The evening of Sept. 2 was chilly, but the back alley of the Milton Park Housing Co-op was hot with the buzz of political activism. Gathering for a viewing of Elaine Briere’s Haiti Trahie and Franklin Lopez’s Invasion put on by Cinema Politica Concordia, viewers and concerned citizens ate pizza,[Read More…]
Tag: film
‘Hron, a Country of Ghosts’ dares to be different
Hron, A Country of Ghosts, a new independent film from director dani Tardif, is a self-described anarcho-queer sci-fi movie about love and war. The film centres on Dydo Horacki (Noé Larose), a journalist who is assigned to a military camp to cover the expansion efforts of the fictional Borolian Empire, an[Read More…]
‘Suspiria’ dances to a vicious conclusion
Suspiria, Luca Guadagnino’s remake, or ‘cover version,’ as he calls it, of Dario Argento’s 1977 horror classic, is a hard pivot from both its source material and Guadagnino’s previous film, Call Me By Your Name. Whereas those films isolated their characters to watch the play of emotions in specific environs—CMBYN[Read More…]
‘Festival du Nouveau Cinema’ showcases films from around the world
The 47th edition of Festival du Nouveau Cinéma (FNC) ran Oct. 3-14, gracing Montreal’s silver screens with an eclectic program of films ranging from festival-circuit fare to micro-budget Quebecois features. The McGill Tribune team was there in full force.
Thirty years of queer art and activism at image+nation
Thirty years ago, Canada’s first LGBTQ film festival held its inaugural screening. Today, the image+nation festival continues to share queer cinema with Montreal’s wider community, supporting the producers and artists who create these spellbinding stories. Bringing all of this together is no easy task. Programming director Katharine Setzer and her[Read More…]
Cielo: Alison McAlpine’s conversation with the sky
Among the 142 films featured at the latest Montréal International Documentary Festival (Nov. 9 – 19), one of the most memorable was Cielo, the first feature film by Canadian director Alison McAlpine. Set in the Chilean Atacama Desert, Cielo is an exploration of the night sky’s hold over the people who[Read More…]
The Killing of a Sacred Deer brings original formal approach to derivative subject matter
The Killing of a Sacred Deer opens with Schubert’s grandiose “Stabat Mater” playing over an extreme close-up of a human heart mid-operation, followed by a conversation between two surgeons about wristwatch straps. Within minutes, director Yorgos Lanthimos sets the tone for the film: Darkly eccentric, fearlessly macabre, and meticulously choreographed. However,[Read More…]
Made in Canada doesn’t mean Canadians will watch
On Sept. 28, the federal government announced a partnership with Netflix. The online streaming service agreed to invest $500 million over the next 10 years to create “Canadian content” as part of Justin Trudeau’s cultural strategy, which will in turn pledge $125 million towards promoting Canadian content. Netflix will be[Read More…]
The Tribune team takes on Montreal’s Festival du Nouveau Cinéma
This past October marked the 46th iteration of Montreal’s annual Festival du Nouveau Cinéma (FNC). Decades into its existence, the festival is continuing to grow; this year, FNC managed to secure the premiere of big name films, most notably Blade Runner 2049. The McGill Tribune looks at what succeeded, and[Read More…]
‘Blade Runner 2049’ sets a new standard for Hollywood sequels
For decades, it seemed like a Blade Runner (1982) sequel was doomed to be an artistic failure. Arguably Ridley Scott’s magnum opus, the cyberpunk cult classic lives on in major part because of its absolute disinterest in offering clear answers to the questions it raises. The prospect of a follow-up threatened[Read More…]
