Suspiria, Luca Guadagnino’s remake, or ‘cover version,’ as he calls it, of Dario Argento’s 1977 horror classic, is a hard pivot from both its source material and Guadagnino’s previous film, Call Me By Your Name. Whereas those films isolated their characters to watch the play of emotions in specific environs—CMBYN[Read More…]
Tag: film
‘Festival du Nouveau Cinema’ showcases films from around the world
The 47th edition of Festival du Nouveau Cinéma (FNC) ran Oct. 3-14, gracing Montreal’s silver screens with an eclectic program of films ranging from festival-circuit fare to micro-budget Quebecois features. The McGill Tribune team was there in full force.
Thirty years of queer art and activism at image+nation
Thirty years ago, Canada’s first LGBTQ film festival held its inaugural screening. Today, the image+nation festival continues to share queer cinema with Montreal’s wider community, supporting the producers and artists who create these spellbinding stories. Bringing all of this together is no easy task. Programming director Katharine Setzer and her[Read More…]
Cielo: Alison McAlpine’s conversation with the sky
Among the 142 films featured at the latest Montréal International Documentary Festival (Nov. 9 – 19), one of the most memorable was Cielo, the first feature film by Canadian director Alison McAlpine. Set in the Chilean Atacama Desert, Cielo is an exploration of the night sky’s hold over the people who[Read More…]
The Killing of a Sacred Deer brings original formal approach to derivative subject matter
The Killing of a Sacred Deer opens with Schubert’s grandiose “Stabat Mater” playing over an extreme close-up of a human heart mid-operation, followed by a conversation between two surgeons about wristwatch straps. Within minutes, director Yorgos Lanthimos sets the tone for the film: Darkly eccentric, fearlessly macabre, and meticulously choreographed. However,[Read More…]
Made in Canada doesn’t mean Canadians will watch
On Sept. 28, the federal government announced a partnership with Netflix. The online streaming service agreed to invest $500 million over the next 10 years to create “Canadian content” as part of Justin Trudeau’s cultural strategy, which will in turn pledge $125 million towards promoting Canadian content. Netflix will be[Read More…]
The Tribune team takes on Montreal’s Festival du Nouveau Cinéma
This past October marked the 46th iteration of Montreal’s annual Festival du Nouveau Cinéma (FNC). Decades into its existence, the festival is continuing to grow; this year, FNC managed to secure the premiere of big name films, most notably Blade Runner 2049. The McGill Tribune looks at what succeeded, and[Read More…]
‘Blade Runner 2049’ sets a new standard for Hollywood sequels
For decades, it seemed like a Blade Runner (1982) sequel was doomed to be an artistic failure. Arguably Ridley Scott’s magnum opus, the cyberpunk cult classic lives on in major part because of its absolute disinterest in offering clear answers to the questions it raises. The prospect of a follow-up threatened[Read More…]
Pop Rhetoric: Selling horror
Three weekends into its theatre run, Andrés Muschietti’s It continued to lead the box-office with an impressive $29.8 million three-day total. Simultaneously, Darren Aronofsky’s mother! kept collecting dust with a meek $3.3 million in its second weekend despite strong TIFF word-of-mouth and Jennifer Lawrence’s star power. Both films are critically-acclaimed,[Read More…]
“Dunkirk” is director Christopher Nolan’s most immersive work to date
Since his first film Following (1998), Christopher Nolan has proven himself to be one of the most ambitious directors of his generation. Many of Nolan’s films deal with complicated time structuring, turning his scripts into labyrinthine puzzles to be decoded, such as the amnesic haze of Memento (2000), Inception’s (2010) layered dreamscapes,[Read More…]
