s girl groups like the Shangri-Las while incorporating the sound of modern indie-folk singers such as Jenny Lewis, this band has been able to craft a unique, vibrant sound for themselves.

My biggest qualm with the album? Trying to pick a favourite song. On the one hand, you might be drawn to the singers belting their hearts out in “Nothing Ordinary” and feel ready to take on the world; but then there’s the title track, “Wildewoman,” a smooth folky song with a beautifully empowering message. This favourable dilemma alludes to a core feature of Wildewoman: it’s overall versatility and uniqueness.

From the heart-melting “Go Home” to the remixed relationship anthem “How Loud Your Heart Gets,” Lucius has crafted an album full of raw emotion and unbridled vocal prowess. If you still aren’t convinced that Wildewoman is a must-hear EP, check out their creepily awesome music video for “Go Home” for some vocal and visual inspiration.

 

 

a, Editorial, Opinion

Why this SSMU GA matters, and why you should be there

This Wednesday at 5:30 p.m., the Students’ Society of McGill University (SSMU) is holding a special General Assembly (GA)—its second one in less than two months. Much has been made in the past about the accessibility and relevance of GAs, as the events themselves consistently suffer from poor attendence. While the broader debate about procedure and format will no doubt continue, the fact is that this GA does matter, and students really should care.

A main reason for this assembly is that October’s regularly-scheduled GA barely achieved half of the required quorum, which left SSMU unable to appoint a Board of Directors (BoD) for this year, a requirement dictated by its constitution. While SSMU’s daily functions are not affected by it, this failure does compromise the association’s ability to perform some of its broader administrative tasks. Without a BoD, SSMU is unable to update its investment portfolio, and may have trouble renewing its liquor licence for Gerts.

Another pressing issue to be addressed at this GA is SSMU’s budget. At last week’s Council meeting, VP Finance Tyler Hofmeister presented this year’s budget report. The budget raises many questions, most notably about the financial management of frosh. While the event was planned to break even, as per SSMU policy, the omission of taxes in estimated sponsorship revenue and of PayPal fees caused frosh to run a $21,000 deficit. These errors boil down to pure mismanagement, yet there has been no word regarding responsibility nor accountability for the errors. At the very least, SSMU owes its membership an explaination for the needless loss of several thousand dollars.

Furthermore, Council’s subsequent question-and-answer period was held behind closed doors, restricting access for the media and its membership at large to fully understand the implications of this year’s budget. This GA will be an opportunity for students to seek answers as to how their money is being spent.

Finally, students should take an interest in the upcoming Student-Run Café (SRC), which is slated to open in the SSMU building at the beginning of January. Tomorrow’s GA will feature a presentation from SRC Manager Josh Redel about the plans for the café, after which Redel will be taking questions. Although SSMU has been successfully engaging students in the ongoing name campaign for the café, all decision-making to this point has been handled internally by the SRC team. This update will give students a voice in the development of a café purported to reflect student interests.

Many of SSMU’s operations take place behind closed doors, and we don’t learn about them until they have already happened. The GA is an opportunity for all of us to lend our voices to the process, and to demand accountability from those we have chosen to speak on our behalf the rest of the academic year. Whether you are concerned about the spending of your money, want to know more about the development of the SRC, or simply want to make sure Gerts can keep its liquor license, this GA impacts you. Although we are under no illusions that the GA will be fun or engaging, we encourage each and every member of SSMU to attend.

 

a, Arts & Entertainment, Music

M.I.A. – Matangi

As an M.I.A. fan, it feels like I’ve been waiting eons to hear a satisfying amount of new material from the London rapper and singer. Fortunately, Matangi doesn’t disappoint.

This album has been a long time in the making, and is quite a departure from her last noise-heavy release, 2010’s /\/\ /\ Y /\.  I’ve always found M.I.A. (née Maya Arulpragasam) to be at her best when she’s catchy and upbeat, and Matangi captures quite a few of these moments. Tracks like “Walk With Me” and “Double Bubble Trouble” are playful, and both feature incongruous (but enjoyable) Bollywood-esque breakdowns.

It seems that M.I.A. has only grown bolder in the years since /\/\ /\ Y /\: “Walk With Me” references the classic “Bamboo Banga,” but this time includes the unmistakable camera sounds of Apple’s Photo Booth program.

Some of M.I.A.’s previous work has tried too hard to be serious or unpalatable; but, surprisingly, Matangi is a lot of fun. “Only One You”—produced by the singer herself—may not be this year’s “Paper Planes,” but it’s dance-evoking and features chantable, computer-altered vocals.

In contrast, menacing album opener “Karmageddon” and sexy groove “Know It Ain’t Right” show a more mature, evolved side to M.I.A.’s repertoire—instead of being low points in the album, they are evocative and compelling.

The one qualm I have with the album is that I’m not entirely sure what the difference between “Sexodus” and “Exodus” is: both tracks sample Canadian crooner The Weeknd, and one features more helicopter noises than the other…but that’s about it. Either way, I can’t really complain: M.I.A. has delivered—this time.

 

a, Sports

Winter team previews

Redmen basketball

The McGill Redmen basketball team has a target on its back this year. After a spectacular 2012-13 season, which culminated in winning the RSEQ championship for the first time since 1986 and finishing fifth at the CIS nationals, McGill is hungry to repeat that success and appears to have the capability to do so. Seven players are returning this season, and their development should play a vital role in the team’s success. Sophomore shooting guard Thomas Lacy is one of those players, and has already shown flashes of brilliance with 19 and 20-point scoring outings so far this season.

“We lost a few key guys, but we picked up some real talent and depth from our rookie class,” Lacy explained. “We definitely have the potential to make noise come March, [but] right now we have a lot of learning to do.”

The Redmen must integrate a whopping nine rookies into the program this season—a tall order for fourth-year Head Coach David DeAveiro. These rookies will have to adjust to the pace and style of the CIS to quickly have an impact on the team’s season. Leading McGill will be guards Simon Bibeau, an All-Conference player, and Vincent Dufort, last year’s team MVP. However, a lack of size up front—no current player stands above 6”5’—and the challenges of integrating this many young players will make the early season an uphill battle.

This challenge is evidenced by the Redmen’s 5-6 record in the pre-season. Nonetheless, the team ranks ninth in the nation and has won their lone game against an RSEQ opponent—a narrow 62-59 victory over Laval in which freshman guard Dele Ogundokun led the way with 15 points. The Redmen open their season on Nov. 21 against the Concordia Stingers at Love Competition Hall.

 

Marlet basketball

The McGill Martlets are undoubtedly the team to beat in the RSEQ this season. They are coming off back-to-back RSEQ Championships and appearances at the CIS National Championships. Their fifth-place showing last year is their most successful so far under 11th year Head Coach Ryan Thorne.

The squad has nine players returning from last year’s roster. Headlining the team will be Gabriela Hebert, Dianna Ros and Mariam Sylla. Hebert, a junior forward, was recently named to the All-Tournament team of the Redbird Classic. Ros is back to orchestrate the offence in her role as point-guard, and is fresh off of an appearance with Team Canada this summer at the Summer Universiade.  in Kazan, Russia. Sylla is the reigning CIS Rookie-of-the-Year, and was also named the MVP of the Redbird Classic. Sylla is a force to be reckoned with on the boards and the paint, and should be a nightmare matchup for opposing teams.

The Martlets currently boast a 5-1 overall record, which includes their three-game sweep and ensuing tournament victory at the Redbird Classic. The team looks primed for another league championship behind their standout players. If they can withstand the rigours of the regular season and develop solid depth from their group of four rookies, a medal at the national championships is not out of the question. The Martlets are currently ranked ninth in the CIS after coming off of a gritty 44-33 victory over Laval. They host the Concordia Stingers on Nov. 21 in their first home game of the regular season.

a, Student Life

One man’s TRH is another man’s treasure

Word of a skateboard park inside a bar often elicits stares of disbelief. TRH Bar (pronounced ‘trash’) is a near-mythic bar that no one ever really believes exists until they’ve been there. You may never have heard of TRH or even noticed it in passing, but inside is a fully functional skateboard park with a ramp on the second floor and a bowl on the first. A popular bar for snowboarders, surfers, and skateboarders alike, it’s easy to find if you know to keep a look out for its small, black and red sign and the packs of skateboard-baring youths outside its door.

When I ventured into the bar just south of Tokyo Bar on St. Laurent, the first thing I noticed was the graffiti. It’s on the walls, the doors, and even on the mirrors in the bathroom—no need to check how your makeup or hair is holding up anyway. Other items decorating the walls are stickers from various skate and surf companies such as Hurley and Roxy, as well as numerous skateboard decks, all of which add a cool and colourful atmosphere.

In TRH, comfort is the rule. I watched the action in the bowl from one of the many couches and worn-in chairs scattered around the space, reminiscent of the comfortable furniture in the SSMU lounge. This relaxed set-up and atmosphere made TRH feel like a night out at someone’s house; it’s a non-threatening environment that falls within most people’s comfort zone.

This laid-back attitude was also evident in the clothes the patrons wore—apparel included sweaters, baggy jeans, beanies, loose shirts, snapbacks, and snowboarding jackets.

If you want to participate, all you have to do is pay a $1 fee and sign a waiver.

The bowl—an obstacle requiring very little pushing—allows the skateboarder to focus on technique while undertaking lots of tricks.

People weren’t trying to do anything too crazy—mostly 180s, ollies, and aerials on occasion. For spectators, it’s also amusing to watch the odd wipeout—not to worry though, the bowl and ramp are netted off to protect from flying skateboards. The boarders took turns and either after a spill or a couple good runs they would switch out to let another skater have a go.

Everyone I met at TRH was incredibly friendly and welcoming, which was a welcome change from the Montreal club scene. We danced and bonded over the incredible drink deals: $2 shots. At $5, a beer isn’t too hard on the wallet either.

Just a warning—the TRH vibe may not be right for everyone. If you plan on going to TRH you have to be able to roll with the punches and have a good time. Televisions played an odd Jackass-esque video where a group of guys tried to fit condoms over their heads. I also had beer literally thrown in my face when two guys fell over while dancing to the remixed dance rap pumping from the speakers for most of the night.

Nevertheless, TRH has a great vibe and provides boarders with an awesome venue for skateboarding throughout the winter season in Montreal. Since everyone just does his or her own thing, it’s a great place to practise whether you’re a beginner or have been skateboarding for years. For a different way to spend a night out, TRH is definitely a spot to check out.

 

3699 St. Laurent

(514) 419-1416

Tues.-Sun: 8 p.m.- 3 a.m.

http://www.trh-bar.com

a, Student Life

Should I stay or should I go?

Whether you’re interested in learning another language, gaining work experience, or simply experiencing another culture, McGill’s student exchange opportunities provide a vastly different student experience from the one in Montreal.

Currently, McGill has over 150 exchange partnerships with universities across Europe, the Americas, Asia, and Oceania. Although each location offers a unique experience, all exchanges provide some common benefits.

“The experience is invaluable in that it teaches students about independence, other cultures, flexibility, [and the] ability to adapt to change,” Kelly Cassidy, a student advisor in the Faculty of Engineering, said. “Universities have different specialties [and] concentrations. An exchange can allow a student to get a taste for [a] specialty that perhaps they would not get at McGill or in Canada.”

According to Darlene Hnatchuk, director of McGill’s Career Planning Service (CaPS), an experience abroad doesn’t just provide students with an opportunity for personal growth; it also shows potential employers that you have valuable skills.

“If you have studied abroad, that means you have adapted to a new culture, a new way of doing things, a different type of structure or scheduling,” she said. “Studying abroad also means you’re quite a curious person. Employers seek curiosity in their employees as well because they want to innovate; they want to find new solutions to problems.”

McGill offers several different types of study abroad experiences. The most well-known programs are bilateral exchanges, in which you swap places with a student from one of McGill’s partner universities.

Although they still require a lot of advanced planning and paperwork, McGill is more involved in the process amd provides more support in bilateral exchanges. However, your choice of host university for a bilateral exchange is limited to the list of McGill’s partner institutions. While there are plenty to choose from, it is important to ensure that you apply to a university that accepts exchanges from your program.

“Some faculties may set up agreements for exchange directly with specific institutions,” Cassidy said. “Sometimes […] the host university has only expressed interest in the one faculty (or vice versa) or the exchange only works for the one faculty. For instance, some universities only have technology [or] engineering programs or only have management programs.”

When planning an exchange, Hnatchuk recommended that students take their own needs and interests into consideration to decide where they would like to study abroad.

“If you know that for the type of work you’re going to be doing later on that it’s important to have a work experience abroad, maybe you can try and tag that onto your study abroad,” she said. “If you know that learning a third language is going to be extremely important because you want to be working elsewhere in the world and want to have that flexibility, then that’s what’s going to be important for you.”

If the institution you’re interested in doesn’t appear on the list of McGill’s partner universities, you can participate in an independent study away program. This means that you apply directly to the university where you want to study, and pay their tuition instead of McGill’s.

While studying and living abroad may seem like an additional strain on your wallet, financial aid is available. For example, the Mobility Award grants a base sum of $1,000 dollars per semester to students studying abroad.

No matter what kind of exchange you’re interested in, it’s important to start thinking about the process well in advance of the first deadlines in January.

“I think it’s important that students choose an opportunity or find an opportunity that’s going to allow them to succeed,” Hnatchuk said. “Plan early, think about it early, talk to other students who have gone abroad, and explore all the different resources that are available at McGill.”

 Erica Friesen 

How to apply for a bilateral exchange:

1) Request approval through the Minerva Exchange Request Form, by mid-January (exact due dates differ by faculty).

2) After your faculty has approved the request, the Student Exchanges and Study Abroad office (SESA) will nominate you to a partner institution.

3) Apply to your host university. Once you’ve been accepted, you’re ready to start preparing for your exchange!

 

To be eligible for an exchange, you must: 

1) Have a minimum 3.0 Cumulative GPA.

2) Be registered as a full-time McGill student.

3) Have completed at least one full-time year of study at McGill by the time that your exchange program begins.

4) Meet any other faculty-specific criteria.

5) Possess a passport valid for a minimum of six months after the end of your exchange program.

See http://www.mcgill.ca/students/international/goabroad for more details

Oh, the places you will go!

Five students share their experiences abroad

 

Sam Daviau 

(U3 Finance and Accounting) 

Tsinghua University, Beijing

Why: “I wanted to break the bubble and experience something new.”

The experience: “Beijing was a hard place to live in; the pollution was really bad, the people were pushy, and no one spoke English. But I felt like I learned what it’s like to feel truly foreign, which is something I’ll carry with me for the rest of my life.”

Highlights: “The group of friends that I met [was] awesome. I had 30 friends that I could always go out with, who were from all over [….] I was also able to take weekend trips to surrounding countries like Cambodia, Thailand, and South Korea.”

Advice: “It will be an experience going there, and it will be hard […], but I gained a lot [….] You have to be prepared for [the culture shock], and just be positive and outgoing no matter what comes along.”

 

Jonathan Rosenbluth

(U3 History) 

National University of Singapore

Why: “I always wanted to travel to Southeast Asia and test my boundaries, but because Singapore is an English speaking country and is pretty developed, I could still feel comfortable and at home.”

The experience: “Singapore was nothing like I’d seen before. It was interesting and dynamic, with a government still evolving [….] Even though [Singapore] is the most expensive place to live in Southeast Asia, it’s still way cheaper than a semester in Montreal.”

Highlights: “The food, the warm climate, and the diverse group of people that I met [… and professors who] understand that you’re on exchange and don’t just want to sit in class while you’re there.”

Advice: “Don’t think twice about it; just [go on exchange] and don’t worry.”

 

Annie Shiel

(U3 International Development Studies)

Universidad del Salvador in Buenos Aires, Argentina

Why: “I already spoke Spanish so I wanted to go somewhere where I could use it and learn to speak it better.”

The experience: “Very few people spoke English, but people were still really friendly [….] Half my classes were in Spanish and half were in English, so I was able to become friends with the international students and the Argentinean students [….] Argentina is also insanely diverse, so I was able to see the Iguazu Falls and go skiing while I was there.”

Highlights: “I went to see the Superclásico, which is one of their famous soccer games; it was incredible, I’d recommend it to anyone staying in Argentina [….] I’d also recommend seeing La Bomba Di Tiempo which is kind of like a bigger version of Tam Tams.”

Advice: “You have to be smart because [Buenos Aires] is a dangerous city with plenty of petty theft. Just be careful of your belongings, don’t walk alone after dark, and always take cabs.”

 

Zac Worztman 

(U3, History and Political Science) University of Western Australia, Perth

Why: “I wanted to escape the big city to somewhere relaxed.”

The experience: “Perth is pretty isolated, with huge parks and beaches [….] There’s a lot of surfing, gold, cricket, and lawn bowling [….] It was not a difficult place to get used to because the language, history, and social life were very similar to Canada.”

Highlights: “I met a lot of good people and it was cool to just live in another country.”

Advice: “Mention that you’re Canadian [….] They love Canadians. They’ll think you’re the most interesting person there.”

 

Chloe Jacobs 

(U3, International Development) L’Institut d’Études Politiques de Paris (Sciences Po), France

Why: “I’ve always dreamed of actually living in Paris and being able to fully immerse myself into the Parisian life.”

The experience: “Paris was absolutely amazing [….] France is like the extreme of Montreal—they’re against multiculturalism; there’s a lot of animosity to foreigners, and the people weren’t friendly. But that’s part of the experience of living there [….] When you finally get one to smile or can communicate with them, it’s the best feeling.”

Highlights: “I loved just walking around the city because there was always something new to see that I hadn’t noticed before [….] I always felt safe because the city never sleeps, people are out all night long, and there are always groups of people around.”

Advice: “Living was very expensive [….] You can live cheaply though—you just have to figure out how. I basically lived on cheap wine and baguettes.”

 

 

– Hailey MacKinnon

 

a, Behind the Bench, Sports

Fighting depression in sports

Sports culture dictates a very specific image of what an athlete should be. In the worst cases, this can cause emotional trauma in those who play sports, preventing them from expressing their emotions or asking for help when they feel overwhelmed. Neither fame nor money can protect someone against mental illness, which is why a support system needs to be put in place for these athletes.

The demand for high performance occurs both on and off the field. Athletes lay the blame and responsibility for success—particularly in individual sports—on themselves. Playing a sport is more than just about the game itself. The need to be accepted into a team environment on a social level can be so great that a player may sacrifice his or her own well-being for the benefit of the team. For example, when the Miami Dolphins’ offensive tackle, Jonathan Martin was left racist and abusive messages by teammate Richie Incognito, Martin was deeply affected by the bullying and left the team due to depression. Martin was initially afraid of voicing his unhappiness in fear of retribution from his teammates.

The general nature of professional sports can be another source of depression, as athletes face the inevitability of a short, yet intense sporting career. Athletes train for years in preparation for one particular event, and once that event passes, they may lose their sense of purpose. This same feeling occurs with an early career-ending injury. In both cases, athletes are left unfulfilled after their careers are over. The sport has consumed their entire life for years, leaving a void once they can no longer play. It may take professional help—such as talking to a career counsellor—for athletes to realize they have other options.

While career-ending injuries are oftentimes conspicuous in appearance, there is another type of injury that is more covert but is nonetheless a direct cause of depression: head injuries. NHL players Derek Boogaard, Rick Rypien, and Wade Belak all committed suicide in 2011. Although the official causes of death were linked to mixing alcohol with painkillers, Rypien and Belak were depressed, and Boogard suffered from severe trauma. Serious blows to the head catalyze a change in the hormonal balance of the brain, which causes depression to occur. Furthermore, addiction to depressants such as painkillers and alcohol—which can be caused by the long-term side effects of concussions—perpetuate the depression. Unfortunately, the pressures to play through injuries, the expectations of coaches and teammates and the overall ‘culture of resistance’ present in sports stopped these players from properly seeking the help that they required.

The pressure to play while injured and to sacrifice one’s body goes beyond the athlete and the team to the spectators of sporting events. Fans love the thrill of a good fight in hockey, or a solid tackle in football; these are the reason that there is an enforcer position in hockey. There is an entertainment value to sports that athletes must try to uphold. However, in doing so, they put their bodies and minds at risk

These same spectators will argue that athletes know what they are getting into when they play a sport. Players do indeed acknowledge the risk of participating, and they get richly compensated for these risks. Yet depression is a consequence of sport, just as shin-splints, broken bones, fame, and fortune can all result from playing. There is a lack of support in the mental stability of players in this high-pressure environment. If the idea of having an on-call physiotherapist is considered necessary in the sporting world due to the amount of injuries, then players should have the same accessibility to a psychiatrist­—because mental health problems are just as common.

 

 

a, Arts & Entertainment

West coast state of mind

Birds, Metals, Stones & Rain contains just the types of poems you might expect from a West-Coast Canadian lyrical poet like Russell Thornton, and then some, which is one of the reasons it manages to avoid clichés and remains engaging throughout.

With Thornton’s Vancouver home as a primary backdrop, his prolific compilation of poems balances familial themes with natural settings and their relation to the urban landscape. Thornton writes in free verse, but many of the poems could be considered lyrics—not the kind that rhyme, but personal meditations governed only by a steady cadence.

The epigraph to the McGill alumnus’s fifth poetry collection opens like this: “Birds, metals, stones, and rain are mother, father, daughter, and son,” After first reading those introductory words, my thoughts were that he was probably making some kind of overarching metaphorical statement about how the parts of the natural world resemble a traditional family structure—but Thornton had more literal ideas.

He alludes here to poems in the anthology that share the connections listed—some uplifting and sentimental, others disturbing. The inspiration for “Playing With Stones” is Thornton’s revered daughter, who has a ritual of collecting the smooth stones outside their apartment when they arrive home. “Blade,” on the other hand, details the painfully tense relationship Thornton shares with his father through a dream in which they face each other, ready to strike with razor-sharp metal blades. These two poems say a lot about their author’s mindset and style: much of his work stems from everyday ruminations about the natural fixtures of Vancouver and the joys of being a father, but he never shies away from bleakness and harsher convictions.

For instance, “Nest of the Swan’s Bones” laments the local industrial and environmental changes that have taken place in Thornton’s lifetime alone: “The wild white swan is dead. Where I caught trout as a child, no trout swim now.” Holding himself to a standard of accountability for his surroundings, Thornton writes, “I am a person. I soil the cage in which my heart flings and flings itself against the bars.” “Nest” begins with an epigraph from a Robinson Jeffers, an American poet considered an icon of the environmental movement. Other authors and works that warrant an introductory quotation in this collection include Euripides, the Book of Exodus, and renowned Canadian poet (and fellow McGill graduate) Irving Layton. In an interview with Canadian Literature, Thornton cites an encounter with one of Layton’s works as the catalyst that hooked him into seriously pursuing poetry.

Thornton is at his best with poems that explore temporality and relative change. My favourite poem in the anthology was “When the Big Hand Is on the Starfish,” a journey through time and space within the Art Deco-style Vancouver Marine Building. Once the tallest structure in the British Commonwealth, the building is a canvas for depictions of the nautical flora and fauna found in the nearby Pacific Ocean. Thornton uses the iconic clock in the lobby of the building, which has replaced numbers with marine creatures, as the central device of the poem, his jumping off point for a delve into the region’s past. It’s a history lesson compressed and disguised as a beautiful daydream-like meditation.

Thornton proves with Birds, Metals, Stones & Rain that he is a polished poet, both in the flow of his verses and in their content. The animals, landscapes, and overall elements of Vancouver and their intersection with his revealing personal life give the volume a clear aesthetic. It’s a combination that makes all the poems feel thematically linked, but still varied enough to feel like we’re not reading the same retread words over and over.

a, Arts & Entertainment, Music

Sky Ferreira – Night Time, My Time

With so much recent attention on Sky Ferreira’s private life—most notably her September arrest for ecstasy possession—it’s a relief to finally hear some of her music. Thankfully, her first full-length release, Night Time, My Time is exciting and moody, featuring a wide array of potential singles.

Although first single “You’re Not the One” may be the album’s highlight, it fits in nicely with catchy tracks like “Love in Stereo” and “Heavy Metal Heart,” with each song displaying a different facet of Ferreira’s pop-punk sound. For example, “Heart” is a stomping, stadium anthem with the chorus of a danceable pop song; basically, it’s a cross between Sleigh Bells and a Lady Gaga track.

The album’s titular song, however, takes a much darker tone, and is similar to Cat Power’s brooding early sound (circa Moon Pix). This moodiness is mirrored in “Nobody Asked Me (If I Was Okay)” and “I Blame Myself”; both hint at a sense of abandonment and forced independence. This time, though, the moodiness is only prevalent in the lyrics, as each song has a rather upbeat tune.

Herein lies the album’s best quality: Ferreira convincingly jumps from an accessible, poppy sound to a dark, foreboding groove within the space of one album—and, sometimes, even one song. However, there’s still room for improvement: Ferreira’s vocals often suffer, especially when paired with the album’s lush production.

Still, Night Time, My Time is adaptable, and certainly anything but bland—especially when compared to the majority of mainstream pop music these days.

 

a, Arts & Entertainment, Music

Deep cuts

Headlights

Artist: Eminem ft. Nate Ruess

Album: The Marshall Mathers LP 2

Released: Nov. 5, 2013

“Headlights” is Eminem’s written apology to his mother. This may come as a surprise to fans of the rapper, as the bitterness harboured towards his mother has been far from secret. “But I’m sorry mama for cleaning out my closet, at the time I was angry,” he raps, making reference to his highly acclaimed 2002 single, “Cleaning Out My Closet.” Ruess’ signature voice, rare and salient, embodies the song’s emotional eminence. “Headlights” is indisputably a highlight of The Marshall Mathers LP 2—if not the rapper’s career. Just when fans thought he could not get more real, the hip-hop icon proves us wrong.

 

Team

Artist: Lorde

Album: Pure Heroine

Released: Sept. 30, 2013

Lorde has taken the music industry by storm with the release of her first studio album, Pure Heroine. At just 16 years of age, the New Zealander possesses maturity well beyond her years. “Team” is a shout-out to her fans. “I’m kinda over gettin’ told to throw my hands up in the air,” she sings, suggesting that the classic adage of pop music may be worn-out.  Showing off her rich tone and compelling rumble with this song, Lorde makes it known that she intends to pave her own lane in the realm of pop—proudly deviating from what has become the norm.

 

I’ll Be Gone 

Artist: Linkin Park (Vice Remix ft. Pusha T)

Album: Recharged

Released: Oct. 28, 2013 

With DJ Vice putting forth an exciting EDM arrangement to a song originally produced by musical genius Rick Rubin, it’s no wonder the remix is so appealing to the ear. G.O.O.D. Music artist Pusha T makes a fine appearance, delivering solid verses. Band member Mike Shinoda puts impressive rhymes to the test as well. The remix takes the form of a great electronic song, but with an atypical fresh feel—as opposed to just another good beat-dropping electronic compilation.

 

Normal Person

Artist: Arcade Fire

Album: Reflektor

Released: Oct. 29, 2013

In one of Reflektor’s more critical songs, Arcade Fire questions whether a ‘normal person’ exists, while successfully tackling the band’s rock and roll roots in the track’s musical arrangement. This song sounds like a well-blended mix of Bruce Springsteen and The Pixies, with a touch of Neil Young thrown in.

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